Klipsch RP-600M II vs Polk R200

Last updated: August 24, 2026

Short answer: the Klipsch RP-600M II. It ranks #71 of 122 bookshelf speakers by sound quality at $489.99; the Polk R200 ranks #91 and costs $799, so there is not much of a tradeoff to weigh.

What the Klipsch RP-600M II offers: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear. Watch for: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

What the Polk R200 offers: Two-way design with a 6.5” midwoofer and 1” ring radiator tweeter, giving reasonably tight, well-defined imaging. Neutral through most of the midrange (roughly 200Hz-1kHz). On-axis response holds within about 1.5dB up to 10kHz. About 20dB of usable dynamic range (76dB to 96dB) before more significant compression sets in. Reasonably close to a 4-ohm nominal load, giving some flexibility with amplifier choice, though a dedicated 4-ohm-capable amp is still recommended. Watch for: A resonance and associated distortion increase around 800Hz-1kHz creates a “tinny,” occasionally glaring quality on certain instruments and vocals, confirmed both by ear and in the frequency-response and distortion measurements. Above about 10kHz, the ring-radiator tweeter takes on an artificial, “digital-esque” quality, then falls off quickly above 16kHz. F3 of 74Hz and F10 of 50Hz mean there’s essentially no meaningful bass “thump” below about 60Hz - a subwoofer is strongly recommended even just to restore basic kick-drum presence. The ring radiator tweeter’s dispersion narrows sharply above about 8kHz, so the speaker should be aimed close to on-axis (no more than 5-10° of toe-out). Vertical listening position is fairly critical - moving more than a few degrees above or below the tweeter line causes a noticeable timbre shift due to a gap in the crossover region. Multitone distortion spikes substantially (to around 10%) in the 600Hz-1kHz region at higher output levels (around 96dB/1m), meaning the glare gets worse the louder it’s played. At the highest tested output (102dB, 26dB of dynamic range), the woofer shows clear signs of struggling; crossing to a subwoofer around 80-100Hz helps prevent bottoming out but doesn’t fully eliminate the compression.

Buy the Klipsch RP-600M II. It ranks higher for sound quality than the Polk R200 and costs less, so there is no real case for the other one.

Klipsch RP-600M II vs Polk R200

Specifications Side By Side

Klipsch RP-600M II Polk R200
Price$489.99$799.00
Ranked#71 of 122 in Large Size Bookshelf Speakers#91 of 122 in Large Size Bookshelf Speakers
Bass Extension (-10dB)41Hz (measured, Erin’s Audio Corner)50Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)74Hz (measured, Erin’s Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)14.1"H x 7.5"W x 13.9"D (359.0 x 190.0 x 353.8 mm)
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin’s Audio Corner)4 ohms nominal, 3.8 ohms minimum (measured, Erin’s Audio Corner)
Sensitivity86dB (measured, Erin’s Audio Corner)85dB
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn25mm soft dome + 165mm woofer
Weight13 lbs / 5.9 kg each31.3 lbs / 14.2 kg
Woofer Cabinetportedported, rear

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The Two Speakers In Full

Klipsch RP-600M II: $489.99 Amazon eBay

Klipsch RP-600M II ranking card

Pros: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear.

Cons: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin's Audio Corner)
Sensitivity86dB (measured, Erin's Audio Corner)
Weight13 lbs / 5.9 kg each
Woofer Cabinetported

Polk R200: $799.00 Amazon eBay

Polk R200 ranking card

Pros: Two-way design with a 6.5” midwoofer and 1” ring radiator tweeter, giving reasonably tight, well-defined imaging. Neutral through most of the midrange (roughly 200Hz-1kHz). On-axis response holds within about 1.5dB up to 10kHz. About 20dB of usable dynamic range (76dB to 96dB) before more significant compression sets in. Reasonably close to a 4-ohm nominal load, giving some flexibility with amplifier choice, though a dedicated 4-ohm-capable amp is still recommended.

Cons: A resonance and associated distortion increase around 800Hz-1kHz creates a “tinny,” occasionally glaring quality on certain instruments and vocals, confirmed both by ear and in the frequency-response and distortion measurements. Above about 10kHz, the ring-radiator tweeter takes on an artificial, “digital-esque” quality, then falls off quickly above 16kHz. F3 of 74Hz and F10 of 50Hz mean there’s essentially no meaningful bass “thump” below about 60Hz - a subwoofer is strongly recommended even just to restore basic kick-drum presence. The ring radiator tweeter’s dispersion narrows sharply above about 8kHz, so the speaker should be aimed close to on-axis (no more than 5-10° of toe-out). Vertical listening position is fairly critical - moving more than a few degrees above or below the tweeter line causes a noticeable timbre shift due to a gap in the crossover region. Multitone distortion spikes substantially (to around 10%) in the 600Hz-1kHz region at higher output levels (around 96dB/1m), meaning the glare gets worse the louder it’s played. At the highest tested output (102dB, 26dB of dynamic range), the woofer shows clear signs of struggling; crossing to a subwoofer around 80-100Hz helps prevent bottoming out but doesn’t fully eliminate the compression.

Bass Extension (-10dB)50Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)74Hz (measured, Erin's Audio Corner)
Dimensions14.1"H x 7.5"W x 13.9"D (359.0 x 190.0 x 353.8 mm)
Drivers25mm soft dome + 165mm woofer
Impedance4 ohms nominal, 3.8 ohms minimum (measured, Erin's Audio Corner)
Sensitivity85dB
Weight31.3 lbs / 14.2 kg
Woofer Cabinetported, rear