Short answer: the Dynaudio Emit 20. It ranks #75 of 130 bookshelf speakers by sound quality at $1049; the Philharmonic BMR Monitor ranks #76 and costs $2200, which makes this an easy call rather than a real tradeoff.
What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
What the Dynaudio Emit 20 offers: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers. Watch for: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
Buy the Dynaudio Emit 20. It ranks higher for sound quality than the Philharmonic BMR Monitor and costs less, which settles it without a real tradeoff to make.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Philharmonic BMR Monitor | Dynaudio Emit 20 | |
|---|---|---|
| Price | $2200 per pair | $1,049.00 per pair |
| Ranked | #76 of 130 in Large Size Bookshelf Speakers | #75 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) | 33Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter |
| Sensitivity | 84dB (measured, Erin's Audio Corner) | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Weight | 32 lbs (14.5 kg) each | 12.8 lbs (5.8 kg) |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | - | 3.35 |
| Spinorama Preference Score with Perfect Sub | - | 5.05 |
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The Two Speakers In Full
Philharmonic BMR Monitor: $2200 per pair Philharmonicaudio eBay
Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 84dB.
Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Full Philharmonic BMR Monitor review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 84dB (measured, Erin's Audio Corner) |
| Weight | 32 lbs (14.5 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Philharmonic BMR Monitor vs Klipsch RP-600M II
- Philharmonic BMR Monitor vs Mission LX-3 MKII
- Philharmonic BMR Monitor vs GR-Research X-LS Encore
- Philharmonic BMR Monitor vs Polk Signature Elite ES20
- Philharmonic BMR Monitor vs Ascend CBM-170 SE2
- Philharmonic BMR Monitor vs Dynaudio Special Forty
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Dynaudio Emit 20: $1,049.00 per pair Amazon eBay
Pros: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers. Measured bass extension of 54Hz (-3dB), with a measured sensitivity of 83.5dB.
Cons: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
Full Dynaudio Emit 20 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) |
| Drivers | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter |
| Impedance | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Spinorama Preference Score | 3.35 |
| Spinorama Preference Score with Perfect Sub | 5.05 |
| Weight | 12.8 lbs (5.8 kg) |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Emit 20 vs Klipsch RP-600M II
- Dynaudio Emit 20 vs JBL Studio 630
- Dynaudio Emit 20 vs Behringer B2030P
- Dynaudio Emit 20 vs Mission LX-3 MKII
- Dynaudio Emit 20 vs Polk Signature Elite ES20
- Dynaudio Emit 20 vs GR-Research X-LS Encore
- Dynaudio Emit 20 vs Infinity IL10
- Dynaudio Emit 20 vs Ascend CBM-170 SE2
- See all 63 comparisons