Short answer: the HIFIMAN RE2000. It ranks #339 of 450 in-ear headphones by sound quality, rated 3.6/5, at $799; the Symphonium Audio Triton ranks #352, rated 3.5/5, and costs $899, so there is little reason to consider the other one.
The case for the HIFIMAN RE2000: Crinacle’s measurement gives a Harman preference score of 69 with a deviation of 2.63 dB, a respectable match to the target most listeners prefer. The tradeoff: A score of 69 is only middling for a flagship in-ear, and a response that deviates from the target by 2.63 dB leaves audible coloration.
What the Symphonium Audio Triton does well: The hybrid of one dynamic driver and two balanced armatures keeps the bass and midrange close to target, with the bass band within 0.5 dB and the upper mids within 0.9 dB in squig.link measurements. The tradeoff: Across hobbyist measurements the presence band sits 5.1 dB low with a 6.6 dB dip near 6.3 kHz, which dulls vocal edge, cymbals and fine detail.
Buy the HIFIMAN RE2000. It is rated higher for sound quality than the Symphonium Audio Triton and costs less, so only choose the other one for a particular feature it does better.
Want more options? Browse the full Headphones rankings.
Specifications Side By Side
| HIFIMAN RE2000 | Symphonium Audio Triton | |
|---|---|---|
| Price | $799.00 | $899.00 |
| Ranked | #339 of 450 in In-Ear Headphones | #352 of 450 in In-Ear Headphones |
| Form Factor | In-ear | In-ear |
| Harman Preference Score | 69 (measured by crinacle, via AutoEQ) | 68 (measured by crinacle, via AutoEQ) |
| Deviation From Target | 2.63 dB standard deviation | 2.43 dB standard deviation |
| Tonal Tilt | +0.32 (negative is warmer, positive brighter) | -0.55 (negative is warmer, positive brighter) |
| Connection | Wired | Wired |
| Back | Closed | Closed |
| Sub-bass Extension | - | Within 6 dB of target down to 20 Hz (-2.3 dB at 30 Hz) |
| Driver Type | - | Hybrid (1 dynamic + 2 balanced armature) |
| Drivers | - | 1 x dynamic + 2 x balanced armature |
| Impedance | - | 8.3 ohms |
| Sensitivity | - | 107 dB SPL/V |
| Frequency Response | - | 11Hz - 21kHz (Manufacturer specified) |
| Built-in Microphone | - | No |
Related Headphone Comparisons
More worthwhile head-to-heads for HIFIMAN RE2000:
- SoftEars Twilight vs HIFIMAN RE2000
- HIFIMAN RE2000 vs Sennheiser IE 600
- HIFIMAN RE2000 vs JVC HA-FW1500
- Symphonium Audio Triton vs JVC HA-FW1500
- Symphonium Audio Triton vs DUNU Zen Pro
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Headphones In Full
HIFIMAN RE2000: $799.00 Amazon eBay
Pros: Crinacle’s measurement gives a Harman preference score of 69 with a deviation of 2.63 dB, a respectable match to the target most listeners prefer. The tonal balance is close to neutral, with a tilt of only 0.32 dB toward brightness, so it avoids sounding either dark or harsh.
Cons: A score of 69 is only middling for a flagship in-ear, and a response that deviates from the target by 2.63 dB leaves audible coloration. The wired-only design has no built-in mic or wireless option. The FiiO FD5 carries a higher rating at a notably lower cost, which makes this model a hard sell on sound value.
Full HIFIMAN RE2000 review and specifications →
| Back | Closed |
|---|---|
| Connection | Wired |
| Deviation From Target | 2.63 dB standard deviation |
| Form Factor | In-ear |
| Harman Preference Score | 69 (measured by crinacle, via AutoEQ) |
| Tonal Tilt | +0.32 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -4.8 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +7.5 dB | 0.70 |
| Peak | 76 Hz | -4.7 dB | 0.24 |
| Peak | 916 Hz | +5.3 dB | 0.86 |
| Peak | 4,638 Hz | -5.1 dB | 5.93 |
| Peak | 1,592 Hz | -2.1 dB | 1.01 |
| High shelf | 10,000 Hz | -4.6 dB | 0.70 |
| Peak | 6,553 Hz | +3.5 dB | 5.51 |
| Peak | 8,895 Hz | +3.3 dB | 2.20 |
| Peak | 5,174 Hz | -1.3 dB | 5.99 |
| Peak | 7,469 Hz | -0.3 dB | 5.72 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Symphonium Audio Triton: $899.00 Headphones.com eBay
Pros: The hybrid of one dynamic driver and two balanced armatures keeps the bass and midrange close to target, with the bass band within 0.5 dB and the upper mids within 0.9 dB in squig.link measurements. Sub-bass still reaches 20 Hz within 6 dB of target, sitting 2.3 dB low at 30 Hz. At 107 dB/V and 8.3 ohms it plays loud from a phone.
Cons: Across hobbyist measurements the presence band sits 5.1 dB low with a 6.6 dB dip near 6.3 kHz, which dulls vocal edge, cymbals and fine detail. Crinacle’s preference score of 68 is middling, and the SoftEars Twilight rates higher at a similar price.
Full Symphonium Audio Triton review and specifications →
| Back | Closed |
|---|---|
| Built-in Microphone | No |
| Connection | Wired |
| Deviation From Target | 2.43 dB standard deviation |
| Driver Type | Hybrid (1 dynamic + 2 balanced armature) |
| Drivers | 1 x dynamic + 2 x balanced armature |
| Form Factor | In-ear |
| Frequency Response | 11Hz - 21kHz (Manufacturer specified) |
| Harman Preference Score | 68 (measured by crinacle, via AutoEQ) |
| Impedance | 8.3 ohms |
| Sensitivity | 107 dB SPL/V |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-2.3 dB at 30 Hz) |
| Tonal Tilt | -0.55 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -4.7 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -1.5 dB | 0.70 |
| Peak | 206 Hz | -2.9 dB | 0.48 |
| Peak | 3,027 Hz | +5.8 dB | 0.38 |
| Peak | 1,713 Hz | -6.4 dB | 0.95 |
| Peak | 70 Hz | +3.1 dB | 0.69 |
| High shelf | 10,000 Hz | -3.9 dB | 0.70 |
| Peak | 3,424 Hz | +1.1 dB | 3.91 |
| Peak | 5,290 Hz | -1.6 dB | 5.99 |
| Peak | 6,437 Hz | +1.9 dB | 6.00 |
| Peak | 2,469 Hz | -0.7 dB | 4.04 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


