Short answer: the Arendal 1528 Monitor 8 if sound quality matters most, the Sonus Faber Sonetto II G2 if price matters most. The Arendal 1528 Monitor 8 ranks #22 of 130 bookshelf speakers at $6000. The Sonus Faber Sonetto II G2 ranks #103 at $3500, $2500 cheaper.
What the Sonus Faber Sonetto II G2 offers: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Watch for: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
What the Arendal 1528 Monitor 8 offers: Three-way design featuring a 28mm tweeter, 5” mid-range, and dual 8” mid-bass drivers in a convertible sealed/ported HDF cabinet, with a supplied port bung for sealed operation near a wall. In ported configuration, reaches down to about 35Hz in most rooms (F3 41Hz, F10 26Hz) - deep enough that many listeners could skip a subwoofer unless they want output below 40Hz. Extremely low distortion and compression across the board (harmonic, multitone, and both long- and short-term compression testing) - among the best the reviewer has tested at this price, beating speakers costing twice as much. Wide, consistent horizontal soundstage of about ±60°. Smooth, non-fatiguing high frequency rather than the elevated “detail” boost common on speakers marketed for resolution. A slight forwardness around 1.5kHz adds a touch of attack without tipping into brightness. Watch for: A dip in the midbase around 100Hz noticeably reduces the “chestiness” of male vocals compared to the reviewer’s reference speaker. A diffraction-related flare in the upper-midrange/lower-treble (around 1.5-2kHz) gives a mild forwardness that benefits from sidewall absorption panels, though it’s not a major issue. Vertical sweet spot is fairly narrow at about ±20° - a bigger consideration for multi-row home theater seating than rivals like the MoFi SourcePoint 8, which manages about ±60°. The MoFi SourcePoint 8, a similarly-priced rival, also has more linear bass with no midbase dip, at the cost of a more elevated top end. Minor resonances appear around 400Hz and 800Hz in measurements, though the reviewer considers them inaudible or insignificant. Very heavy (about 104 lbs each) HDF cabinet requires dedicated, sturdy stands. Low EPDR (dips to about 1.9 ohms in two spots) means a Class AB amplifier needs to comfortably handle a 4-ohm load without overheating; a Class D amp is a safer choice for full-range use.
Buy the Sonus Faber Sonetto II G2 when the price outweighs sound quality for you, and the Arendal 1528 Monitor 8 when sound quality outweighs the price instead.
Skip the Sonus Faber Sonetto II G2 if sound quality matters to you. It ranks near the bottom of the 130 bookshelf speakers.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Sonus Faber Sonetto II G2 | Arendal 1528 Monitor 8 | |
|---|---|---|
| Price | $3500 per pair | $6000 per pair |
| Ranked | #103 of 130 in Large Size Bookshelf Speakers | #22 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) | 26Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) | 41Hz (measured, Erin's Audio Corner) |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) | 4 ohms nominal, 3.8 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) | 84.4dB (measured, Erin's Audio Corner) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter | Dual 8" woofers, 5" midrange, 28mm tweeter |
| Weight | 38.4 lbs (17.4 kg) | 103.6 lbs (47 kg) each |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) | 31.8"H x 11.4"W x 17.6"D (807.7 x 289.6 x 447 mm) |
| Woofer Cabinet | ported, front | ported |
| Spinorama Preference Score | 3.34 | 4.70 |
| Spinorama Preference Score with Perfect Sub | 5.62 | 6.16 |
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Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Sonus Faber Sonetto II G2: $3500 per pair Crutchfield eBay
Pros: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Measured bass extension of 62Hz (-3dB), with a measured sensitivity of 87dB.
Cons: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Full Sonus Faber Sonetto II G2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.34 |
| Spinorama Preference Score with Perfect Sub | 5.62 |
| Weight | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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Arendal 1528 Monitor 8: $6000 per pair Arendalsound eBay
Pros: Three-way design featuring a 28mm tweeter, 5” mid-range, and dual 8” mid-bass drivers in a convertible sealed/ported HDF cabinet, with a supplied port bung for sealed operation near a wall. In ported configuration, reaches down to about 35Hz in most rooms (F3 41Hz, F10 26Hz) - deep enough that many listeners could skip a subwoofer unless they want output below 40Hz. Extremely low distortion and compression across the board (harmonic, multitone, and both long- and short-term compression testing) - among the best the reviewer has tested at this price, beating speakers costing twice as much. Wide, consistent horizontal soundstage of about ±60°. Smooth, non-fatiguing high frequency rather than the elevated “detail” boost common on speakers marketed for resolution. A slight forwardness around 1.5kHz adds a touch of attack without tipping into brightness. Measured bass extension of 41Hz (-3dB), with a measured sensitivity of 84.4dB.
Cons: A dip in the midbase around 100Hz noticeably reduces the “chestiness” of male vocals compared to the reviewer’s reference speaker. A diffraction-related flare in the upper-midrange/lower-treble (around 1.5-2kHz) gives a mild forwardness that benefits from sidewall absorption panels, though it’s not a major issue. Vertical sweet spot is fairly narrow at about ±20° - a bigger consideration for multi-row home theater seating than rivals like the MoFi SourcePoint 8, which manages about ±60°. The MoFi SourcePoint 8, a similarly-priced rival, also has more linear bass with no midbase dip, at the cost of a more elevated top end. Minor resonances appear around 400Hz and 800Hz in measurements, though the reviewer considers them inaudible or insignificant. Very heavy (about 104 lbs each) HDF cabinet requires dedicated, sturdy stands. Low EPDR (dips to about 1.9 ohms in two spots) means a Class AB amplifier needs to comfortably handle a 4-ohm load without overheating; a Class D amp is a safer choice for full-range use.
Full Arendal 1528 Monitor 8 review and specifications →
| Bass Extension (-10dB) | 26Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 41Hz (measured, Erin's Audio Corner) |
| Dimensions | 31.8"H x 11.4"W x 17.6"D (807.7 x 289.6 x 447 mm) |
| Drivers | Dual 8" woofers, 5" midrange, 28mm tweeter |
| Impedance | 4 ohms nominal, 3.8 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 84.4dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 4.70 |
| Spinorama Preference Score with Perfect Sub | 6.16 |
| Weight | 103.6 lbs (47 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Arendal 1528 Monitor 8 vs Ascend Acoustics CMT-340 SE2
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