Short answer: the Audio First Cadentia 3 if sound quality matters most, the Philharmonic BMR Monitor if price matters most. The Audio First Cadentia 3 ranks #8 of 130 bookshelf speakers at $7199. The Philharmonic BMR Monitor ranks #76 at $2200, $4999 cheaper.
What the Audio First Cadentia 3 offers: Near-textbook measurements - excellent on-axis linearity, listening window, and directivity, with only minor deviations. Extremely low distortion and compression, holding steady even at 102dB with barely any loss. Very wide, consistent horizontal dispersion (~70 degrees) gives a big, enveloping soundstage with strong image specificity outside the speaker boundaries. Strong bass extension for a bookshelf (F3 43Hz, F10 26Hz) with a punchy, guttural mid-bass. Watch for: A mild scoop through the upper midrange/lower treble slightly softens the attack of snares, hand claps, and sibilants - fixable with a single-band EQ (2.5kHz, +1dB, Q~1). High-frequency dispersion narrows quickly above about 4kHz, so off-axis listeners lose some air and detail. Very high asking price for a bookshelf-class speaker, and the complete (finished) version has a long lead time; the loaner kit version ships as an unfinished cabinet you assemble and finish yourself.
What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Buy the Audio First Cadentia 3 if sound quality is the priority over the price, or the Philharmonic BMR Monitor if the price is the priority over sound quality.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Audio First Cadentia 3 | Philharmonic BMR Monitor | |
|---|---|---|
| Price | $7199 per pair | $2200 per pair |
| Ranked | #8 of 130 in Large Size Bookshelf Speakers | #76 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 26Hz (measured, Erin's Audio Corner) | 32Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 43Hz (measured, Erin's Audio Corner) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.2" x 11.8" x 17" (590 x 300 x 433 mm) | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Impedance | 4 ohms nominal (3.1 ohms minimum, measured by Erin's Audio Corner) | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 86.4dB (2.83V/1m, measured by Erin's Audio Corner) | 84dB (measured, Erin's Audio Corner) |
| Drivers | 1.1" tweeter, 4.5" midrange, 9" woofer | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Weight | 45.9 lbs (20.8 kg) each | 32 lbs (14.5 kg) each |
| Woofer Cabinet | 3-way, bass reflex | ported, rear |
| Country | United Kingdom (Cambridge) | - |
| Spinorama Preference Score | 7.38 | - |
| Spinorama Preference Score with Perfect Sub | 8.74 | - |
Related Speaker Comparisons
How Audio First Cadentia 3 compares with other leading options:
- Perlisten S4b vs Audio First Cadentia 3
- Audio First Cadentia 3 vs KEF Reference 1 Meta
- Audio First Cadentia 3 vs GR-Research NX-Studio
- March Audio Sointuva vs Audio First Cadentia 3
- AsciLab C6B vs Audio First Cadentia 3
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Audio First Cadentia 3: $7199 per pair Audio First Designs eBay
Pros: Near-textbook measurements - excellent on-axis linearity, listening window, and directivity, with only minor deviations. Extremely low distortion and compression, holding steady even at 102dB with barely any loss. Very wide, consistent horizontal dispersion (~70 degrees) gives a big, enveloping soundstage with strong image specificity outside the speaker boundaries. Strong bass extension for a bookshelf (F3 43Hz, F10 26Hz) with a punchy, guttural mid-bass. Measured bass extension of 43Hz (-3dB), with a measured sensitivity of 86.4dB.
Cons: A mild scoop through the upper midrange/lower treble slightly softens the attack of snares, hand claps, and sibilants - fixable with a single-band EQ (2.5kHz, +1dB, Q~1). High-frequency dispersion narrows quickly above about 4kHz, so off-axis listeners lose some air and detail. Very high asking price for a bookshelf-class speaker, and the complete (finished) version has a long lead time; the loaner kit version ships as an unfinished cabinet you assemble and finish yourself.
Full Audio First Cadentia 3 review and specifications →
| Bass Extension (-10dB) | 26Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 43Hz (measured, Erin's Audio Corner) |
| Country | United Kingdom (Cambridge) |
| Dimensions | 23.2" x 11.8" x 17" (590 x 300 x 433 mm) |
| Drivers | 1.1" tweeter, 4.5" midrange, 9" woofer |
| Impedance | 4 ohms nominal (3.1 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 86.4dB (2.83V/1m, measured by Erin's Audio Corner) |
| Spinorama Preference Score | 7.38 |
| Spinorama Preference Score with Perfect Sub | 8.74 |
| Weight | 45.9 lbs (20.8 kg) each |
| Woofer Cabinet | 3-way, bass reflex |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Audio First Cadentia 3 vs AsciLab C6B
- Audio First Cadentia 3 vs March Audio Sointuva
- Audio First Cadentia 3 vs KEF R3 Meta
- Audio First Cadentia 3 vs KEF Q Concerto Meta
- Audio First Cadentia 3 vs GR-Research NX-Studio
- Audio First Cadentia 3 vs Wharfedale Aura 2
- Audio First Cadentia 3 vs KEF Reference 1 Meta
- Audio First Cadentia 3 vs Perlisten S4b
- See all 45 comparisons
Philharmonic BMR Monitor: $2200 per pair Philharmonicaudio eBay
Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 84dB.
Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Full Philharmonic BMR Monitor review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 84dB (measured, Erin's Audio Corner) |
| Weight | 32 lbs (14.5 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Philharmonic BMR Monitor vs Dynaudio Emit 20
- Philharmonic BMR Monitor vs Klipsch RP-600M II
- Philharmonic BMR Monitor vs Mission LX-3 MKII
- Philharmonic BMR Monitor vs GR-Research X-LS Encore
- Philharmonic BMR Monitor vs Polk Signature Elite ES20
- Philharmonic BMR Monitor vs Ascend CBM-170 SE2
- Philharmonic BMR Monitor vs Dynaudio Special Forty
- Philharmonic BMR Monitor vs ELAC Debut 2.0 B6.2
- See all 47 comparisons