ELAC DBR62 vs Wharfedale Aura 2

Last updated: September 16, 2026

Short answer: the Wharfedale Aura 2 on measured sound quality, the ELAC DBR62 on price. The Wharfedale Aura 2 ranks #13 of 130 bookshelf speakers at $2799. The ELAC DBR62 ranks #55 at $799, $2000 cheaper.

ELAC DBR62 vs Wharfedale Aura 2

What the ELAC DBR62 offers: Two-way design with a 6.5” woofer and 1” dome tweeter in a shallow waveguide, with the tweeter positioned close to the woofer for near-point-source coherence - giving more vertical listening leeway than typical two-ways. Notably forgiving of placement and aiming: sounds good from directly on-axis all the way to 30° of toe-out (parallel with the rear wall), making it more room-independent than many speakers this price. Wide horizontal radiation of about ±70° until the tweeter starts beaming, right in the reviewer’s preferred sweet spot. A mild, wide-Q bass bump centered around 100Hz adds a bit of extra punch that the reviewer personally likes. On-axis linearity within about ±2.5dB, with a strong measured preference score of 5.3. Distortion stays below 3% at both 86dB and 96dB until around 50Hz. Vertical sweet spot of about ±10-20° works well for multi-row home theater seating. The reviewer calls it “the epitome of a good speaker” for its price, with no reservations recommending it. Watch for: A slight recess in the 1-2kHz region reduces vocal presence somewhat compared to other speakers in direct comparison. A mild hot spot around 4-5kHz can read as slight sibilance when pointed directly on-axis. Low-to-mid sensitivity (about 84.3dB) combined with a current draw that behaves like roughly 2.4 ohms between 100-200Hz means it’s best driven by a dedicated 4-ohm-capable amplifier rather than an AVR. A diffraction dip from the baffle edge is visible in measurements - typical of any standard rectangular-baffle speaker and not correctable without a much more expensive curved-baffle design. Multitone distortion testing suggests some potential midrange distortion could be audible on certain material, though the reviewer didn’t personally notice it. Minor resonances appear around 700Hz and 1-1.5kHz, possibly tied to the enclosure, port, or cone/surround edge termination, though their audible impact appears minimal. F3 of 53Hz means a subwoofer is still needed for real bass extension below about 40Hz.

What the Wharfedale Aura 2 offers: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Watch for: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

Buy the ELAC DBR62 if the price is the priority over sound quality, or the Wharfedale Aura 2 if sound quality is the priority over the price.

Want more options? Browse the full Passive Home rankings.

Specifications Side By Side

ELAC DBR62 Wharfedale Aura 2
Price$799.00 per pair$2799 per pair
Ranked#55 of 130 in Large Size Bookshelf Speakers#13 of 130 in Large Size Bookshelf Speakers
Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)30Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)53Hz (measured, Erin's Audio Corner)56Hz (measured, Erin's Audio Corner)
Dimensions14.1"H x 8.2"W x 10.8"D (358.1 x 208.3 x 274.3 mm)22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)
Impedance6 ohms nominal, 5.2 ohms minimum (measured above 80Hz, Erin's Audio Corner)6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner)
Sensitivity84.3dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin's Audio Corner; 86dB manufacturer specified)87dB (measured, Erin's Audio Corner)
Drivers6.5" Aramid Fiber woofer, 1" soft dome tweeter6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter
Weight18.1 lbs (8.2 kg) each45 lbs (20.4 kg) each
Woofer Cabinetported, frontported, rear
Spinorama Preference Score4.165.19
Spinorama Preference Score with Perfect Sub6.356.81

More top alternatives to Wharfedale Aura 2:

Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

As an eBay Partner, we may be compensated if you make a purchase.

The Two Speakers In Full

ELAC DBR62: $799.00 per pair Amazon Crutchfield eBay

ELAC DBR62 ranking card

Pros: Two-way design with a 6.5” woofer and 1” dome tweeter in a shallow waveguide, with the tweeter positioned close to the woofer for near-point-source coherence - giving more vertical listening leeway than typical two-ways. Notably forgiving of placement and aiming: sounds good from directly on-axis all the way to 30° of toe-out (parallel with the rear wall), making it more room-independent than many speakers this price. Wide horizontal radiation of about ±70° until the tweeter starts beaming, right in the reviewer’s preferred sweet spot. A mild, wide-Q bass bump centered around 100Hz adds a bit of extra punch that the reviewer personally likes. On-axis linearity within about ±2.5dB, with a strong measured preference score of 5.3. Distortion stays below 3% at both 86dB and 96dB until around 50Hz. Vertical sweet spot of about ±10-20° works well for multi-row home theater seating. The reviewer calls it “the epitome of a good speaker” for its price, with no reservations recommending it. Measured bass extension of 53Hz (-3dB), with a measured sensitivity of 84.3dB.

Cons: A slight recess in the 1-2kHz region reduces vocal presence somewhat compared to other speakers in direct comparison. A mild hot spot around 4-5kHz can read as slight sibilance when pointed directly on-axis. Low-to-mid sensitivity (about 84.3dB) combined with a current draw that behaves like roughly 2.4 ohms between 100-200Hz means it’s best driven by a dedicated 4-ohm-capable amplifier rather than an AVR. A diffraction dip from the baffle edge is visible in measurements - typical of any standard rectangular-baffle speaker and not correctable without a much more expensive curved-baffle design. Multitone distortion testing suggests some potential midrange distortion could be audible on certain material, though the reviewer didn’t personally notice it. Minor resonances appear around 700Hz and 1-1.5kHz, possibly tied to the enclosure, port, or cone/surround edge termination, though their audible impact appears minimal. F3 of 53Hz means a subwoofer is still needed for real bass extension below about 40Hz.

Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)53Hz (measured, Erin's Audio Corner)
Dimensions14.1"H x 8.2"W x 10.8"D (358.1 x 208.3 x 274.3 mm)
Drivers6.5" Aramid Fiber woofer, 1" soft dome tweeter
Impedance6 ohms nominal, 5.2 ohms minimum (measured above 80Hz, Erin's Audio Corner)
Sensitivity84.3dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin's Audio Corner; 86dB manufacturer specified)
Spinorama Preference Score4.16
Spinorama Preference Score with Perfect Sub6.35
Weight18.1 lbs (8.2 kg) each
Woofer Cabinetported, front

Wharfedale Aura 2: $2799 per pair Crutchfield eBay

Wharfedale Aura 2 ranking card

Pros: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 87dB.

Cons: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

Bass Extension (-10dB)30Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)56Hz (measured, Erin's Audio Corner)
Dimensions22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)
Drivers6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter
Impedance6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner)
Sensitivity87dB (measured, Erin's Audio Corner)
Spinorama Preference Score5.19
Spinorama Preference Score with Perfect Sub6.81
Weight45 lbs (20.4 kg) each
Woofer Cabinetported, rear