Short answer: the KEF LS50 Meta for better sound quality, the Parts Express Copperhead Desktop Kit for the lower price. The KEF LS50 Meta ranks #4 of 87 bookshelf speakers at $1599. The Parts Express Copperhead Desktop Kit ranks #65 at $119.98, $1479.02 cheaper.
What the KEF LS50 Meta offers: Uni-Q concentric driver mounts a 1” vented aluminum dome tweeter at the center of a 5.25” aluminum cone woofer, rated 79Hz-20kHz+. Speaker-to-speaker matching measured tight at roughly 0.5dB deviation between the pair tested, versus 2-3dB seen on some other speakers - likely why imaging stayed so precise. Imaging stays tight and focused even toed out, unlike most coincident designs where toe-out typically diffuses the image, giving more of an oval-shaped soundstage than a hard rectangular boundary. Horizontal and vertical directivity both hold to about ±50° at the -6dB point, so tonality stays consistent across roughly a 100° listening cone. The extended bass shelf is deliberately tuned for near-wall/boundary placement rather than the usual “pull it 3 feet into the room” advice, playing lower without excess boominess when placed close to a wall. At $1,000 (a frequent sale price versus $1,600 list), called a no-brainer for a compact stand-mount speaker. Independent ASR Klippel measurements corroborate this: very good directivity with the on- and off-axis curves tracking closely, and a predicted in-room response the reviewer called “very close to ideal.” Watch for: F3 of 67Hz and F10 of 42Hz mean it doesn’t get much below 50Hz in-room; a subwoofer is recommended for real bass. A 2-3dB scoop around 2-4kHz shows up in both the listening window and sound power measurements, matching a subjectively noticed lack of attack and vocal clarity that the reviewer wanted to correct with about 2dB of EQ. An on-axis diffraction dip around 8kHz smooths out with about 15° of toe-out (typical for concentric designs, but still present at 0°). Distortion is elevated at low frequencies since the single 5.25” cone shares surface area with the tweeter housing, reducing effective radiating area; multitone distortion crosses the 3% threshold at 96dB/1m, making roughly 88dB or below the safer output ceiling. Moderate sensitivity (~83dB average) needed 2-3dB more amplifier gain than typical in testing. Adding a subwoofer at an 80Hz crossover only helps lower-midrange distortion, not the elevated distortion in the 1-2kHz and above-5kHz regions. ASR’s own Klippel testing found the same pattern in starker terms: THD is very good at 86dB SPL/1m but climbs past 100% in the bass at 96dB SPL/1m, confirming this is not a near-field speaker for high-output bass-heavy material. Cumulative spectral decay (waterfall) also shows a couple of resonances lingering in the 1-2kHz region.
What the Parts Express Copperhead Desktop Kit offers: Inexpensive, beginner-friendly CNC flat-pack kit with a compact 8 x 5-inch desktop footprint and only one 3.5-inch full-range driver per channel. The point-source layout avoids a conventional woofer/tweeter crossover and, when listened to around 20 degrees above the driver as intended, can produce precise near-field imaging. Erin measured roughly 81dB sensitivity, consistent with Parts Express’s specification. The included baffle-step network improves lower-midrange balance, while the optional series inductor reduces the driver’s rising top end; Erin recommends retaining it. Several remaining narrow peaks can be corrected with desktop software EQ. Bottom porting conserves desk space, and unfinished MDF invites custom finishing. Watch for: Despite the ‘full-range’ label, output rolls off around 120-150Hz and a subwoofer with an unusually high 100-200Hz crossover is effectively mandatory. Native response has resonances near roughly 2.1kHz and 8kHz plus a broad 14-20kHz rise of 5-8dB, so it is not smooth without the supplied network and additional EQ. Distortion already exceeds 3% in places at 86dB/1m and becomes extreme at 96dB. Erin’s multitone test approached -10dB distortion (roughly 30%) full-range at the highest level, accompanied by 3-4dB compression; even a 200Hz high-pass leaves roughly 3-5% distortion and 2-3dB compression. The angled cabinet demands a specific near-field ear height, and its very low sensitivity plus 10W RMS power rating leave almost no clean-output headroom for room listening.
Buy the KEF LS50 Meta if sound quality matters more than the price. Buy the Parts Express Copperhead Desktop Kit if the price matters more than sound quality.
Specifications Side By Side
| KEF LS50 Meta | Parts Express Copperhead Desktop Kit | |
|---|---|---|
| Price | $1,599.00 | $119.98 |
| Ranked | #4 of 87 in Medium Size Bookshelf Speakers | #65 of 87 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 43Hz (measured, Erin’s Audio Corner) | 69.3Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 68Hz (measured, Erin’s Audio Corner) | 98.1Hz (measured, Erin’s Audio Corner) |
| Dimensions | 11.9"H x 7.9"W x 11"D (302 x 200 x 280.5 mm) | 8"H x 5"W x 6.5"D (203 x 127 x 165 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 8 ohms (manufacturer specified) |
| Sensitivity | 83dB (measured average, Erin’s Audio Corner; 85dB manufacturer specified) | 81dB @ 1W/1m (measured by Erin’s Audio Corner and manufacturer specified) |
| Drivers | 130 mm (5.25 in.) aluminium cone woofer, 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption tweeter | 3.5" Dayton Audio PS95-8 full-range driver |
| Weight | 17.2 lbs / 7.8 kg each | - |
| Woofer Cabinet | ported, rear | ported, bottom |
| Frequency Response | - | 120Hz-20kHz +/-3dB (manufacturer specified) |
| Power Handling | - | 10W RMS / 20W maximum; 25W RMS with 50Hz high-pass |
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The Two Speakers In Full
KEF LS50 Meta: $1,599.00 Amazon Crutchfield eBay
Pros: Uni-Q concentric driver mounts a 1” vented aluminum dome tweeter at the center of a 5.25” aluminum cone woofer, rated 79Hz-20kHz+. Speaker-to-speaker matching measured tight at roughly 0.5dB deviation between the pair tested, versus 2-3dB seen on some other speakers - likely why imaging stayed so precise. Imaging stays tight and focused even toed out, unlike most coincident designs where toe-out typically diffuses the image, giving more of an oval-shaped soundstage than a hard rectangular boundary. Horizontal and vertical directivity both hold to about ±50° at the -6dB point, so tonality stays consistent across roughly a 100° listening cone. The extended bass shelf is deliberately tuned for near-wall/boundary placement rather than the usual “pull it 3 feet into the room” advice, playing lower without excess boominess when placed close to a wall. At $1,000 (a frequent sale price versus $1,600 list), called a no-brainer for a compact stand-mount speaker. Independent ASR Klippel measurements corroborate this: very good directivity with the on- and off-axis curves tracking closely, and a predicted in-room response the reviewer called “very close to ideal.”
Cons: F3 of 67Hz and F10 of 42Hz mean it doesn’t get much below 50Hz in-room; a subwoofer is recommended for real bass. A 2-3dB scoop around 2-4kHz shows up in both the listening window and sound power measurements, matching a subjectively noticed lack of attack and vocal clarity that the reviewer wanted to correct with about 2dB of EQ. An on-axis diffraction dip around 8kHz smooths out with about 15° of toe-out (typical for concentric designs, but still present at 0°). Distortion is elevated at low frequencies since the single 5.25” cone shares surface area with the tweeter housing, reducing effective radiating area; multitone distortion crosses the 3% threshold at 96dB/1m, making roughly 88dB or below the safer output ceiling. Moderate sensitivity (~83dB average) needed 2-3dB more amplifier gain than typical in testing. Adding a subwoofer at an 80Hz crossover only helps lower-midrange distortion, not the elevated distortion in the 1-2kHz and above-5kHz regions. ASR’s own Klippel testing found the same pattern in starker terms: THD is very good at 86dB SPL/1m but climbs past 100% in the bass at 96dB SPL/1m, confirming this is not a near-field speaker for high-output bass-heavy material. Cumulative spectral decay (waterfall) also shows a couple of resonances lingering in the 1-2kHz region.
Full KEF LS50 Meta review and specifications →
| Bass Extension (-10dB) | 43Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 68Hz (measured, Erin's Audio Corner) |
| Dimensions | 11.9"H x 7.9"W x 11"D (302 x 200 x 280.5 mm) |
| Drivers | 130 mm (5.25 in.) aluminium cone woofer, 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 83dB (measured average, Erin's Audio Corner; 85dB manufacturer specified) |
| Weight | 17.2 lbs / 7.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Unveiling the KEF LS50 Meta: The Truth Behind the Hype More from Erin’s Audio Corner →
- Erin’s Audio Corner Website KEF LS50 Meta
- Audio Science Review KEF LS50 Meta More from Audio Science Review →
- GR-Research: KEF LS50 Meta! Worthy of HYPE? More from GR-Research →
- Erin’s Audio Corner: My Top Picks of 2023: Must-Haves Under $3000
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for KEF LS50 Meta Review
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- See all 61 comparisons
Parts Express Copperhead Desktop Kit: $119.98 Parts Express eBay
Pros: Inexpensive, beginner-friendly CNC flat-pack kit with a compact 8 x 5-inch desktop footprint and only one 3.5-inch full-range driver per channel. The point-source layout avoids a conventional woofer/tweeter crossover and, when listened to around 20 degrees above the driver as intended, can produce precise near-field imaging. Erin measured roughly 81dB sensitivity, consistent with Parts Express’s specification. The included baffle-step network improves lower-midrange balance, while the optional series inductor reduces the driver’s rising top end; Erin recommends retaining it. Several remaining narrow peaks can be corrected with desktop software EQ. Bottom porting conserves desk space, and unfinished MDF invites custom finishing.
Cons: Despite the ‘full-range’ label, output rolls off around 120-150Hz and a subwoofer with an unusually high 100-200Hz crossover is effectively mandatory. Native response has resonances near roughly 2.1kHz and 8kHz plus a broad 14-20kHz rise of 5-8dB, so it is not smooth without the supplied network and additional EQ. Distortion already exceeds 3% in places at 86dB/1m and becomes extreme at 96dB. Erin’s multitone test approached -10dB distortion (roughly 30%) full-range at the highest level, accompanied by 3-4dB compression; even a 200Hz high-pass leaves roughly 3-5% distortion and 2-3dB compression. The angled cabinet demands a specific near-field ear height, and its very low sensitivity plus 10W RMS power rating leave almost no clean-output headroom for room listening.
Full Parts Express Copperhead Desktop Kit review and specifications →
| Bass Extension (-10dB) | 69.3Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 98.1Hz (measured, Erin's Audio Corner) |
| Dimensions | 8"H x 5"W x 6.5"D (203 x 127 x 165 mm) |
| Drivers | 3.5" Dayton Audio PS95-8 full-range driver |
| Frequency Response | 120Hz-20kHz +/-3dB (manufacturer specified) |
| Impedance | 8 ohms (manufacturer specified) |
| Power Handling | 10W RMS / 20W maximum; 25W RMS with 50Hz high-pass |
| Sensitivity | 81dB @ 1W/1m (measured by Erin's Audio Corner and manufacturer specified) |
| Woofer Cabinet | ported, bottom |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Parts Express Copperhead Desktop Kit vs JBL Stage A120
- Parts Express Copperhead Desktop Kit vs Pioneer SP-BS22-LR (Philharmonic AAM Mod)
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- Parts Express Copperhead Desktop Kit vs Neumi BS5
- Parts Express Copperhead Desktop Kit vs Arendal 1961 Monitor