Short answer: the Dynaudio Emit 20. It ranks #74 of 125 bookshelf speakers by sound quality at $1049; the Sonus Faber Sonetto II G2 ranks #99 and costs $3500, so there is not much of a tradeoff to weigh.
What the Dynaudio Emit 20 offers: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers. Watch for: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
What the Sonus Faber Sonetto II G2 offers: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Watch for: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Buy the Dynaudio Emit 20. It ranks higher for sound quality than the Sonus Faber Sonetto II G2 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Sonus Faber Sonetto II G2. It ranks near the bottom of the 125 bookshelf speakers, so look higher up the list instead.
Specifications Side By Side
| Dynaudio Emit 20 | Sonus Faber Sonetto II G2 | |
|---|---|---|
| Price | $1,049.00 | $3500 |
| Ranked | #74 of 125 in Large Size Bookshelf Speakers | #99 of 125 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) | 38Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 54Hz (measured, Erin’s Audio Corner) | 62Hz (measured, Erin’s Audio Corner) |
| Drivers | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Weight | 12.8 lbs / 5.8 kg | 38.4 lbs / 17.4 kg |
| Sensitivity | 83.5dB (measured, Erin’s Audio Corner; 86dB manufacturer specified) | 87dB (measured, Erin’s Audio Corner) |
| Impedance | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin’s Audio Corner) | 4 ohms nominal (4.2 ohms minimum, measured by Erin’s Audio Corner) |
| Dimensions | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Woofer Cabinet | ported, rear | ported, front |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Pylon Jasper Monitor 18 vs Sonus Faber Lumina II Amator
- Buchardt S400 MKII vs Philharmonic BMR Monitor
- Philharmonic BMR Monitor vs Pylon Jasper Monitor 18
- Dynaudio Emit 20 vs Dynaudio Special Forty
- KEF Q3 Meta vs Sonus Faber Sonetto II G2
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The Two Speakers In Full
Dynaudio Emit 20: $1,049.00 Amazon eBay
Pros: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers.
Cons: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
Full Dynaudio Emit 20 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) |
| Drivers | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter |
| Impedance | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Weight | 12.8 lbs / 5.8 kg |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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- Dynaudio Emit 20 vs Dynaudio Special Forty
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Sonus Faber Sonetto II G2: $3500 Crutchfield eBay
Pros: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2.
Cons: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Full Sonus Faber Sonetto II G2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Weight | 38.4 lbs / 17.4 kg |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Sonus Faber Sonetto II G2 vs Audio Craftsmen Victoria
- Sonus Faber Sonetto II G2 vs Pylon Jasper Monitor 18
- Sonus Faber Sonetto II G2 vs KEF Q350
- Sonus Faber Sonetto II G2 vs Emotiva Airmotiv B2+
- Sonus Faber Sonetto II G2 vs Sonus Faber Lumina II Amator
- Sonus Faber Sonetto II G2 vs JBL XPL-90
- Sonus Faber Sonetto II G2 vs Polk Reserve R100
- Sonus Faber Sonetto II G2 vs Klipsch RP-600M
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