Klipsch RP-600M II vs Wharfedale Aura 2

Last updated: August 25, 2026

Short answer: the Wharfedale Aura 2 for better sound quality, the Klipsch RP-600M II for the lower price. The Wharfedale Aura 2 ranks #13 of 131 bookshelf speakers at $2799. The Klipsch RP-600M II ranks #75 at $489.99, $2309.01 cheaper.

What the Klipsch RP-600M II offers: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear. Watch for: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

What the Wharfedale Aura 2 offers: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Watch for: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

Buy the Klipsch RP-600M II if the price matters more than sound quality. Buy the Wharfedale Aura 2 if sound quality matters more than the price.

Klipsch RP-600M II vs Wharfedale Aura 2

Specifications Side By Side

Klipsch RP-600M II Wharfedale Aura 2
Price$489.99$2799
Ranked#75 of 131 in Large Size Bookshelf Speakers#13 of 131 in Large Size Bookshelf Speakers
Bass Extension (-10dB)41Hz (measured, Erin’s Audio Corner)30Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)56Hz (measured, Erin’s Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin’s Audio Corner)6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin’s Audio Corner)
Sensitivity86dB (measured, Erin’s Audio Corner)87dB (measured, Erin’s Audio Corner)
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter
Weight13 lbs / 5.9 kg each45 lbs / 20.4 kg each
Woofer Cabinetportedported, rear

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The Two Speakers In Full

Klipsch RP-600M II: $489.99 Amazon eBay

Klipsch RP-600M II ranking card

Pros: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear.

Cons: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin's Audio Corner)
Sensitivity86dB (measured, Erin's Audio Corner)
Weight13 lbs / 5.9 kg each
Woofer Cabinetported

Wharfedale Aura 2: $2799 Crutchfield eBay

Wharfedale Aura 2 ranking card

Pros: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five.

Cons: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

Bass Extension (-10dB)30Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)56Hz (measured, Erin's Audio Corner)
Dimensions22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)
Drivers6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter
Impedance6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner)
Sensitivity87dB (measured, Erin's Audio Corner)
Weight45 lbs / 20.4 kg each
Woofer Cabinetported, rear