Short answer: the HyperX Cloud II, though neither ranks well in its class. It ranks #113 of 134 over-ear headphones by sound quality, rated 2.9/5, at $47.48. The Koss KPH40 ranks #115, rated 2.8/5, at $32.99, $14.49 cheaper, which does not close the gap in sound quality. Both are rated below 3.0/5 among the 134 over-ear headphones, and the Koss KPH30i, ranked #67 at $23.99, is a better place to start if sound quality matters.
What the HyperX Cloud II does well: A built-in microphone and a closed-back design make it a ready-made gaming headset, and the 60 ohm impedance with 98 dB sensitivity means it runs easily from a PC or console. Watch for: A deep dip of roughly 15 dB near 4.2 kHz hollows out presence, so voices and the attack of instruments sound recessed, while a peak of about 9 dB near 8.6 kHz adds a sharp, sizzly edge to cymbals and sibilance.
Why pick the Koss KPH40: It is one of the cheapest options in its class, and the open-back design gives a more airy, spacious feel than most closed budget headsets. Watch for: Sub-bass rolls off about 7 dB below target under 60 Hz, so kick drums and synth bass lack rumble.
Buy the HyperX Cloud II. It is rated higher for sound quality, and saving $14.49 with the Koss KPH40 does not make up for the sound-quality gap.
Still deciding? The full Headphones rankings cover every ranked option.
Specifications Side By Side
| HyperX Cloud II | Koss KPH40 | |
|---|---|---|
| Price | $47.48 | $32.99 |
| Ranked | #113 of 134 in Over-Ear Headphones | #115 of 134 in Over-Ear Headphones |
| Form Factor | Over-ear | Over-ear |
| Harman Preference Score | 58 (measured by oratory1990, via AutoEQ) | 54 (measured by oratory1990, via AutoEQ) |
| Deviation From Target | 3.60 dB standard deviation | 3.35 dB standard deviation |
| Tonal Tilt | -0.74 (negative is warmer, positive brighter) | -1.21 (negative is warmer, positive brighter) |
| Connection | Wired | Wired |
| Back | Closed | Open |
| Driver Type | Dynamic | Dynamic |
| Drivers | 1 x 53mm dynamic | - |
| Impedance | 60 ohms | 60 ohms |
| Sensitivity | 98 dB SPL/mW | 101 dB SPL/1mW |
| Frequency Response | 15Hz - 25kHz (Manufacturer specified) | 15Hz - 25kHz (Manufacturer specified) |
| Built-in Microphone | Yes | - |
Related Headphone Comparisons
How HyperX Cloud II compares with other leading options:
- Sony WH-CH510 vs HyperX Cloud II
- HyperX Cloud II vs Sennheiser HD 450BT
- Koss KPH40 vs Razer BlackShark V2 X
- Koss KPH40 vs Koss Porta Pro
- Koss KPH30i vs Koss KPH40
Prices on this page were last checked October 10, 2026 at 5:37 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
HyperX Cloud II: $47.48 Amazon eBay
Pros: A built-in microphone and a closed-back design make it a ready-made gaming headset, and the 60 ohm impedance with 98 dB sensitivity means it runs easily from a PC or console. The large 53mm driver delivers bass about 4 dB above the Harman target, which suits listeners who want punchy explosions and a warm, bass-forward presentation. Sub-bass and the lower midrange sit close to target, so the low end is fuller without being muddy.
Cons: A deep dip of roughly 15 dB near 4.2 kHz hollows out presence, so voices and the attack of instruments sound recessed, while a peak of about 9 dB near 8.6 kHz adds a sharp, sizzly edge to cymbals and sibilance. Treble above 6 kHz runs about 4 to 5 dB hot, which can become fatiguing at higher volumes. The HyperX Cloud Alpha has a higher rating at a lower price.
Full HyperX Cloud II review and specifications →
| Released | Feb 2015 (11 years ago) |
|---|---|
| Back | Closed |
| Built-in Microphone | Yes |
| Connection | Wired |
| Deviation From Target | 3.60 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 53mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 15Hz - 25kHz (Manufacturer specified) |
| Harman Preference Score | 58 (measured by oratory1990, via AutoEQ) |
| Impedance | 60 ohms |
| Sensitivity | 98 dB SPL/mW |
| Tonal Tilt | -0.74 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -6.4 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +4.1 dB | 0.70 |
| Peak | 170 Hz | -7.0 dB | 1.06 |
| Peak | 271 Hz | +3.7 dB | 0.58 |
| Peak | 3,828 Hz | +5.4 dB | 3.60 |
| Peak | 57 Hz | -4.8 dB | 0.58 |
| High shelf | 10,000 Hz | -7.0 dB | 0.70 |
| Peak | 8,085 Hz | -3.0 dB | 3.98 |
| Peak | 2,378 Hz | -1.9 dB | 2.78 |
| Peak | 3,700 Hz | +1.3 dB | 2.71 |
| Peak | 1,123 Hz | +1.1 dB | 3.29 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Koss KPH40: $32.99 Amazon eBay
Pros: It is one of the cheapest options in its class, and the open-back design gives a more airy, spacious feel than most closed budget headsets. Bass between 60 and 200 Hz sits about 2 dB above target and the lower mids are slightly full, which suits a warm, relaxed listener. Sensitivity of 101 dB at 60 ohms means a phone can drive it.
Cons: Sub-bass rolls off about 7 dB below target under 60 Hz, so kick drums and synth bass lack rumble. A 14.5 dB dip near 4.4 kHz makes vocals and instrument detail sound distant, and treble is about 4 dB low overall, so the sound is dark and muffled. Open backs also leak sound and offer no isolation.
Full Koss KPH40 review and specifications →
| Back | Open |
|---|---|
| Connection | Wired |
| Deviation From Target | 3.35 dB standard deviation |
| Driver Type | Dynamic |
| Form Factor | Over-ear |
| Frequency Response | 15Hz - 25kHz (Manufacturer specified) |
| Harman Preference Score | 54 (measured by oratory1990, via AutoEQ) |
| Impedance | 60 ohms |
| Sensitivity | 101 dB SPL/1mW |
| Tonal Tilt | -1.21 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -6.1 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +7.5 dB | 0.70 |
| Peak | 79 Hz | -7.6 dB | 0.37 |
| Peak | 3,725 Hz | +4.9 dB | 3.94 |
| Peak | 614 Hz | +1.5 dB | 2.05 |
| Peak | 37 Hz | +3.9 dB | 1.16 |
| High shelf | 10,000 Hz | +1.9 dB | 0.70 |
| Peak | 7,429 Hz | +4.0 dB | 0.78 |
| Peak | 5,445 Hz | -7.7 dB | 4.24 |
| Peak | 1,941 Hz | -2.0 dB | 2.35 |
| Peak | 1,012 Hz | +0.3 dB | 1.84 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


