Short answer: the Wharfedale Super Denton, which ranks #19 of 90 against the Sony’s #49 of 90. The Super Denton is a compact three-way with a 2-inch dome midrange and 6.5-inch Kevlar woofer, though ABX testing exposed mid-range scoops near 200-800Hz. The SS-CS5 M2 adds bracing and a revised crossover that cut the original’s resonance issues, but mild sibilance in the 3-5kHz range stands out.
Buy the Wharfedale Super Denton if sound quality is the priority over the price, or the Sony SS-CS5 M2 if the price is the priority over sound quality.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Wharfedale Super Denton | Sony SS-CS5 M2 | |
|---|---|---|
| Price | $1499 per pair | $278.00 per pair |
| Ranked | #19 of 90 in Medium Size Bookshelf Speakers | #49 of 90 in Medium Size Bookshelf Speakers |
| Drivers | 1” soft dome tweeter, 2” soft dome midrange, 6.5” woven Kevlar woofer | 5.12” woofer, 0.98 in tweeter; 0.75-inch supertweeter; 0.75-inch supertweeter; 0.75-inch supertweeter; 0.75-inch supertweeter |
| Sensitivity | 86.6dB (measured by Erin’s Audio Corner) | 82.5dB |
| Woofer Cabinet | ported | ported, rear |
| Dimensions | 14.2”H x 9.7”W x 10.8”D (360 x 246 x 275 mm) | 13.2”H x 7”W x 8.7”D (335 x 178 x 220 mm) |
| Weight | 20.3 lbs (9.2 kg) each | 9.5 lbs (4.3 kg) each |
| Impedance | 6 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) | 6 ohms |
| Frequency Response | 52Hz - 20kHz (±3dB, manufacturer specified); -6dB to 40Hz | - |
| Bass Extension (-3dB) | 61Hz (measured, Erin’s Audio Corner) | 80Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-10dB) | 41Hz (measured, Erin’s Audio Corner) | 54Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 940Hz, 4.6kHz | - |
| Spinorama Preference Score | 5.9 (Erin’s Audio Corner) | - |
| DIY Kit | No | No |
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How Wharfedale Super Denton compares with other leading options:
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The Two Speakers In Full
Wharfedale Super Denton: $1499 per pair Crutchfield eBay
Pros: A 3-way design with a 1” soft dome tweeter, a 2” soft dome midrange offset to the side of a centered 6.5” woven Kevlar woofer: a more compact alternative to Wharfedale’s own Linton 85 with a similar overall character. Measured sensitivity around 86.6-87dB with on-axis linearity within about ±3dB. No cabinet or box resonances turned up in impedance testing, and there are no spike feet to install. Harmonic distortion looks good at both 86dB and 96dB, with about 20dB of usable dynamic range up to 96dB before compression starts to affect the midrange more noticeably near 102dB. Because bass rolls off starting around 60Hz, placing it closer to a wall (about 1-2 feet) than usual boosts low-end punch without the midbass bloat a deeper-extending speaker would get from the same placement. In the reviewer’s own comparison, its estimated in-room response actually measured more linear than the pricier Linton 85’s, despite being a bit less linear on-axis. Measured bass extension of 61Hz (-3dB), with a measured sensitivity of 86.6dB.
Cons: A mid-range scoop from about 200-800Hz and a separate upper-midrange scoop were both audible in direct ABX comparison against a reference-neutral speaker, giving aggressive-sounding material a more subdued character. A resonance around 660-700Hz shows up in measurement, though the reviewer couldn’t reliably hear it with real music in his own blind-ish A/B testing. The offset tweeter-and-midrange layout makes horizontal off-axis response noticeably asymmetric (response drops as much as 8dB more to one side than the other at wider angles) so the reviewer recommends aiming the speakers directly at the listener (not toed out, which loses upper treble) and suggests sidewall absorption to control uneven reflections. Must be listened to with the grille on: measurements are noticeably worse with it off (wider 2-4kHz dip, extra treble bump). Horizontal soundstage width felt a bit narrower than the reviewer personally prefers, likely related to the same offset driver layout. Multitone distortion gets high in the midrange at 96dB/1m, a concern mainly in larger rooms where you’d need to play louder.
Full Wharfedale Super Denton review and specifications →
| Bass Extension (-10dB) | 41Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 61Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 940Hz, 4.6kHz |
| DIY Kit | No |
| Dimensions | 14.2”H x 9.7”W x 10.8”D (360 x 246 x 275 mm) |
| Drivers | 1” soft dome tweeter, 2” soft dome midrange, 6.5” woven Kevlar woofer |
| Frequency Response | 52Hz - 20kHz (±3dB, manufacturer specified); -6dB to 40Hz |
| Impedance | 6 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 86.6dB (measured by Erin’s Audio Corner) |
| Spinorama Preference Score | 5.9 (Erin’s Audio Corner) |
| Weight | 20.3 lbs (9.2 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
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Sony SS-CS5 M2: $278.00 per pair Amazon eBay
Pros: Added internal bracing (corners, sides, front baffle) plus an updated crossover meaningfully reduce the resonance issues that plagued the original SS-CS5, giving a smoother, more neutral character overall. A modest mid-range dip (about 1-2dB) is present but tolerable, and the reviewer would rather have this dip than a peak in that region. Slightly deeper bass than the previous version, measuring about 2dB more output around 60Hz. Distortion drops noticeably when crossed to a subwoofer around 80-120Hz, meaningfully improving midrange clarity and detail versus running full-range. Easy to drive on a standard AVR: no need for a dedicated high-power amplifier. More modern, understated waveguide look compared to the previous version’s glossy trim. Measured bass extension of 80Hz (-3dB).
Cons: Mild sibilance in the 3-5kHz range stands out on S and T sounds in vocals. Some forwardness in the midrange noticeable on certain vocal recordings. Soundstage and sense of envelopment are comparatively flat and two-dimensional, especially next to reference-quality speakers with strong 3D imaging. Marketed as a “three-way” design mainly due to an added super-tweeter that the reviewer considers largely superfluous: it engages only at very high frequencies and adds complexity without a clearly audible benefit, when that cost might have been better spent on the main crossover. Output-limited: realistic ceiling is around the mid-90s dB SPL at a few meters, with comfortable listening closer to 75-85dB at 3-4 meters before distortion and compression become audible. Bass noticeably compresses/shelves below about 120Hz as volume increases, softening kick-drum impact at higher output. Smaller drivers and a lighter motor structure than rivals like the Polk XT20, which the reviewer generally prefers for its better directivity and higher SPL capability. Still needs a subwoofer for any real bass extension.
Full Sony SS-CS5 M2 review and specifications →
| Bass Extension (-10dB) | 54Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 80Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 13.2”H x 7”W x 8.7”D (335 x 178 x 220 mm) |
| Drivers | 5.12” woofer, 0.98 in tweeter; 0.75-inch supertweeter; 0.75-inch supertweeter; 0.75-inch supertweeter; 0.75-inch supertweeter |
| Impedance | 6 ohms |
| Sensitivity | 82.5dB |
| Weight | 9.5 lbs (4.3 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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