Short answer: the ELAC Debut 2.0 B6.2. It ranks #83 of 122 bookshelf speakers by sound quality at $329; the Klipsch RP-600M ranks #100 and costs $343.22, so there is not much of a tradeoff to weigh.
What the ELAC Debut 2.0 B6.2 offers: Reasonably flat on-axis and listening-window response with reasonably even horizontal directivity, holding about ±60° up to roughly 8kHz for consistent stereo width whether aimed directly at the listener or toed out. Its larger-than-typical woofer lets it play very loud with minimal distortion, staying under about 1% THD down to 50Hz at 86dB, and minimum impedance stays a comfortable 5-6 ohms. In-room bass extension reaches about 50Hz without much trouble, enough for a solid kick-drum sound. Takes equalization very well - correcting the on-axis response doesn’t cost sensitivity through the midrange, and the underlying directivity behavior (diffraction, vertical mismatch) is mild enough that EQ alone gets most of the way to a well-balanced sound. Vertical tolerance is asymmetric and fairly forgiving: about 10° above the tweeter axis and 20° below it before tonal balance meaningfully shifts. One reviewer called it “a good speaker” with “a good price” rather than just good-for-the-price, and found it fairly neutral overall in-room. Watch for: A good size resonant peak around 700Hz stands out from an otherwise smooth response and lingers in cumulative spectral decay (waterfall) measurements - in one reviewer’s sighted A/B test, reducing it by about 5dB via EQ made a noticeable but not dramatic difference. Directivity error shows up around 3.3kHz, and the upper-midrange around 4-6kHz stood out as edgy and sharp, almost sibilant at times, in casual listening - the predicted in-room response shows a lack of energy between 1-2kHz and a bit too much above that, which one reviewer thought would sound bright. Distortion at 96dB SPL/1m shows two harmonic peaks the reviewer says “should not be there,” one from woofer breakup around 400Hz and another around 7-8kHz from the tweeter, and multitone distortion approaches 10% in the 500-800Hz range at that output level. Real compression shows up even at moderate volume and worsens at 96dB and above, with the woofer clearly giving up around 60-70Hz - a subwoofer is recommended for anyone wanting to listen loud, since running it full-range at high output costs real dynamic range in the midbass and bass. Don’t place it close to a wall - boundary reinforcement adds a midbass bump that undoes the otherwise smooth, linear response. Getting the best out of it takes EQ (taming the 700Hz peak, filling in the 1-2kHz dip, and trimming the highs).
What the Klipsch RP-600M offers: More linear horizontal dispersion than the updated RP-600M II - as you move side-to-side, the tonal character changes less, a genuine advantage for off-axis listening consistency. Takes exceptionally well to EQ correction (miniDSP or similar), letting a knowledgeable owner fix its tonal shortcomings without needing to upgrade. Standard 6.5” woofer/horn-tweeter two-way design with reasonably gradual bass rolloff (F3 ~70Hz, F10 ~40Hz) rather than a steep vented-enclosure cutoff. Watch for: A strong, annoying resonance in the lower vocal range around 300Hz stands out clearly (though it can be EQ’d out). Overall tonal balance is notably less neutral than the newer RP-600M II, with a roughly 3-4dB suckout in the estimated in-room response. The waveguide doesn’t extend flush to the baffle edge, increasing diffraction compared to the redesigned version. Klipsch’s marketed sensitivity spec (about 96dB) is a half-space, in-room-style rating roughly 9dB above the true anechoic figure (closer to 85-86dB), which can mislead buyers comparing spec sheets. Elevated treble on-axis, similar to its successor, benefits from toe-out or careful placement. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Still needs a subwoofer for real bass weight; a boost around 120Hz gives kick drums their “tambour” without the underlying “meat.”
Buy the ELAC Debut 2.0 B6.2. It ranks higher for sound quality than the Klipsch RP-600M and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Klipsch RP-600M. It ranks near the bottom of the 122 bookshelf speakers, so look higher up the list instead.
Specifications Side By Side
| ELAC Debut 2.0 B6.2 | Klipsch RP-600M | |
|---|---|---|
| Price | $329.00 | $343.22 Discontinued |
| Ranked | #83 of 122 in Large Size Bookshelf Speakers | #100 of 122 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 40Hz (measured, Erin’s Audio Corner) | 40Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 64Hz (measured, Erin’s Audio Corner) | 73Hz (measured, Erin’s Audio Corner) |
| Impedance | 6 ohms nominal, 5.2 ohms minimum (measured, Erin’s Audio Corner) | 8 ohms nominal, 3.5 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 86.5dB (measured, Audio Science Review) | 85.2dB (measured, Erin’s Audio Corner) |
| Drivers | 25mm tweeter + 165mm woofer | 6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn |
| Weight | 29.1 lbs / 13.2 kg | 16.1 lbs / 7.3 kg each |
| Dimensions | 14.8"H x 7.7"W x 10.6"D (375.0 x 195.0 x 268.0 mm) | 15.7"H x 8"W x 11.9"D (398.8 x 203.2 x 302.3 mm) |
| Woofer Cabinet | ported, front | ported |
| Discontinued | - | Yes |
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- Emotiva Airmotiv B2+ vs Wharfedale Diamond 9.1
- ELAC Debut 2.0 B6.2 vs HiVi Swans 3.1A Sehlin Sound Solutions mod
- Klipsch RP-600M vs Wharfedale Diamond 9.1
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The Two Speakers In Full
ELAC Debut 2.0 B6.2: $329.00 Amazon Crutchfield eBay
Pros: Reasonably flat on-axis and listening-window response with reasonably even horizontal directivity, holding about ±60° up to roughly 8kHz for consistent stereo width whether aimed directly at the listener or toed out. Its larger-than-typical woofer lets it play very loud with minimal distortion, staying under about 1% THD down to 50Hz at 86dB, and minimum impedance stays a comfortable 5-6 ohms. In-room bass extension reaches about 50Hz without much trouble, enough for a solid kick-drum sound. Takes equalization very well - correcting the on-axis response doesn’t cost sensitivity through the midrange, and the underlying directivity behavior (diffraction, vertical mismatch) is mild enough that EQ alone gets most of the way to a well-balanced sound. Vertical tolerance is asymmetric and fairly forgiving: about 10° above the tweeter axis and 20° below it before tonal balance meaningfully shifts. One reviewer called it “a good speaker” with “a good price” rather than just good-for-the-price, and found it fairly neutral overall in-room.
Cons: A good size resonant peak around 700Hz stands out from an otherwise smooth response and lingers in cumulative spectral decay (waterfall) measurements - in one reviewer’s sighted A/B test, reducing it by about 5dB via EQ made a noticeable but not dramatic difference. Directivity error shows up around 3.3kHz, and the upper-midrange around 4-6kHz stood out as edgy and sharp, almost sibilant at times, in casual listening - the predicted in-room response shows a lack of energy between 1-2kHz and a bit too much above that, which one reviewer thought would sound bright. Distortion at 96dB SPL/1m shows two harmonic peaks the reviewer says “should not be there,” one from woofer breakup around 400Hz and another around 7-8kHz from the tweeter, and multitone distortion approaches 10% in the 500-800Hz range at that output level. Real compression shows up even at moderate volume and worsens at 96dB and above, with the woofer clearly giving up around 60-70Hz - a subwoofer is recommended for anyone wanting to listen loud, since running it full-range at high output costs real dynamic range in the midbass and bass. Don’t place it close to a wall - boundary reinforcement adds a midbass bump that undoes the otherwise smooth, linear response. Getting the best out of it takes EQ (taming the 700Hz peak, filling in the 1-2kHz dip, and trimming the highs).
Full ELAC Debut 2.0 B6.2 review and specifications →
| Bass Extension (-10dB) | 40Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.8"H x 7.7"W x 10.6"D (375.0 x 195.0 x 268.0 mm) |
| Drivers | 25mm tweeter + 165mm woofer |
| Impedance | 6 ohms nominal, 5.2 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 86.5dB (measured, Audio Science Review) |
| Weight | 29.1 lbs / 13.2 kg |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: ELAC Debut 2.0 Review: A Good Budget Speaker More from Erin’s Audio Corner →
- Audio Science Review ELAC Debut 2.0 B6.2 More from Audio Science Review →
- Erin’s Audio Corner Website: ELAC Debut 2.0 B6.2
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for ELAC Debut 2.0 B6.2 Review
- Head-to-Head Comparisons
- ELAC Debut 2.0 B6.2 vs SVS Prime Bookshelf
- ELAC Debut 2.0 B6.2 vs Dynaudio Special Forty
- ELAC Debut 2.0 B6.2 vs KEF Q3 Meta
- ELAC Debut 2.0 B6.2 vs Polk Monitor XT20
- ELAC Debut 2.0 B6.2 vs Infinity IL10
- ELAC Debut 2.0 B6.2 vs GR-Research X-LS Encore
- ELAC Debut 2.0 B6.2 vs Sonus Faber Lumina II
- ELAC Debut 2.0 B6.2 vs Focal Aria 906
- See all 26 comparisons
Klipsch RP-600M: $343.22 Discontinued Amazon eBay
Pros: More linear horizontal dispersion than the updated RP-600M II - as you move side-to-side, the tonal character changes less, a genuine advantage for off-axis listening consistency. Takes exceptionally well to EQ correction (miniDSP or similar), letting a knowledgeable owner fix its tonal shortcomings without needing to upgrade. Standard 6.5” woofer/horn-tweeter two-way design with reasonably gradual bass rolloff (F3 ~70Hz, F10 ~40Hz) rather than a steep vented-enclosure cutoff.
Cons: A strong, annoying resonance in the lower vocal range around 300Hz stands out clearly (though it can be EQ’d out). Overall tonal balance is notably less neutral than the newer RP-600M II, with a roughly 3-4dB suckout in the estimated in-room response. The waveguide doesn’t extend flush to the baffle edge, increasing diffraction compared to the redesigned version. Klipsch’s marketed sensitivity spec (about 96dB) is a half-space, in-room-style rating roughly 9dB above the true anechoic figure (closer to 85-86dB), which can mislead buyers comparing spec sheets. Elevated treble on-axis, similar to its successor, benefits from toe-out or careful placement. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Still needs a subwoofer for real bass weight; a boost around 120Hz gives kick drums their “tambour” without the underlying “meat.”. Discontinued.
Full Klipsch RP-600M review and specifications →
| Bass Extension (-10dB) | 40Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 73Hz (measured, Erin's Audio Corner) |
| Dimensions | 15.7"H x 8"W x 11.9"D (398.8 x 203.2 x 302.3 mm) |
| Discontinued | Yes |
| Drivers | 6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 85.2dB (measured, Erin's Audio Corner) |
| Weight | 16.1 lbs / 7.3 kg each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: The Truth about Klipsch’s “NEW” Sound. RP-600M Update. More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Klipsch RP-600M
- GR-Research: We Bought The “NEW” RP-600M II Is KLIPSCH Listening?! More from GR-Research →
- Audio Science Review Measurements More from Audio Science Review →
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Klipsch RP-600M Review
- Head-to-Head Comparisons
- Klipsch RP-600M vs Sonus Faber Lumina II Amator
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- Klipsch RP-600M vs Sonus Faber Sonetto II G2
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- Klipsch RP-600M vs Emotiva Airmotiv B2+
- See all 19 comparisons


