Short answer: the 64 Audio Tia Trio. It ranks #373 of 450 in-ear headphones by sound quality, rated 3.3/5, at $2,299; the 64 Audio Volur ranks #391, rated 3.0/5, and costs $2,499, which makes this an easy call rather than a real tradeoff.
Why pick the 64 Audio Tia Trio: A single dynamic driver and two balanced armatures give near-neutral sub-bass down to 20 Hz and about 1.8 dB of extra bass for warmth and weight. The catch: In squig.link measurements the 3 to 6 kHz presence band sits about 4.7 dB below target with a 6.6 dB dip near 5.5 kHz, so vocals and strings can sound recessed.
Why pick the 64 Audio Volur: Two 9mm dynamic drivers deliver about 3 to 4 dB of extra sub-bass and bass in HypetheSonics’ measurement, still 2 dB above target at 30 Hz, so bass-heavy music has real depth and slam. The tradeoff: A 4.6 dB dip near 3.4 kHz and a 2.4 dB shortfall across 3 to 6 kHz push vocals back behind the bass.
Buy the 64 Audio Tia Trio. It is rated higher for sound quality than the 64 Audio Volur and costs less, which makes it the one to get unless you need something the other one does better.
Want more options? Browse the full Headphones rankings.
Specifications Side By Side
| 64 Audio Tia Trio | 64 Audio Volur | |
|---|---|---|
| Price | $2,299.00 | $2,499.00 |
| Ranked | #373 of 450 in In-Ear Headphones | #391 of 450 in In-Ear Headphones |
| Form Factor | In-ear | In-ear |
| Back | Closed | Closed |
| Harman Preference Score | 65 (measured by crinacle, via AutoEQ) | 62 (measured by HypetheSonics, via AutoEQ) |
| Deviation From Target | 2.59 dB standard deviation | 2.56 dB standard deviation |
| Tonal Tilt | -0.76 (negative is warmer, positive brighter) | -1.19 (negative is warmer, positive brighter) |
| Connection | Wired | Wired |
| Driver Type | Hybrid (1 dynamic + 2 balanced armature) | Hybrid (2 dynamic + 8 balanced armature) |
| Drivers | 1 x dynamic + 2 x balanced armature | 2 x 9mm dynamic + 8 x balanced armature |
| Impedance | 5.5 ohms | 6.3 ohms |
| Sensitivity | 104 dB/mW | 103 dB/mW |
| Frequency Response | 5Hz - 22kHz (Manufacturer specified) | 5Hz - 22kHz (Manufacturer specified) |
| Built-in Microphone | No | No |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-0.6 dB at 30 Hz) | Within 6 dB of target down to 20 Hz (+2.0 dB at 30 Hz) |
Related Headphone Comparisons
More worthwhile head-to-heads for 64 Audio Tia Trio:
- Oriolus Mellianus vs 64 Audio Tia Trio
- qdc Anole VX vs 64 Audio Tia Trio
- 64 Audio A12t vs 64 Audio Tia Trio
- 64 Audio Tia Trio vs SoftEars Cerberus
- 64 Audio Tia Trio vs 64 Audio U12t
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Headphones In Full
64 Audio Tia Trio: $2,299.00 64 Audio eBay
Pros: A single dynamic driver and two balanced armatures give near-neutral sub-bass down to 20 Hz and about 1.8 dB of extra bass for warmth and weight. Air above 10 kHz rises about 4.9 dB, giving cymbals shimmer and a sense of space. At 104 dB/mW it runs fine from a phone. It rates above the 64 Audio U12t and the SoftEars Cerberus.
Cons: In squig.link measurements the 3 to 6 kHz presence band sits about 4.7 dB below target with a 6.6 dB dip near 5.5 kHz, so vocals and strings can sound recessed. A 5.9 dB peak near 11.9 kHz may add a touch of sizzle. The 64 Audio A12t from the same maker earns the same rating for less money.
Full 64 Audio Tia Trio review and specifications →
| Released | 2017 (9 years ago) |
|---|---|
| Back | Closed |
| Built-in Microphone | No |
| Connection | Wired |
| Deviation From Target | 2.59 dB standard deviation |
| Driver Type | Hybrid (1 dynamic + 2 balanced armature) |
| Drivers | 1 x dynamic + 2 x balanced armature |
| Form Factor | In-ear |
| Frequency Response | 5Hz - 22kHz (Manufacturer specified) |
| Harman Preference Score | 65 (measured by crinacle, via AutoEQ) |
| Impedance | 5.5 ohms |
| Sensitivity | 104 dB/mW |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-0.6 dB at 30 Hz) |
| Tonal Tilt | -0.76 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -5.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -0.1 dB | 0.70 |
| Peak | 173 Hz | -2.9 dB | 0.47 |
| Peak | 5,866 Hz | +5.1 dB | 2.52 |
| Peak | 1,079 Hz | +3.6 dB | 3.41 |
| Peak | 3,899 Hz | +3.2 dB | 3.50 |
| High shelf | 10,000 Hz | -10.9 dB | 0.70 |
| Peak | 9,335 Hz | +5.3 dB | 1.90 |
| Peak | 2,172 Hz | -1.4 dB | 3.36 |
| Peak | 642 Hz | -1.1 dB | 3.27 |
| Peak | 364 Hz | +0.6 dB | 1.70 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
64 Audio Volur: $2,499.00 64 Audio eBay
Pros: Two 9mm dynamic drivers deliver about 3 to 4 dB of extra sub-bass and bass in HypetheSonics’ measurement, still 2 dB above target at 30 Hz, so bass-heavy music has real depth and slam. Air above 10 kHz rises about 5.5 dB for shimmer on cymbals. The treble avoids sharp peaks, topping out at 3.8 dB near 11.9 kHz, so it stays easy to listen to at volume. At 103 dB/mW a phone drives it adequately.
Cons: A 4.6 dB dip near 3.4 kHz and a 2.4 dB shortfall across 3 to 6 kHz push vocals back behind the bass. A 1.9 dB lift in the lower mids adds thickness that can muddy dense mixes. The 64 Audio U12t and Fir Audio e12 both rate higher for less money.
Full 64 Audio Volur review and specifications →
| Released | Sep 2023 (3 years ago) |
|---|---|
| Back | Closed |
| Built-in Microphone | No |
| Connection | Wired |
| Deviation From Target | 2.56 dB standard deviation |
| Driver Type | Hybrid (2 dynamic + 8 balanced armature) |
| Drivers | 2 x 9mm dynamic + 8 x balanced armature |
| Form Factor | In-ear |
| Frequency Response | 5Hz - 22kHz (Manufacturer specified) |
| Harman Preference Score | 62 (measured by HypetheSonics, via AutoEQ) |
| Impedance | 6.3 ohms |
| Sensitivity | 103 dB/mW |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+2.0 dB at 30 Hz) |
| Tonal Tilt | -1.19 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -4.4 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -3.0 dB | 0.70 |
| Peak | 193 Hz | -3.4 dB | 0.86 |
| Peak | 3,229 Hz | +4.2 dB | 3.02 |
| Peak | 883 Hz | +2.0 dB | 1.56 |
| Peak | 8,213 Hz | +2.8 dB | 2.15 |
| High shelf | 10,000 Hz | -11.7 dB | 0.70 |
| Peak | 9,744 Hz | +5.1 dB | 1.56 |
| Peak | 69 Hz | +0.7 dB | 1.81 |
| Peak | 2,041 Hz | -0.8 dB | 4.65 |
| Peak | 119 Hz | -0.5 dB | 2.33 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


