Short answer: the Polk Audio Reserve R700. It ranks #32 of 68 floorstanding speakers by sound quality at $1199; the Focal Aria Evo X N°2 ranks #58 and costs $2399, so there is not much of a tradeoff to weigh.
What the Focal Aria Evo X N°2 offers: Solid bass with a deliberate mid-bass bump (80-120Hz) that gives extra thump and weight, extending to about 40-50Hz in-room. High sensitivity (measured 88.2dB) makes it easy to drive, and distortion is low throughout the range even at high output - the reviewer found only a minor compression “glare” around 4.5kHz at very high volumes, not a real concern. Directivity components (mid-range and tweeter) transition smoothly rather than abruptly, and the overall soundstage is wide and enveloping. Watch for: Sounds very bright pointed directly at the listener - the tweeter comes in 5-6dB above the midrange with an unusually wide, roughly two-octave dip (1kHz-4kHz) leading into it, giving a laid-back, low-attack character even after toeing out ~20 degrees. Fixing this properly requires real EQ (a mini DSP or similar), not just toe-out or absorption alone; without EQ, expect it to sound bright for stereo listening. A mild dip around 200Hz makes male vocals sound slightly subdued. Narrow vertical directivity (about +/-15 degrees) means you need to stay close to tweeter-axis height. Impedance dips to 3.4 ohms (EPDR 1.4 ohms), so it wants a 4-ohm-capable amplifier, and requires a plinth for floor clearance since it’s bottom-ported.
What the Polk Audio Reserve R700 offers: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics - solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard - a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $2,200/pair MSRP, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness. Watch for: Compression in the high frequencies rises sharply between 96dB and 102dB output - a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward - especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs - more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.
Buy the Polk Audio Reserve R700. It ranks higher for sound quality than the Focal Aria Evo X N°2 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Focal Aria Evo X N°2. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Focal Aria Evo X N°2 | Polk Audio Reserve R700 | |
|---|---|---|
| Price | $2399 | $1,199.00 |
| Ranked | #58 of 68 in Large Size Floorstanding Speakers | #32 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 38Hz (measured, Erin’s Audio Corner) | 31Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 50Hz (measured, Erin’s Audio Corner) | 40Hz (measured, Erin’s Audio Corner) |
| Impedance | 8 ohms nominal (2.9 ohms minimum, Manufacturer specified; 3.4 ohms minimum measured by Erin’s Audio Corner) | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner) |
| Sensitivity | 88.2dB (2.83V/1m, measured by Erin’s Audio Corner; 91.5dB Manufacturer specified) | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner) |
| Drivers | Aluminum-magnesium inverted dome tweeter with waveguide, 6.5" flax midrange, dual 6.5" flax midbass woofers | 2x 8" polypropylene cone woofers, 1x 6.5" turbine cone midrange, 1x 1" Pinnacle ring radiator tweeter |
| Weight | 55.1 lbs / 25 kg (55 lbs) each | 102.1 lbs / 46.3 kg |
| Dimensions | 40.7"H x 14.6"W x 11.6"D (1035 x 371 x 294 mm) (40.25 x 14.62 x 11.56 in) | 45"H x 12.6"W x 16.9"D (1143.8 x 320.7 x 428.3 mm) |
| Woofer Cabinet | 3-way, bass reflex (bottom-firing port, requires plinth) | ported, down-firing |
| Frequency Response | 45Hz - 30kHz (Manufacturer specified) | - |
| Recommended Power | 40-250W | - |
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The Two Speakers In Full
Focal Aria Evo X N°2: $2399 Music Direct eBay
Pros: Solid bass with a deliberate mid-bass bump (80-120Hz) that gives extra thump and weight, extending to about 40-50Hz in-room. High sensitivity (measured 88.2dB) makes it easy to drive, and distortion is low throughout the range even at high output - the reviewer found only a minor compression “glare” around 4.5kHz at very high volumes, not a real concern. Directivity components (mid-range and tweeter) transition smoothly rather than abruptly, and the overall soundstage is wide and enveloping.
Cons: Sounds very bright pointed directly at the listener - the tweeter comes in 5-6dB above the midrange with an unusually wide, roughly two-octave dip (1kHz-4kHz) leading into it, giving a laid-back, low-attack character even after toeing out ~20 degrees. Fixing this properly requires real EQ (a mini DSP or similar), not just toe-out or absorption alone; without EQ, expect it to sound bright for stereo listening. A mild dip around 200Hz makes male vocals sound slightly subdued. Narrow vertical directivity (about +/-15 degrees) means you need to stay close to tweeter-axis height. Impedance dips to 3.4 ohms (EPDR 1.4 ohms), so it wants a 4-ohm-capable amplifier, and requires a plinth for floor clearance since it’s bottom-ported.
Full Focal Aria Evo X N°2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 50Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.7"H x 14.6"W x 11.6"D (1035 x 371 x 294 mm) (40.25 x 14.62 x 11.56 in) |
| Drivers | Aluminum-magnesium inverted dome tweeter with waveguide, 6.5" flax midrange, dual 6.5" flax midbass woofers |
| Frequency Response | 45Hz - 30kHz (Manufacturer specified) |
| Impedance | 8 ohms nominal (2.9 ohms minimum, Manufacturer specified; 3.4 ohms minimum measured by Erin's Audio Corner) |
| Recommended Power | 40-250W |
| Sensitivity | 88.2dB (2.83V/1m, measured by Erin's Audio Corner; 91.5dB Manufacturer specified) |
| Weight | 55.1 lbs / 25 kg (55 lbs) each |
| Woofer Cabinet | 3-way, bass reflex (bottom-firing port, requires plinth) |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Focal Aria Evo X N°2 vs Sony SS-CS3
- Focal Aria Evo X N°2 vs Infinity Reference 253
- Focal Aria Evo X N°2 vs Polk T50
- Focal Aria Evo X N°2 vs JBL Stage 2 280F
- Focal Aria Evo X N°2 vs Klipsch RP-6000F II
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- See all 38 comparisons
Polk Audio Reserve R700: $1,199.00 Amazon eBay
Pros: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics - solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard - a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $2,200/pair MSRP, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness.
Cons: Compression in the high frequencies rises sharply between 96dB and 102dB output - a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward - especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs - more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.
Full Polk Audio Reserve R700 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 40Hz (measured, Erin's Audio Corner) |
| Dimensions | 45"H x 12.6"W x 16.9"D (1143.8 x 320.7 x 428.3 mm) |
| Drivers | 2x 8" polypropylene cone woofers, 1x 6.5" turbine cone midrange, 1x 1" Pinnacle ring radiator tweeter |
| Impedance | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin's Audio Corner) |
| Sensitivity | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin's Audio Corner) |
| Weight | 102.1 lbs / 46.3 kg |
| Woofer Cabinet | ported, down-firing |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: My Top 5 Just Changed: Polk Audio Reserve R700 Review More from Erin’s Audio Corner →
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Website: Polk Audio Reserve R700
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for Polk Audio Reserve R700 Review
- Head-to-Head Comparisons
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