Short answer: the Buchardt S400 MKII for better sound quality, the Philharmonic BMR Monitor for the lower price. The Buchardt S400 MKII ranks #48 of 84 bookshelf speakers at $2400. The Philharmonic BMR Monitor ranks #51 at $2200, $200 cheaper.
What the Buchardt S400 MKII offers: Two-way design with a 3/4” tweeter on a well-implemented aluminum waveguide (compression-driver style, letting the small tweeter cross unusually low at 1800Hz), a 6” SB Acoustics-style mid-woofer, and a tunable 5x8” passive… Watch for: Sounds a bit bright and slightly boosted above about 7-8kHz on-axis, even with 30° of toe-out - benefits from about 1 inch of sidewall absorption at the first reflection points to tame it.
What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks.
Buy the Buchardt S400 MKII if sound quality matters more than the price. Buy the Philharmonic BMR Monitor if the price matters more than sound quality.
Specifications Side By Side
| Buchardt S400 MKII | Philharmonic BMR Monitor | |
|---|---|---|
| Price | $2400 | $2200 |
| Ranked | #48 of 84 in Large Size Bookshelf Speakers | #51 of 84 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 40Hz (measured, Erin’s Audio Corner) | 32Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 59Hz (measured, Erin’s Audio Corner) | 47Hz (measured, Erin’s Audio Corner) |
| Dimensions | 14.4"H x 7"W x 11"D (365.8 x 177.8 x 279.4 mm) | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Impedance | 4 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Sensitivity | 84.7dB (measured, Erin’s Audio Corner; 87dB manufacturer specified) | 84dB (measured, Erin’s Audio Corner) |
| Drivers | 6.5" aluminum cone woofer, 1" soft dome tweeter | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Weight | 16.5 lbs / 7.5 kg each | 32 lbs / 14.5 kg each |
| Woofer Cabinet | ported | ported, rear |
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The Two Speakers In Full
Buchardt S400 MKII: $2400 Buchardtaudio
Pros: Two-way design with a 3/4” tweeter on a well-implemented aluminum waveguide (compression-driver style, letting the small tweeter cross unusually low at 1800Hz), a 6” SB Acoustics-style mid-woofer, and a tunable 5x8” passive radiator adjustable via rear weights. Exceptionally flat on-axis linearity, within about ±2dB from 80Hz to 16kHz. Wide horizontal radiation for a waveguided design (about ±45-50°), notably broader than a comparable narrow-waveguide rival like the Klipsch Sevens (~±30°). Well-focused, precise imaging, aided by tight pair matching between the two speakers. Takes very well to EQ correction, letting listeners easily dial in the top end or add midrange fullness to taste. Bass extension reaches a genuine 50Hz in-room from a mellow, well-tuned rolloff rather than an artificially boosted one.
Cons: Sounds a bit bright and slightly boosted above about 7-8kHz on-axis, even with 30° of toe-out - benefits from about 1 inch of sidewall absorption at the first reflection points to tame it. A mild dullness noted especially on male vocals, alongside a small dip around 300-600Hz. Vertical positioning is critical and unusually “temperamental” - sitting even slightly toward the tweeter line causes a suckout, while sitting above it adds too much energy; not well suited to multi-height home theater seating. Distortion is fine at 86dB but runs into real issues by 96dB - not a high-output speaker. Some compression-related enhancement appears around 1.2kHz (crossover-region interaction), and the tweeter shows clear compression at 102dB. The woofer can bottom out at extreme low-frequency content played very loud; crossing to a subwoofer below 60Hz caused output problems at high volume, while 80-100Hz worked well. A subwoofer isn’t strictly required to protect the speaker at moderate listening levels (80-85dB at 3 meters), but is still recommended for genuine low-octave extension.
Full Buchardt S400 MKII review and specifications →
| Bass Extension (-10dB) | 40Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 59Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.4"H x 7"W x 11"D (365.8 x 177.8 x 279.4 mm) |
| Drivers | 6.5" aluminum cone woofer, 1" soft dome tweeter |
| Impedance | 4 ohms nominal, 3 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 84.7dB (measured, Erin's Audio Corner; 87dB manufacturer specified) |
| Weight | 16.5 lbs / 7.5 kg each |
| Woofer Cabinet | ported |
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Philharmonic BMR Monitor: $2200 Philharmonicaudio
Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone.
Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Full Philharmonic BMR Monitor review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 84dB (measured, Erin's Audio Corner) |
| Weight | 32 lbs / 14.5 kg each |
| Woofer Cabinet | ported, rear |
As an eBay Partner, we may be compensated if you make a purchase.
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