Short answer: the MoFi SourcePoint 10 on measured sound quality, the Dynaudio Special Forty on price. The MoFi SourcePoint 10 ranks #26 of 130 bookshelf speakers at $3795. The Dynaudio Special Forty ranks #86 at $3600, $195 cheaper.
What the Dynaudio Special Forty offers: Smooth, “buttery” overall tonal character consistent with Dynaudio’s house sound. Surprisingly precise, focused imaging despite wide horizontal radiation (about ±70°) - atypical, since wide-radiating speakers usually sacrifice some image precision in reflective rooms. Strong output capability: reached 100-101dB average at 3.5 meters with no audible distortion or woofer distress, and compression testing at 102dB shows the cabinet holding up mechanically well at extreme output. Bass reaches a genuine 50Hz (potentially 40Hz) in most rooms from a rear-ported design. Distortion stays below 1% at 86dB and doesn’t cross 3% THD until about 50Hz even at 96dB. Extra weight and impact on snares and percussion around 700-800Hz that the reviewer found appealing on many tracks. Watch for: A glaring, sometimes sibilant quality around 3-4kHz was the most noticeable issue in listening, the one thing the reviewer would want notched out with EQ. Multiple enclosure resonances appear between 500Hz-1kHz across on-axis, listening window, early-reflections, and sound-power measurements, corroborated by independent third-party CSD data showing similar 500-800Hz cabinet resonances. A dip around 1.2kHz traces to a cone-edge-to-surround compliance mismatch in the driver itself (confirmed by testing the bare driver’s impedance) - a known artifact common to many similarly-sized drivers across several manufacturers, contributing to elevated second-order distortion in that region. A somewhat laid-back, recessed 1-2kHz character (sometimes described as a “BBC dip”) gives an overall subdued quality that isn’t overtly problematic but shapes the tonal balance. Impedance drops below 3 ohms in the 100-200Hz region, requiring a genuinely 4-ohm-stable amplifier rather than an AVR. Rear port means it can’t be placed directly against a wall.
What the MoFi SourcePoint 10 offers: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Watch for: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Buy the Dynaudio Special Forty if the price is the priority over sound quality, or the MoFi SourcePoint 10 if sound quality is the priority over the price.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Dynaudio Special Forty | MoFi SourcePoint 10 | |
|---|---|---|
| Price | $3600 per pair | $3795 per pair |
| Ranked | #86 of 130 in Large Size Bookshelf Speakers | #26 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) | 38Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.1"H x 7.7"W x 12.1"D (358.1 x 195.6 x 307.3 mm) | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Impedance | 6 ohms nominal (4.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) | 88.2dB (measured, Erin's Audio Corner) |
| Drivers | 5.9" MSP (Magnesium Silicate Polymer) cone woofer, 1" Esotar soft dome tweeter | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Weight | 17.9 lbs (8.1 kg) each | 46.3 lbs (21.0 kg) each |
| Woofer Cabinet | ported | ported, rear |
| Spinorama Preference Score | 3.85 | 3.25 |
| Spinorama Preference Score with Perfect Sub | 5.86 | 5.27 |
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The Two Speakers In Full
Dynaudio Special Forty: $3600 per pair Safeandsoundhq eBay
Pros: Smooth, “buttery” overall tonal character consistent with Dynaudio’s house sound. Surprisingly precise, focused imaging despite wide horizontal radiation (about ±70°) - atypical, since wide-radiating speakers usually sacrifice some image precision in reflective rooms. Strong output capability: reached 100-101dB average at 3.5 meters with no audible distortion or woofer distress, and compression testing at 102dB shows the cabinet holding up mechanically well at extreme output. Bass reaches a genuine 50Hz (potentially 40Hz) in most rooms from a rear-ported design. Distortion stays below 1% at 86dB and doesn’t cross 3% THD until about 50Hz even at 96dB. Extra weight and impact on snares and percussion around 700-800Hz that the reviewer found appealing on many tracks. Measured bass extension of 54Hz (-3dB), with a measured sensitivity of 83.5dB.
Cons: A glaring, sometimes sibilant quality around 3-4kHz was the most noticeable issue in listening, the one thing the reviewer would want notched out with EQ. Multiple enclosure resonances appear between 500Hz-1kHz across on-axis, listening window, early-reflections, and sound-power measurements, corroborated by independent third-party CSD data showing similar 500-800Hz cabinet resonances. A dip around 1.2kHz traces to a cone-edge-to-surround compliance mismatch in the driver itself (confirmed by testing the bare driver’s impedance) - a known artifact common to many similarly-sized drivers across several manufacturers, contributing to elevated second-order distortion in that region. A somewhat laid-back, recessed 1-2kHz character (sometimes described as a “BBC dip”) gives an overall subdued quality that isn’t overtly problematic but shapes the tonal balance. Impedance drops below 3 ohms in the 100-200Hz region, requiring a genuinely 4-ohm-stable amplifier rather than an AVR. Rear port means it can’t be placed directly against a wall.
Full Dynaudio Special Forty review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.1"H x 7.7"W x 12.1"D (358.1 x 195.6 x 307.3 mm) |
| Drivers | 5.9" MSP (Magnesium Silicate Polymer) cone woofer, 1" Esotar soft dome tweeter |
| Impedance | 6 ohms nominal (4.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Spinorama Preference Score | 3.85 |
| Spinorama Preference Score with Perfect Sub | 5.86 |
| Weight | 17.9 lbs (8.1 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Special Forty vs ELAC Debut 2.0 B6.2
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MoFi SourcePoint 10: $3795 per pair Crutchfield eBay
Pros: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Full MoFi SourcePoint 10 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Drivers | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Impedance | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.25 |
| Spinorama Preference Score with Perfect Sub | 5.27 |
| Weight | 46.3 lbs (21.0 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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