Neumann KH80 DSP vs Klipsch The Fives

Last updated: August 24, 2026

Short answer: the Neumann KH80 DSP. It ranks #7 of 58 powered bookshelf speakers by sound quality at $598.98; the Klipsch The Fives ranks #42 and costs $699, so there is not much of a tradeoff to weigh.

What the Neumann KH80 DSP offers: Compact 2-way nearfield monitor - a 1” tweeter in an elliptical waveguide over a 4” mid-woofer, crossed over around 1.8kHz with steep 48dB/octave slopes. Exceptionally linear on-axis response, within about ±1.5dB, with essentially nothing worth equalizing beyond a minor, likely port-related wrinkle around 800Hz. Vertical dispersion is unusually wide and consistent for a monitor this size, holding together to roughly ±40° versus the ±20° or so typical of similarly compact designs - a benefit of the steep crossover slopes and waveguide minimizing comb filtering, so listening height and seating posture matter less than on most small monitors. Back-panel switches (freestanding, small/medium/large desk) tailor the low-mid response to compensate for desk-boundary reflections. Distortion in the midrange doesn’t change when high-passed to a subwoofer at 80Hz, showing the drivers already have a clean distortion profile on their own. Maintains good composure and linearity up to about 96dB SPL down to roughly 80Hz before an active protection circuit engages; tested with dense multitone program material rather than a sine sweep, output around 96dB costs only about 1dB in the midrange, putting realistic maximum SPL near 95dB. Watch for: High price for its size, at roughly $1,000/pair. The horizontal pattern stays wide and essentially constant out to about ±30° before beaming and narrowing further out (then flattening again near 2kHz) - a wide, controlled pattern in absolute terms, but one that reflects more high-frequency energy off nearby sidewalls than a narrower design would. At greater listening distances or in more reflective rooms (tested around 6 feet away at 75-80dB), that shows up as a top end that reads a bit hot despite the speaker measuring essentially flat on-axis - a byproduct of its directivity rather than its tonal balance, and mostly moot for genuine nearfield desktop use inside about a meter. The estimated in-room response shows a shallow dip around 1-2kHz and a treble trend running 2-3dB above the midrange in that same far-field estimate. Multitone distortion for a single speaker climbs into the 3-5% range at 96dB SPL, though that’s only really relevant well above typical nearfield listening levels. Bass rolls off below its F3 of 57Hz (F10 48Hz), so the 4” mid-woofer still needs a subwoofer for real low-end content. The companion app for EQ/setup is iPad-only, with no Android or Bluetooth option despite being control-only, and the in-room calibration microphone is a separate purchase in most cases. In a separate comparison test, the smoother-measuring KH80 actually sounded smaller and less present than the cheaper JBL 305P MKII, which had more perceived bass and clarity despite measuring worse on paper.

What the Klipsch The Fives offers: Versatile powered stereo alternative to a soundbar, with HDMI ARC, USB, optical, Bluetooth, phono/line RCA and subwoofer output. Erin measured F3 at 57Hz and found generally benign harmonic distortion at normal levels. The horn-loaded 1-inch tweeter provides useful controlled radiation, real-wood cabinets are well finished, and firmware offers Dynamic Bass, Flat and Bass Cut profiles; Bass Cut is the closest to neutral. Watch for: The nominal Flat mode is bass-heavy rather than flat, and the response/directivity transition around the 4.5-inch woofer and Tractrix horn requires careful placement or EQ. Erin measured roughly 2.5dB compression around 200Hz and still more below 80Hz at high drive; limiting protects the small woofer but audibly removes bass dynamics. A subwoofer is advisable, especially at distance. This amplified system has no meaningful passive impedance or sensitivity specification.

Buy the Neumann KH80 DSP. It ranks higher for sound quality than the Klipsch The Fives and costs less, so there is no real case for the other one.

Neumann KH80 DSP vs Klipsch The Fives

Specifications Side By Side

Neumann KH80 DSP Klipsch The Fives
Price$598.98$699/pair
Ranked#7 of 58 in Medium Size Powered Bookshelf Speakers#42 of 58 in Medium Size Powered Bookshelf Speakers
Dimensions13.6"H x 10.8"W x 9.6"D (345.4 x 274.3 x 243.8 mm)-
Frequency Response57 Hz - 25 kHz (+-3 dB) (Manufacturer specified)-
InputsXLRHDMI ARC, USB, optical, Bluetooth, phono/line RCA
Weight9 lbs / 4.1 kg each-
Drivers4.1" woofer, 1" fabric dome tweeter1" horn-loaded tweeter; 4.5" woofer
AppYes (MA 1 alignment)-
Bass Extension (-10dB)51Hz (measured, Erin’s Audio Corner)47.3Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)57Hz (measured, Erin’s Audio Corner)57Hz (measured, Erin’s Audio Corner)
BluetoothNo-
DSPYesDynamic Bass, Flat and Bass Cut profiles
EQYes (via DSP)-
Max SPL110.7dB @ 1m-
Sensitivity91.9dB (measured at 0.3V/1m, Erin’s Audio Corner)Not applicable (active DSP loudspeaker)
Output Power140W (90W woofer + 50W tweeter)-

More useful head-to-heads from the same speaker class:

Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

As an eBay Partner, we may be compensated if you make a purchase.

The Two Speakers In Full

Neumann KH80 DSP: $598.98 Amazon Bhphotovideo eBay

Neumann KH80 DSP ranking card

Pros: Compact 2-way nearfield monitor - a 1” tweeter in an elliptical waveguide over a 4” mid-woofer, crossed over around 1.8kHz with steep 48dB/octave slopes. Exceptionally linear on-axis response, within about ±1.5dB, with essentially nothing worth equalizing beyond a minor, likely port-related wrinkle around 800Hz. Vertical dispersion is unusually wide and consistent for a monitor this size, holding together to roughly ±40° versus the ±20° or so typical of similarly compact designs - a benefit of the steep crossover slopes and waveguide minimizing comb filtering, so listening height and seating posture matter less than on most small monitors. Back-panel switches (freestanding, small/medium/large desk) tailor the low-mid response to compensate for desk-boundary reflections. Distortion in the midrange doesn’t change when high-passed to a subwoofer at 80Hz, showing the drivers already have a clean distortion profile on their own. Maintains good composure and linearity up to about 96dB SPL down to roughly 80Hz before an active protection circuit engages; tested with dense multitone program material rather than a sine sweep, output around 96dB costs only about 1dB in the midrange, putting realistic maximum SPL near 95dB.

Cons: High price for its size, at roughly $1,000/pair. The horizontal pattern stays wide and essentially constant out to about ±30° before beaming and narrowing further out (then flattening again near 2kHz) - a wide, controlled pattern in absolute terms, but one that reflects more high-frequency energy off nearby sidewalls than a narrower design would. At greater listening distances or in more reflective rooms (tested around 6 feet away at 75-80dB), that shows up as a top end that reads a bit hot despite the speaker measuring essentially flat on-axis - a byproduct of its directivity rather than its tonal balance, and mostly moot for genuine nearfield desktop use inside about a meter. The estimated in-room response shows a shallow dip around 1-2kHz and a treble trend running 2-3dB above the midrange in that same far-field estimate. Multitone distortion for a single speaker climbs into the 3-5% range at 96dB SPL, though that’s only really relevant well above typical nearfield listening levels. Bass rolls off below its F3 of 57Hz (F10 48Hz), so the 4” mid-woofer still needs a subwoofer for real low-end content. The companion app for EQ/setup is iPad-only, with no Android or Bluetooth option despite being control-only, and the in-room calibration microphone is a separate purchase in most cases. In a separate comparison test, the smoother-measuring KH80 actually sounded smaller and less present than the cheaper JBL 305P MKII, which had more perceived bass and clarity despite measuring worse on paper.

AppYes (MA 1 alignment)
Bass Extension (-10dB)51Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)57Hz (measured, Erin's Audio Corner)
BluetoothNo
DSPYes
Dimensions13.6"H x 10.8"W x 9.6"D (345.4 x 274.3 x 243.8 mm)
Drivers4.1" woofer, 1" fabric dome tweeter
EQYes (via DSP)
Frequency Response57 Hz - 25 kHz (+-3 dB) (Manufacturer specified)
InputsXLR
Max SPL110.7dB @ 1m
Output Power140W (90W woofer + 50W tweeter)
Sensitivity91.9dB (measured at 0.3V/1m, Erin's Audio Corner)
Weight9 lbs / 4.1 kg each

Klipsch The Fives: $699/pair Amazon eBay

Klipsch The Fives ranking card

Pros: Versatile powered stereo alternative to a soundbar, with HDMI ARC, USB, optical, Bluetooth, phono/line RCA and subwoofer output. Erin measured F3 at 57Hz and found generally benign harmonic distortion at normal levels. The horn-loaded 1-inch tweeter provides useful controlled radiation, real-wood cabinets are well finished, and firmware offers Dynamic Bass, Flat and Bass Cut profiles; Bass Cut is the closest to neutral.

Cons: The nominal Flat mode is bass-heavy rather than flat, and the response/directivity transition around the 4.5-inch woofer and Tractrix horn requires careful placement or EQ. Erin measured roughly 2.5dB compression around 200Hz and still more below 80Hz at high drive; limiting protects the small woofer but audibly removes bass dynamics. A subwoofer is advisable, especially at distance. This amplified system has no meaningful passive impedance or sensitivity specification.

Bass Extension (-10dB)47.3Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)57Hz (measured, Erin's Audio Corner)
DSPDynamic Bass, Flat and Bass Cut profiles
Drivers1" horn-loaded tweeter; 4.5" woofer
InputsHDMI ARC, USB, optical, Bluetooth, phono/line RCA
SensitivityNot applicable (active DSP loudspeaker)