Short answer: the JBL 4305P ranks #13 of 31 powered bookshelf speakers by sound quality at $2200; the Focal Twin6 Be ranks #30 at $2200. Close enough in price that the sound-quality gap is the deciding factor.
What the JBL 4305P offers: Erin measured a 45Hz F3 and heard solid 40–50Hz in-room extension—excellent for a compact 5.25-inch active monitor. Watch for: The limiter becomes conspicuous around 96dB: Erin measured about 8dB lost near 50Hz at the highest drive and achieved roughly 93dB unweighted at 2m in-room, so this is a near/midfield system rather than a high-output theater…
What the Focal Twin6 Be offers: High-output 2.5-way studio monitor with an inverted beryllium tweeter and two 6.5-inch W-composite drivers, one covering bass/midrange and the other reinforcing only 40-150Hz. Watch for: The response and directivity are not as uniformly neutral as newer waveguided three-way monitors, and Erin suspected intermodulation-related roughness even though conventional harmonic distortion was low.
Buy the JBL 4305P. It ranks higher for sound quality than the Focal Twin6 Be at the same price, so there is no real case for the other one.
If sound quality matters at all to you, skip the Focal Twin6 Be. It ranks near the bottom of the 31 powered bookshelf speakers, so look higher up the list instead.
Specifications Side By Side
| JBL 4305P | Focal Twin6 Be | |
|---|---|---|
| Price | $2,200/pair | $2,200 each |
| Ranked | #13 of 31 in Large Size Powered Bookshelf Speakers | #30 of 31 in Large Size Powered Bookshelf Speakers |
| Bass Extension (-3dB) | 45Hz (measured, Erin’s Audio Corner) | - |
| Sensitivity | Not applicable (active DSP loudspeaker) | Not applicable (active studio monitor) |
| Maximum Output | ~93dB at 2m in-room before limiting (measured, Erin’s Audio Corner) | - |
| Amplification | 300W system: 125W LF + 25W HF per speaker | 150W LF + 100W LF/MF + 100W HF |
| Drivers | 5.25-inch pulp woofer; 1-inch annular compression driver | 1" inverted beryllium tweeter; dual 6.5" W-cone drivers |
| Dimensions | 13.2H x 8.3W x 8.8D inches | - |
| Bass Extension | - | 40Hz manufacturer specified; Erin measured strong low-frequency linearity |
| Inputs | - | Balanced XLR with +4dBu/-10dBV sensitivity |
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- JBL 4329P vs Klipsch The Sevens
- SHIVAUDYO Point Zero vs Klipsch The Nines
- JBL 4305P vs Klipsch The Nines
- Klipsch The Nines vs Focal Twin6 Be
The Two Speakers In Full
JBL 4305P: $2,200/pair Amazon JBL
Pros: Erin measured a 45Hz F3 and heard solid 40–50Hz in-room extension—excellent for a compact 5.25-inch active monitor. Tonality is neutral and non-fatiguing, vocal coloration is absent, imaging is precise, and the HDI horn maintains near-constant horizontal directivity above 2kHz. Each speaker is bi-amplified (125W LF + 25W HF), while USB, optical, balanced analog, AirPlay 2, Chromecast, Bluetooth and 24/192 wired interconnect make this an unusually complete system. Grilles caused no meaningful response penalty.
Cons: The limiter becomes conspicuous around 96dB: Erin measured about 8dB lost near 50Hz at the highest drive and achieved roughly 93dB unweighted at 2m in-room, so this is a near/midfield system rather than a high-output theater speaker. A baffle discontinuity produces a 1–2kHz directivity mismatch that cannot be corrected uniformly in the vertical plane; stay within about +/-5° of tweeter height. Soundstage depth and layering trailed the KEF Reference 1 Meta, and wireless speaker linking caps resolution at 24/96.
Full JBL 4305P review and specifications →
| Amplification | 300W system: 125W LF + 25W HF per speaker |
|---|---|
| Bass Extension (-3dB) | 45Hz (measured, Erin's Audio Corner) |
| Dimensions | 13.2H x 8.3W x 8.8D inches |
| Drivers | 5.25-inch pulp woofer; 1-inch annular compression driver |
| Maximum Output | ~93dB at 2m in-room before limiting (measured, Erin's Audio Corner) |
| Sensitivity | Not applicable (active DSP loudspeaker) |
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Focal Twin6 Be: $2,200 each Amazon
Pros: High-output 2.5-way studio monitor with an inverted beryllium tweeter and two 6.5-inch W-composite drivers, one covering bass/midrange and the other reinforcing only 40-150Hz. Erin measured excellent harmonic distortion at both 86 and 96dB, essentially quarter-decibel dynamic compression and clean subjective output around 95dB. Mirror-configurable driver orientation, front ports, shelving/notch controls and switchable +4dBu/-10dBV input sensitivity support professional installation.
Cons: The response and directivity are not as uniformly neutral as newer waveguided three-way monitors, and Erin suspected intermodulation-related roughness even though conventional harmonic distortion was low. The amplifier plate becomes notably warm after extended operation. Hiss is more audible in -10dBV mode, and safe output can be deceptive because the speaker gives little audible warning before excessive exposure. The active design has no passive impedance or sensitivity figure; low-bass extension should be augmented for full-range mastering.
Full Focal Twin6 Be review and specifications →
| Amplification | 150W LF + 100W LF/MF + 100W HF |
|---|---|
| Bass Extension | 40Hz manufacturer specified; Erin measured strong low-frequency linearity |
| Drivers | 1" inverted beryllium tweeter; dual 6.5" W-cone drivers |
| Inputs | Balanced XLR with +4dBu/-10dBV sensitivity |
| Sensitivity | Not applicable (active studio monitor) |
As an eBay Partner, we may be compensated if you make a purchase.
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons