Short answer: the Shure SRH840A. Both are rated 3.5/5 for sound quality (#127 and #123 of 216 over-ear headphones), and the Shure SRH840A costs $169 against $189 for the Cooler Master MH752, with sound quality a draw, the lower price decides it.
What the Cooler Master MH752 does well: The bass is balanced and slightly full, about 1.8 dB over target, with sub-bass only about 1 dB under, so low notes keep some impact. The catch: Presence and lower treble are 3.9 dB and 3.1 dB below target, and a 9.2 dB dip near 9.3 kHz dulls cymbals and consonants.
Why pick the Shure SRH840A: Bass is big, with sub-bass about 3.9 dB and bass about 5.3 dB above target, which suits hip hop, EDM and pop where weight matters. The tradeoff: The bass boost of 5.3 dB can bleed into the low mids and cloud vocals and bass guitar.
Buy the Shure SRH840A. Both are rated the same for sound quality, and it costs $20 less than the Cooler Master MH752.
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Specifications Side By Side
| Cooler Master MH752 | Shure SRH840A | |
|---|---|---|
| Price | $189.00 | $169.00 |
| Ranked | #123 of 216 in Over-Ear Headphones | #127 of 216 in Over-Ear Headphones |
| Form Factor | Over-ear | Over-ear |
| Harman Preference Score | 71 (measured by oratory1990, via AutoEQ) | 71 (measured by oratory1990, via AutoEQ) |
| Deviation From Target | 2.37 dB standard deviation | 2.25 dB standard deviation |
| Tonal Tilt | -0.88 (negative is warmer, positive brighter) | -0.99 (negative is warmer, positive brighter) |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+0.3 dB at 30 Hz) | Within 6 dB of target down to 20 Hz (+2.6 dB at 30 Hz) |
| Connection | Wired | Wired |
| Back | Closed | Closed |
| Driver Type | Dynamic | Dynamic |
| Drivers | 1 x 40mm dynamic | 1 x 40mm dynamic |
| Impedance | 26 ohms | 44 ohms |
| Sensitivity | 97 dB | 102 dB/mW |
| Weight | 0.6 lbs (250 g) | 0.6 lbs (273 g) |
| Frequency Response | 20Hz - 20kHz (Manufacturer specified) | 5Hz - 25kHz (Manufacturer specified) |
| Built-in Microphone | Yes | - |
Related Headphone Comparisons
How Cooler Master MH752 compares with other leading options:
- Sennheiser HD 599 vs Cooler Master MH752
- Cooler Master MH752 vs Sony MDR-CD900ST
- Cooler Master MH752 vs Fostex T40RP Mk3
- Shure SRH840A vs Sony MDR-CD900ST
- Shure SRH840A vs FiiO FT1
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
Cooler Master MH752: $189.00 Amazon eBay
Pros: The bass is balanced and slightly full, about 1.8 dB over target, with sub-bass only about 1 dB under, so low notes keep some impact. Mids are close to target, within about half a dB through the vocal range. It is a closed 250 g design with a built in microphone and a 26 ohm impedance, so it works straight from a laptop or console.
Cons: Presence and lower treble are 3.9 dB and 3.1 dB below target, and a 9.2 dB dip near 9.3 kHz dulls cymbals and consonants. A 2.9 dB peak near 11.9 kHz and extra air above 10 kHz then bring back some fizz, so the top end sounds uneven rather than simply dark. Sensitivity of 97 dB means it needs a little more volume than the most efficient headphones.
Full Cooler Master MH752 review and specifications →
| Released | 2018 (8 years ago) |
|---|---|
| Back | Closed |
| Built-in Microphone | Yes |
| Connection | Wired |
| Deviation From Target | 2.37 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 40mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 20Hz - 20kHz (Manufacturer specified) |
| Harman Preference Score | 71 (measured by oratory1990, via AutoEQ) |
| Impedance | 26 ohms |
| Sensitivity | 97 dB |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+0.3 dB at 30 Hz) |
| Tonal Tilt | -0.88 (negative is warmer, positive brighter) |
| Weight | 0.6 lbs (250 g) |
EQ preset to match the Harman target
Set a preamp of -4.4 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +0.5 dB | 0.70 |
| Peak | 4,018 Hz | +4.9 dB | 1.74 |
| Peak | 2,707 Hz | -2.2 dB | 0.61 |
| Peak | 125 Hz | -5.3 dB | 1.92 |
| Peak | 6,555 Hz | +2.7 dB | 1.01 |
| High shelf | 10,000 Hz | -7.3 dB | 0.70 |
| Peak | 9,324 Hz | +3.2 dB | 2.01 |
| Peak | 511 Hz | +1.1 dB | 1.30 |
| Peak | 58 Hz | +1.1 dB | 3.43 |
| Peak | 1,025 Hz | -1.3 dB | 2.90 |
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Shure SRH840A: $169.00 Amazon eBay
Older model: the Shure SRH840 (ranked higher, rated 4.3/5). See every Shure SRH840 generation.
Pros: Bass is big, with sub-bass about 3.9 dB and bass about 5.3 dB above target, which suits hip hop, EDM and pop where weight matters. Treble and air are lifted too, about 2 dB and 4.5 dB over target, adding sparkle and a sense of detail. At 44 ohms and 102 dB/mW sensitivity it runs well from a phone, and the closed 273 g design isolates.
Cons: The bass boost of 5.3 dB can bleed into the low mids and cloud vocals and bass guitar. A 4 dB peak near 11.9 kHz can make cymbals and sibilance a little splashy. Overall tilt is warm, so listeners who want an accurate, neutral balance will find it colored.
Full Shure SRH840A review and specifications →
| Back | Closed |
|---|---|
| Connection | Wired |
| Deviation From Target | 2.25 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 40mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 5Hz - 25kHz (Manufacturer specified) |
| Harman Preference Score | 71 (measured by oratory1990, via AutoEQ) |
| Impedance | 44 ohms |
| Sensitivity | 102 dB/mW |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+2.6 dB at 30 Hz) |
| Tonal Tilt | -0.99 (negative is warmer, positive brighter) |
| Weight | 0.6 lbs (273 g) |
EQ preset to match the Harman target
Set a preamp of -3.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -1.4 dB | 0.70 |
| Peak | 1,254 Hz | +2.3 dB | 0.60 |
| Peak | 121 Hz | -3.6 dB | 0.71 |
| Peak | 5,403 Hz | -3.1 dB | 2.76 |
| Peak | 4,270 Hz | +3.9 dB | 4.65 |
| High shelf | 10,000 Hz | -4.6 dB | 0.70 |
| Peak | 46 Hz | -0.4 dB | 1.73 |
| Peak | 251 Hz | +1.2 dB | 3.63 |
| Peak | 170 Hz | -0.7 dB | 3.14 |
| Peak | 418 Hz | -0.6 dB | 2.84 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


