AKG K702 vs AKG K612

Last updated: October 11, 2026

Short answer: the AKG K702. It ranks #40 of 216 over-ear headphones by sound quality, rated 4.1/5, at $259.99; the AKG K612 ranks #73, rated 4.0/5, and costs $279, so there is little reason to consider the other one.

AKG K702 vs AKG K612

The case for the AKG K702: A preference score of 85 with a neutral to warm balance, with bass from 60 to 200 Hz essentially on target and low mids within 1 dB. The tradeoff: A 7.3 dB dip near 9.5 kHz combined with a 4.3 dB peak near 5.6 kHz makes the treble uneven, so some sibilance and a slightly forward upper mid range are possible.

What the AKG K612 does well: A preference score of 81 in oratory1990’s measurement puts the K612 close to the response most listeners prefer, and a deviation of only about 2 dB around target means few bands stand out. The catch: Sub-bass falls 6 dB below target by 34 Hz, so the deepest rumble in electronic and film soundtracks is thin.

Buy the AKG K702. It is rated higher for sound quality than the AKG K612 and costs less, which makes it the one to get unless you need something the other one does better.

Looking for alternatives? See the complete Headphones rankings.

Specifications Side By Side

AKG K702 AKG K612
Price$259.99$279.00
Ranked#40 of 216 in Over-Ear Headphones#73 of 216 in Over-Ear Headphones
Form FactorOver-earOver-ear
Harman Preference Score85 (measured by oratory1990, via AutoEQ)81 (measured by oratory1990, via AutoEQ)
Deviation From Target2.24 dB standard deviation2.06 dB standard deviation
Tonal Tilt+0.10 (negative is warmer, positive brighter)+0.50 (negative is warmer, positive brighter)
Sub-bass ExtensionFalls 6 dB below target at 27 Hz (-5.6 dB at 30 Hz)Falls 6 dB below target at 34 Hz (-6.7 dB at 30 Hz)
ConnectionWiredWired
BackOpenOpen
Driver TypeDynamicDynamic
Drivers1 x 45mm dynamic-
Impedance62 ohms120 ohms
Sensitivity105 dB SPL/V101 dB SPL/V
Frequency Response10Hz - 39.8kHz (Manufacturer specified)12Hz - 39.5kHz (Manufacturer specified)
Weight0.5 lbs (235 g)0.5 lbs (235 g)
Built-in Microphone-No

More worthwhile head-to-heads for AKG K702:

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The Two Headphones In Full

AKG K702: $259.99 Amazon eBay

AKG K702 ranking card

Pros: A preference score of 85 with a neutral to warm balance, with bass from 60 to 200 Hz essentially on target and low mids within 1 dB. At 235 g it is a light open-back design, and the 62 ohm impedance with 105 dB per volt sensitivity runs from most sources. It rates the same as the AKG K701.

Cons: A 7.3 dB dip near 9.5 kHz combined with a 4.3 dB peak near 5.6 kHz makes the treble uneven, so some sibilance and a slightly forward upper mid range are possible. Sub-bass is about 5 dB under target, limiting rumble. The open back leaks sound and offers no isolation.

BackOpen
ConnectionWired
Deviation From Target2.24 dB standard deviation
Driver TypeDynamic
Drivers1 x 45mm dynamic
Form FactorOver-ear
Frequency Response10Hz - 39.8kHz (Manufacturer specified)
Harman Preference Score85 (measured by oratory1990, via AutoEQ)
Impedance62 ohms
Sensitivity105 dB SPL/V
Sub-bass ExtensionFalls 6 dB below target at 27 Hz (-5.6 dB at 30 Hz)
Tonal Tilt+0.10 (negative is warmer, positive brighter)
Weight0.5 lbs (235 g)
EQ preset to match the Harman target

Set a preamp of -6.1 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+7.1 dB0.70
Peak119 Hz-2.7 dB0.23
Peak9,459 Hz+3.2 dB3.19
Peak730 Hz+3.2 dB1.22
Peak2,241 Hz-3.5 dB3.80
High shelf10,000 Hz-1.7 dB0.70
Peak3,721 Hz+3.4 dB2.02
Peak5,483 Hz-4.7 dB4.79
Peak2,633 Hz-2.0 dB5.29
Peak56 Hz-0.6 dB2.62

AKG K612: $279.00 B&H Photo Video eBay

AKG K612 ranking card

Pros: A preference score of 81 in oratory1990’s measurement puts the K612 close to the response most listeners prefer, and a deviation of only about 2 dB around target means few bands stand out. Bass from 60 to 200 Hz sits within 1 dB of target and the mids are nearly flat, so voices and instruments keep a natural balance. Neutral and bright listeners are the best match, and at 235 g it is a light open-back design.

Cons: Sub-bass falls 6 dB below target by 34 Hz, so the deepest rumble in electronic and film soundtracks is thin. A 5.2 dB dip near 9.4 kHz dulls cymbal shimmer slightly, while a 4.2 dB peak near 5.9 kHz can make some recordings edgy. At 120 ohms and 101 dB/V it needs more voltage than a phone comfortably supplies, and the open back leaks sound and offers no isolation.

Released2013 (13 years ago)
BackOpen
Built-in MicrophoneNo
ConnectionWired
Deviation From Target2.06 dB standard deviation
Driver TypeDynamic
Form FactorOver-ear
Frequency Response12Hz - 39.5kHz (Manufacturer specified)
Harman Preference Score81 (measured by oratory1990, via AutoEQ)
Impedance120 ohms
Sensitivity101 dB SPL/V
Sub-bass ExtensionFalls 6 dB below target at 34 Hz (-6.7 dB at 30 Hz)
Tonal Tilt+0.50 (negative is warmer, positive brighter)
Weight0.5 lbs (235 g)
EQ preset to match the Harman target

Set a preamp of -6.0 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+6.1 dB0.70
Peak189 Hz-1.7 dB0.52
Peak752 Hz+2.6 dB1.37
Peak2,509 Hz-2.5 dB2.16
Peak9,792 Hz+2.0 dB3.44
High shelf10,000 Hz-2.9 dB0.70
Peak5,824 Hz-3.3 dB5.79
Peak4,131 Hz+1.3 dB3.22
Peak68 Hz-0.7 dB2.89
Peak86 Hz+0.8 dB5.22