Short answer: the Wharfedale Aura 2. It ranks #13 of 130 bookshelf speakers by sound quality at $2799; the Dynaudio Contour 20i ranks #60 and costs $5750, so there is not much of a tradeoff to weigh.
What the Wharfedale Aura 2 offers: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Watch for: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.
What the Dynaudio Contour 20i offers: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Watch for: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Buy the Wharfedale Aura 2. It ranks higher for sound quality than the Dynaudio Contour 20i and costs less, so there is no real case for the other one.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Wharfedale Aura 2 | Dynaudio Contour 20i | |
|---|---|---|
| Price | $2799 per pair | $5750 per pair |
| Ranked | #13 of 130 in Large Size Bookshelf Speakers | #60 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) | 32Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm) | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Impedance | 6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner) | 4 ohms |
| Drivers | 6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Sensitivity | 87dB (measured, Erin's Audio Corner) | 82.5dB |
| Weight | 45 lbs (20.4 kg) each | 30.9 lbs (14 kg) each |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 5.19 | - |
| Spinorama Preference Score with Perfect Sub | 6.81 | - |
Related Speaker Comparisons
More worthwhile head-to-heads for Wharfedale Aura 2:
- Wharfedale Aura 2 vs Perlisten S4b
- KEF Reference 1 Meta vs Wharfedale Aura 2
- Wharfedale Aura 2 vs GR-Research NX-Studio
- Wharfedale Aura 2 vs March Audio Sointuva AWG
- AsciLab C6B vs Wharfedale Aura 2
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Aura 2: $2799 per pair Crutchfield eBay
Pros: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 87dB.
Cons: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.
Full Wharfedale Aura 2 review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm) |
| Drivers | 6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter |
| Impedance | 6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.19 |
| Spinorama Preference Score with Perfect Sub | 6.81 |
| Weight | 45 lbs (20.4 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Why the Wharfedale AURA 2 Will Blow Your Mind More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Aura 2
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Personal Favorite Speakers Under $2500
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Wharfedale Aura 2 vs KEF Q Concerto Meta
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Dynaudio Contour 20i: $5750 per pair Safeandsoundhq eBay
Pros: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Measured bass extension of 56Hz (-3dB).
Cons: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Full Dynaudio Contour 20i review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Drivers | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Impedance | 4 ohms |
| Sensitivity | 82.5dB |
| Weight | 30.9 lbs (14 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Contour 20i vs SVS Ultra Bookshelf
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