Short answer: the Ascend CBM-170 SE2. It ranks #66 of 130 bookshelf speakers by sound quality at $468; the Sonus Faber Sonetto II G2 ranks #103 and costs $3500, so there is not much of a tradeoff to weigh.
What the Ascend CBM-170 SE2 offers: On-axis response is impressively flat from about 100Hz to 2kHz, staying within roughly ±1dB, with a clean, gradual bass rolloff below that. The directivity index rises smoothly and predictably through the crossover region, and the estimated in-room response shows a smooth, consistent downward tilt from 100Hz to 10kHz with no major discontinuities - close to the ideal in-room target shape. Measured sensitivity of 86.8dB nearly matches Ascend’s 87dB spec. The manufacturer’s own preference-score modeling comes out to 5.81 unequalized (rising to 8.17 with an ideal subwoofer, or 6.33/8.41 with EQ applied) - a strong result for a compact 2-way, and a clear step up from the original CBM-170 SE this replaces. Watch for: A narrow dip in the on-axis and listening-window response appears in the 3-5kHz range (down to about -2.7dB), mirrored by a matching dip in the directivity index at the same frequencies - likely a brief widening of dispersion right at the tweeter/woofer crossover. High-frequency directivity narrows substantially above 10kHz, typical for a small dome tweeter, so the top octave will sound more reserved off-axis than on-axis. Bass rolls off as expected for a compact 2-way monitor: -3dB around 70Hz and -10dB around 50Hz, so a subwoofer is needed for full-range use. This data comes from the manufacturer’s own Klippel measurements rather than an independent third-party review, so there’s no outside verification of channel matching, distortion, or unit-to-unit consistency.
What the Sonus Faber Sonetto II G2 offers: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Watch for: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Buy the Ascend CBM-170 SE2. It ranks higher for sound quality than the Sonus Faber Sonetto II G2 and costs less, so the other one has nothing left to offer.
If sound quality matters at all to you, skip the Sonus Faber Sonetto II G2. It ranks near the bottom of the 130 bookshelf speakers, so look higher up the list instead.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Ascend CBM-170 SE2 | Sonus Faber Sonetto II G2 | |
|---|---|---|
| Price | $468 per pair | $3500 per pair |
| Ranked | #66 of 130 in Large Size Bookshelf Speakers | #103 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-3dB) | 70Hz (measured, manufacturer spinorama data) | 62Hz (measured, Erin's Audio Corner) |
| Bass Extension (-10dB) | 50Hz (measured, manufacturer spinorama data) | 38Hz (measured, Erin's Audio Corner) |
| Sensitivity | 86.8dB (2.83V/1m, measured, manufacturer spinorama data; 87dB manufacturer specified) | 87dB (measured, Erin's Audio Corner) |
| Drivers | 27mm custom SEAS soft dome tweeter, 6.5" proprietary composite polygel cone woofer | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Dimensions | 12H x 9W x 9.5D in | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Weight | 15 lbs (6.8 kg) each | 38.4 lbs (17.4 kg) |
| Impedance | 8 ohms | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Power Handling | 200W continuous, 400W peak | - |
| Woofer Cabinet | ported, rear | ported, front |
| Spinorama Preference Score | 5.81 | 3.34 |
| Spinorama Preference Score with Perfect Sub | 8.17 | 5.62 |
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How Ascend CBM-170 SE2 compares with other leading options:
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- AsciLab C6B vs Ascend CBM-170 SE2
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The Two Speakers In Full
Ascend CBM-170 SE2: $468 per pair Ascend Acoustics eBay
Pros: On-axis response is impressively flat from about 100Hz to 2kHz, staying within roughly ±1dB, with a clean, gradual bass rolloff below that. The directivity index rises smoothly and predictably through the crossover region, and the estimated in-room response shows a smooth, consistent downward tilt from 100Hz to 10kHz with no major discontinuities - close to the ideal in-room target shape. Measured sensitivity of 86.8dB nearly matches Ascend’s 87dB spec. The manufacturer’s own preference-score modeling comes out to 5.81 unequalized (rising to 8.17 with an ideal subwoofer, or 6.33/8.41 with EQ applied) - a strong result for a compact 2-way, and a clear step up from the original CBM-170 SE this replaces. Measured sensitivity of 86.8dB.
Cons: A narrow dip in the on-axis and listening-window response appears in the 3-5kHz range (down to about -2.7dB), mirrored by a matching dip in the directivity index at the same frequencies - likely a brief widening of dispersion right at the tweeter/woofer crossover. High-frequency directivity narrows substantially above 10kHz, typical for a small dome tweeter, so the top octave will sound more reserved off-axis than on-axis. Bass rolls off as expected for a compact 2-way monitor: -3dB around 70Hz and -10dB around 50Hz, so a subwoofer is needed for full-range use. This data comes from the manufacturer’s own Klippel measurements rather than an independent third-party review, so there’s no outside verification of channel matching, distortion, or unit-to-unit consistency.
Full Ascend CBM-170 SE2 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, manufacturer spinorama data) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, manufacturer spinorama data) |
| Dimensions | 12H x 9W x 9.5D in |
| Drivers | 27mm custom SEAS soft dome tweeter, 6.5" proprietary composite polygel cone woofer |
| Impedance | 8 ohms |
| Power Handling | 200W continuous, 400W peak |
| Sensitivity | 86.8dB (2.83V/1m, measured, manufacturer spinorama data; 87dB manufacturer specified) |
| Spinorama Preference Score | 5.81 |
| Spinorama Preference Score with Perfect Sub | 8.17 |
| Weight | 15 lbs (6.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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Sonus Faber Sonetto II G2: $3500 per pair Crutchfield eBay
Pros: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Measured bass extension of 62Hz (-3dB), with a measured sensitivity of 87dB.
Cons: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Full Sonus Faber Sonetto II G2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.34 |
| Spinorama Preference Score with Perfect Sub | 5.62 |
| Weight | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Sonus Faber Sonetto II G2 vs Audio Craftsmen Victoria
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