Short answer: the Philharmonic BMR Monitor. It ranks #76 of 130 bookshelf speakers by sound quality at $2200; the Dynaudio Special Forty ranks #86 and costs $3600, so there is not much of a tradeoff to weigh.
What the Dynaudio Special Forty offers: Smooth, “buttery” overall tonal character consistent with Dynaudio’s house sound. Surprisingly precise, focused imaging despite wide horizontal radiation (about ±70°) - atypical, since wide-radiating speakers usually sacrifice some image precision in reflective rooms. Strong output capability: reached 100-101dB average at 3.5 meters with no audible distortion or woofer distress, and compression testing at 102dB shows the cabinet holding up mechanically well at extreme output. Bass reaches a genuine 50Hz (potentially 40Hz) in most rooms from a rear-ported design. Distortion stays below 1% at 86dB and doesn’t cross 3% THD until about 50Hz even at 96dB. Extra weight and impact on snares and percussion around 700-800Hz that the reviewer found appealing on many tracks. Watch for: A glaring, sometimes sibilant quality around 3-4kHz was the most noticeable issue in listening, the one thing the reviewer would want notched out with EQ. Multiple enclosure resonances appear between 500Hz-1kHz across on-axis, listening window, early-reflections, and sound-power measurements, corroborated by independent third-party CSD data showing similar 500-800Hz cabinet resonances. A dip around 1.2kHz traces to a cone-edge-to-surround compliance mismatch in the driver itself (confirmed by testing the bare driver’s impedance) - a known artifact common to many similarly-sized drivers across several manufacturers, contributing to elevated second-order distortion in that region. A somewhat laid-back, recessed 1-2kHz character (sometimes described as a “BBC dip”) gives an overall subdued quality that isn’t overtly problematic but shapes the tonal balance. Impedance drops below 3 ohms in the 100-200Hz region, requiring a genuinely 4-ohm-stable amplifier rather than an AVR. Rear port means it can’t be placed directly against a wall.
What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Buy the Philharmonic BMR Monitor. It ranks higher for sound quality than the Dynaudio Special Forty and costs less, which settles it without a real tradeoff to make.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Dynaudio Special Forty | Philharmonic BMR Monitor | |
|---|---|---|
| Price | $3600 per pair | $2200 per pair |
| Ranked | #86 of 130 in Large Size Bookshelf Speakers | #76 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) | 32Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.1"H x 7.7"W x 12.1"D (358.1 x 195.6 x 307.3 mm) | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Impedance | 6 ohms nominal (4.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) | 84dB (measured, Erin's Audio Corner) |
| Drivers | 5.9" MSP (Magnesium Silicate Polymer) cone woofer, 1" Esotar soft dome tweeter | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Weight | 17.9 lbs (8.1 kg) each | 32 lbs (14.5 kg) each |
| Woofer Cabinet | ported | ported, rear |
| Spinorama Preference Score | 3.85 | - |
| Spinorama Preference Score with Perfect Sub | 5.86 | - |
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The Two Speakers In Full
Dynaudio Special Forty: $3600 per pair Safeandsoundhq eBay
Pros: Smooth, “buttery” overall tonal character consistent with Dynaudio’s house sound. Surprisingly precise, focused imaging despite wide horizontal radiation (about ±70°) - atypical, since wide-radiating speakers usually sacrifice some image precision in reflective rooms. Strong output capability: reached 100-101dB average at 3.5 meters with no audible distortion or woofer distress, and compression testing at 102dB shows the cabinet holding up mechanically well at extreme output. Bass reaches a genuine 50Hz (potentially 40Hz) in most rooms from a rear-ported design. Distortion stays below 1% at 86dB and doesn’t cross 3% THD until about 50Hz even at 96dB. Extra weight and impact on snares and percussion around 700-800Hz that the reviewer found appealing on many tracks. Measured bass extension of 54Hz (-3dB), with a measured sensitivity of 83.5dB.
Cons: A glaring, sometimes sibilant quality around 3-4kHz was the most noticeable issue in listening, the one thing the reviewer would want notched out with EQ. Multiple enclosure resonances appear between 500Hz-1kHz across on-axis, listening window, early-reflections, and sound-power measurements, corroborated by independent third-party CSD data showing similar 500-800Hz cabinet resonances. A dip around 1.2kHz traces to a cone-edge-to-surround compliance mismatch in the driver itself (confirmed by testing the bare driver’s impedance) - a known artifact common to many similarly-sized drivers across several manufacturers, contributing to elevated second-order distortion in that region. A somewhat laid-back, recessed 1-2kHz character (sometimes described as a “BBC dip”) gives an overall subdued quality that isn’t overtly problematic but shapes the tonal balance. Impedance drops below 3 ohms in the 100-200Hz region, requiring a genuinely 4-ohm-stable amplifier rather than an AVR. Rear port means it can’t be placed directly against a wall.
Full Dynaudio Special Forty review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.1"H x 7.7"W x 12.1"D (358.1 x 195.6 x 307.3 mm) |
| Drivers | 5.9" MSP (Magnesium Silicate Polymer) cone woofer, 1" Esotar soft dome tweeter |
| Impedance | 6 ohms nominal (4.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Spinorama Preference Score | 3.85 |
| Spinorama Preference Score with Perfect Sub | 5.86 |
| Weight | 17.9 lbs (8.1 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Special Forty vs ELAC Debut 2.0 B6.2
- Dynaudio Special Forty vs SVS Prime Bookshelf
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- Dynaudio Special Forty vs KEF Q3 Meta
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Philharmonic BMR Monitor: $2200 per pair Philharmonicaudio eBay
Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 84dB.
Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Full Philharmonic BMR Monitor review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 84dB (measured, Erin's Audio Corner) |
| Weight | 32 lbs (14.5 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Philharmonic BMR Monitor vs Dynaudio Emit 20
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