Short answer: the Philips SHP9500. It ranks #80 of 216 over-ear headphones by sound quality, rated 3.9/5, at $94.99; the Thinksound ov21 ranks #93, rated 3.8/5, and costs $97, so there is not much of a tradeoff to weigh.
The case for the Philips SHP9500: A preference score of 80 and a deviation of only 2.2 dB make the open back response smooth for the money, with bass from 60 to 200 Hz and the lower mids within half a dB of target. The tradeoff: Sub-bass is about 9 dB below target under 60 Hz, so electronic and cinematic bass lacks rumble and slam.
Why pick the Thinksound ov21: Sub-bass under 60 Hz sits about 4 dB above the Harman target and the 60 to 200 Hz bass about 2 dB above, so kick drums and bass lines have real weight and rumble. Watch for: A dip of about 6 dB near 7 kHz followed by a 5 dB peak near 12 kHz leaves cymbals and sibilance uneven, dull in one place and glassy in another.
Buy the Philips SHP9500. It is rated higher for sound quality than the Thinksound ov21 and costs less, so only choose the other one for a particular feature it does better.
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Specifications Side By Side
| Philips SHP9500 | Thinksound ov21 | |
|---|---|---|
| Price | $94.99 | $97.00 |
| Ranked | #80 of 216 in Over-Ear Headphones | #93 of 216 in Over-Ear Headphones |
| Form Factor | Over-ear | Over-ear |
| Harman Preference Score | 80 (measured by oratory1990, via AutoEQ) | 78 (measured by oratory1990, via AutoEQ) |
| Deviation From Target | 2.17 dB standard deviation | 2.79 dB standard deviation |
| Tonal Tilt | +0.47 (negative is warmer, positive brighter) | -0.12 (negative is warmer, positive brighter) |
| Sub-bass Extension | Falls 6 dB below target at 47 Hz (-10.3 dB at 30 Hz) | Within 6 dB of target down to 20 Hz (+6.0 dB at 30 Hz) |
| Connection | Wired | Wired |
| Back | Open | Closed |
| Driver Type | Dynamic | Dynamic |
| Drivers | 1 x 50mm dynamic | 1 x 45mm dynamic |
| Impedance | 32 ohms | 50 ohms |
| Sensitivity | 101 dB | 99 dB/mW |
| Weight | 0.7 lbs (320 g) | 1 lbs (453 g) |
| Frequency Response | 12Hz - 35kHz (Manufacturer specified) | 5Hz - 22kHz (Manufacturer specified) |
| Built-in Microphone | - | Yes |
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- Yamaha RH5Ma vs Philips SHP9500
- Audio-Technica ATH-M40x vs Philips SHP9500
- Philips SHP9500 vs Audio-Technica ATH-M50x
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
Philips SHP9500: $94.99 Amazon eBay
Pros: A preference score of 80 and a deviation of only 2.2 dB make the open back response smooth for the money, with bass from 60 to 200 Hz and the lower mids within half a dB of target. It is very easy to drive at 32 ohms and 101 dB sensitivity, so a phone runs it fine, and it weighs just 320 g. It costs far less than most headphones with a comparable score.
Cons: Sub-bass is about 9 dB below target under 60 Hz, so electronic and cinematic bass lacks rumble and slam. Presence is lifted about 2.3 dB, and a 6.7 dB peak near 6.2 kHz followed by a 4 dB dip near 7.7 kHz adds some edge to vocals and cymbals. The open back leaks sound and gives no isolation.
Full Philips SHP9500 review and specifications →
| Back | Open |
|---|---|
| Connection | Wired |
| Deviation From Target | 2.17 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 50mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 12Hz - 35kHz (Manufacturer specified) |
| Harman Preference Score | 80 (measured by oratory1990, via AutoEQ) |
| Impedance | 32 ohms |
| Sensitivity | 101 dB |
| Sub-bass Extension | Falls 6 dB below target at 47 Hz (-10.3 dB at 30 Hz) |
| Tonal Tilt | +0.47 (negative is warmer, positive brighter) |
| Weight | 0.7 lbs (320 g) |
EQ preset to match the Harman target
Set a preamp of -6.4 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +6.5 dB | 0.70 |
| Peak | 5,734 Hz | -5.7 dB | 2.84 |
| Peak | 110 Hz | -3.0 dB | 0.81 |
| Peak | 2,130 Hz | +3.7 dB | 2.76 |
| Peak | 412 Hz | +1.0 dB | 1.39 |
| High shelf | 10,000 Hz | -2.4 dB | 0.70 |
| Peak | 1,113 Hz | -0.6 dB | 2.07 |
| Peak | 7,370 Hz | +2.1 dB | 5.98 |
| Peak | 4,477 Hz | -1.7 dB | 6.00 |
| Peak | 3,566 Hz | +1.3 dB | 6.00 |
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Thinksound ov21: $97.00 Amazon eBay
Pros: Sub-bass under 60 Hz sits about 4 dB above the Harman target and the 60 to 200 Hz bass about 2 dB above, so kick drums and bass lines have real weight and rumble. At 50 ohms and 99 dB/mW it runs loudly from a phone or laptop without an amp. The closed back isolates from room noise, and an inline microphone allows calls.
Cons: A dip of about 6 dB near 7 kHz followed by a 5 dB peak near 12 kHz leaves cymbals and sibilance uneven, dull in one place and glassy in another. Low mids are about 2.5 dB under target, which thins male vocals and guitar body. At 453 g it is the heaviest of its closest rivals, and the Audio-Technica ATH-M40x holds a higher rating at a similar price.
Full Thinksound ov21 review and specifications →
| Released | Nov 2021 (4 years ago) |
|---|---|
| Back | Closed |
| Built-in Microphone | Yes |
| Connection | Wired |
| Deviation From Target | 2.79 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 45mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 5Hz - 22kHz (Manufacturer specified) |
| Harman Preference Score | 78 (measured by oratory1990, via AutoEQ) |
| Impedance | 50 ohms |
| Sensitivity | 99 dB/mW |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+6.0 dB at 30 Hz) |
| Tonal Tilt | -0.12 (negative is warmer, positive brighter) |
| Weight | 1 lbs (453 g) |
EQ preset to match the Harman target
Set a preamp of -4.4 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -4.2 dB | 0.70 |
| Peak | 241 Hz | +5.0 dB | 0.79 |
| Peak | 122 Hz | -4.5 dB | 1.90 |
| Peak | 2,933 Hz | -4.2 dB | 1.60 |
| Peak | 5,637 Hz | -4.4 dB | 5.53 |
| High shelf | 10,000 Hz | -7.2 dB | 0.70 |
| Peak | 8,185 Hz | +3.2 dB | 2.20 |
| Peak | 1,045 Hz | -1.7 dB | 2.30 |
| Peak | 57 Hz | +1.3 dB | 3.71 |
| Peak | 498 Hz | +0.8 dB | 2.38 |
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