Short answer: the Wharfedale Diamond 12.1 for better sound quality, the Sony SS-CS5 M2 for the lower price. The Wharfedale Diamond 12.1 ranks #13 of 56 bookshelf speakers at $599. The Sony SS-CS5 M2 ranks #25 at $278, $321 cheaper.
What the Wharfedale Diamond 12.1 gets right: A budget two-way bookshelf speaker (5” polypropylene woofer, 1” textile dome tweeter) that measures well for its price: harmonic distortion at 86dB stays under 1% THD down to about 60Hz. The catch: A dip of about 3dB in the 1-3kHz crossover region (on-axis, in the predicted in-room response, and even off-axis) gives the speaker a soft, “laid-back” character that noticeably saps attack and transient bite from drums.
On the Sony SS-CS5 M2 side: Added internal bracing (corners, sides, front baffle) plus an updated crossover meaningfully reduce the resonance issues that plagued the original SS-CS5, giving a smoother, more neutral character overall. Set against that: Mild sibilance in the 3-5kHz range stands out on S and T sounds in vocals.
Buy the Wharfedale Diamond 12.1 if sound quality matters more than the price. Buy the Sony SS-CS5 M2 if the price matters more than sound quality.
Specifications Side By Side
| Wharfedale Diamond 12.1 | Sony SS-CS5 M2 | |
|---|---|---|
| Price | $599 Discontinued | $278.00 |
| Ranked | #13 of 56 in Medium Size Bookshelf Speakers | #25 of 56 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 46Hz (measured, Erin’s Audio Corner) | 54Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 61Hz (measured, Erin’s Audio Corner) | 80Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 2.6kHz | - |
| Dimensions | 12.2"H x 7"W x 10.9"D (310 x 178 x 277 mm) | 13.2"H x 7"W x 8.7"D (335 x 178 x 220 mm) |
| Impedance | 8 ohms nominal (3.9 ohms minimum above 80Hz, measured, Erin’s Audio Corner) | 6 ohms |
| Sensitivity | 84dB (measured by Erin’s Audio Corner; 87dB manufacturer specified) | 82.5dB |
| Drivers | 5" advanced polypropylene cone woofer, 1" textile dome tweeter | 5.12" woofer, 0.98 in tweeter |
| Discontinued | Yes | - |
| Weight | 15 lbs / 6.8 kg each | 9.5 lbs / 4.3 kg each |
| Woofer Cabinet | ported | ported, rear |
| Supertweeter | - | 0.75 in |
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The Two Speakers In Full
Wharfedale Diamond 12.1: $599 Discontinued
Pros: A budget two-way bookshelf speaker (5” polypropylene woofer, 1” textile dome tweeter) that measures well for its price: harmonic distortion at 86dB stays under 1% THD down to about 60Hz, genuinely good for a 5” mid-woofer. Wide horizontal radiation of about ±60° up to roughly 5kHz before the tweeter starts to beam. Tonally smooth and easy to listen to at moderate volumes, with a pleasant, non-fatiguing character the reviewer said he’d happily recommend to someone who wants noticeably better fit, finish and looks than typical speakers in the $300-400 range. A high-pass crossover around 80Hz meaningfully cleans up midrange multitone distortion, so pairing it with a subwoofer helps more than usual for a speaker this size.
Cons: A dip of about 3dB in the 1-3kHz crossover region (on-axis, in the predicted in-room response, and even off-axis) gives the speaker a soft, “laid-back” character that noticeably saps attack and transient bite from drums, guitar and other percussive material - possibly an intentional BBC-style dip, but one the reviewer would still prefer tuned flat. Vertical directivity is unusually tight for this class of speaker, holding together only within about ±5° of the tweeter axis before a real hole opens up in the response, so seating height matters a lot more than on most bookshelf designs. Diffraction artifacts around 3kHz and 5kHz show up as differences between the listening-window and on-axis curves. Distortion climbs well past acceptable levels at higher output - harmonic distortion exceeds 3% around 150Hz at 96dB (versus under 1% at 86dB), multitone distortion tops 10% at 96dB/1m, and real compression sets in between 96-102dB (about 1.5dB of lost dynamic range around 300Hz at 102dB/1m, roughly equivalent to 92dB for a pair at 4m in a room) - a genuine limitation on how loud or how far away this speaker can be pushed. Measured average sensitivity (84dB) runs a few dB below the 87dB spec. Only a 5” woofer, so a subwoofer is required for real bass. Discontinued.
Full Wharfedale Diamond 12.1 review and specifications →
| Bass Extension (-10dB) | 46Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 61Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 2.6kHz |
| Dimensions | 12.2"H x 7"W x 10.9"D (310 x 178 x 277 mm) |
| Discontinued | Yes |
| Drivers | 5" advanced polypropylene cone woofer, 1" textile dome tweeter |
| Impedance | 8 ohms nominal (3.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 84dB (measured by Erin's Audio Corner; 87dB manufacturer specified) |
| Weight | 15 lbs / 6.8 kg each |
| Woofer Cabinet | ported |
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- Links
- Reviews, Comparisons and Sound Samples
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Sony SS-CS5 M2: $278.00 Amazon
Pros: Added internal bracing (corners, sides, front baffle) plus an updated crossover meaningfully reduce the resonance issues that plagued the original SS-CS5, giving a smoother, more neutral character overall. A modest mid-range dip (about 1-2dB) is present but tolerable, and the reviewer would rather have this dip than a peak in that region. Slightly deeper bass than the previous version, measuring about 2dB more output around 60Hz. Distortion drops noticeably when crossed to a subwoofer around 80-120Hz, meaningfully improving midrange clarity and detail versus running full-range. Easy to drive on a standard AVR - no need for a dedicated high-power amplifier. More modern, understated waveguide look compared to the previous version’s glossy trim.
Cons: Mild sibilance in the 3-5kHz range stands out on S and T sounds in vocals. Some forwardness in the midrange noticeable on certain vocal recordings. Soundstage and sense of envelopment are comparatively flat and two-dimensional, especially next to reference-quality speakers with strong 3D imaging. Marketed as a “three-way” design mainly due to an added super-tweeter that the reviewer considers largely superfluous - it engages only at very high frequencies and adds complexity without a clearly audible benefit, when that cost might have been better spent on the main crossover. Output-limited: realistic ceiling is around the mid-90s dB SPL at a few meters, with comfortable listening closer to 75-85dB at 3-4 meters before distortion and compression become audible. Bass noticeably compresses/shelves below about 120Hz as volume increases, softening kick-drum impact at higher output. Smaller drivers and a lighter motor structure than rivals like the Polk XT20, which the reviewer generally prefers for its better directivity and higher SPL capability. Still needs a subwoofer for any real bass extension.
Full Sony SS-CS5 M2 review and specifications →
| Bass Extension (-10dB) | 54Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 80Hz (measured, Erin's Audio Corner) |
| Dimensions | 13.2"H x 7"W x 8.7"D (335 x 178 x 220 mm) |
| Drivers | 5.12" woofer, 0.98 in tweeter |
| Impedance | 6 ohms |
| Sensitivity | 82.5dB |
| Supertweeter | 0.75 in |
| Weight | 9.5 lbs / 4.3 kg each |
| Woofer Cabinet | ported, rear |
As an eBay Partner, we may be compensated if you make a purchase.
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- Reviews, Comparisons and Sound Samples
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