Short answer: the Ascend Acoustics CMT-340 SE2. It ranks #23 of 130 bookshelf speakers by sound quality at $798; the Dynaudio Contour 20i ranks #60 and costs $5750, which makes this an easy call rather than a real tradeoff.
What the Ascend Acoustics CMT-340 SE2 offers: High-quality manufacturer Klippel NFS data shows 0.295dB on-axis average absolute deviation, 0.531 listening-window smoothness, and a strong 7.17 preference score with a subwoofer. Its dual 6.5-inch woofers, 92dB anechoic sensitivity, and 240W continuous power rating support high output and dynamics. Watch for: Bass rolls off early for the cabinet size, measuring 77.6Hz at -3dB, 64.5Hz at -6dB, and 48.3Hz at -12dB; the preference score without a subwoofer is only 4.51. The 4.35 sound-power directivity-index standard deviation also indicates more off-axis variation than the strongest designs, and the rear port needs placement clearance.
What the Dynaudio Contour 20i offers: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Watch for: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Buy the Ascend Acoustics CMT-340 SE2. It ranks higher for sound quality than the Dynaudio Contour 20i and costs less, so there is no real case for the other one.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Ascend Acoustics CMT-340 SE2 | Dynaudio Contour 20i | |
|---|---|---|
| Price | $798 per pair | $5750 per pair |
| Ranked | #23 of 130 in Large Size Bookshelf Speakers | #60 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-3dB) | 77.6Hz (measured, spinorama.org) | 56Hz (measured, Erin's Audio Corner) |
| Bass Extension (-10dB) | approximately 53Hz (measured, spinorama.org) | 32Hz (measured, Erin's Audio Corner) |
| Drivers | Two 6.5-inch woofers; 27mm soft-dome tweeter | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Sensitivity | 92dB at 2.83V/1m anechoic | 82.5dB |
| Impedance | 8 ohms nominal | 4 ohms |
| Power Handling | 240W continuous; 400W short-term peak | - |
| Dimensions | 21 x 7.5 x 10.5 in each | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Weight | 29.1 lbs (13.2 kg) each | 30.9 lbs (14 kg) each |
| Spinorama Preference Score | 4.51 | - |
| Spinorama Preference Score with Perfect Sub | 7.17 | - |
| Woofer Cabinet | - | ported, rear |
Related Speaker Comparisons
More top alternatives to Ascend Acoustics CMT-340 SE2:
- Ascend Acoustics CMT-340 SE2 vs Perlisten S4b
- KEF Reference 1 Meta vs Ascend Acoustics CMT-340 SE2
- Ascend Acoustics CMT-340 SE2 vs GR-Research NX-Studio
- AsciLab C6B vs Ascend Acoustics CMT-340 SE2
- Audio First Cadentia 3 vs Ascend Acoustics CMT-340 SE2
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Ascend Acoustics CMT-340 SE2: $798 per pair Ascend Acoustics eBay
Pros: High-quality manufacturer Klippel NFS data shows 0.295dB on-axis average absolute deviation, 0.531 listening-window smoothness, and a strong 7.17 preference score with a subwoofer. Its dual 6.5-inch woofers, 92dB anechoic sensitivity, and 240W continuous power rating support high output and dynamics. Measured bass extension of 77.6Hz (-3dB).
Cons: Bass rolls off early for the cabinet size, measuring 77.6Hz at -3dB, 64.5Hz at -6dB, and 48.3Hz at -12dB; the preference score without a subwoofer is only 4.51. The 4.35 sound-power directivity-index standard deviation also indicates more off-axis variation than the strongest designs, and the rear port needs placement clearance.
Full Ascend Acoustics CMT-340 SE2 review and specifications →
| Bass Extension (-10dB) | approximately 53Hz (measured, spinorama.org) |
|---|---|
| Bass Extension (-3dB) | 77.6Hz (measured, spinorama.org) |
| Dimensions | 21 x 7.5 x 10.5 in each |
| Drivers | Two 6.5-inch woofers; 27mm soft-dome tweeter |
| Impedance | 8 ohms nominal |
| Power Handling | 240W continuous; 400W short-term peak |
| Sensitivity | 92dB at 2.83V/1m anechoic |
| Spinorama Preference Score | 4.51 |
| Spinorama Preference Score with Perfect Sub | 7.17 |
| Weight | 29.1 lbs (13.2 kg) each |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Ascend Acoustics CMT-340 SE2 vs Arendal 1528 Monitor 8
- Ascend Acoustics CMT-340 SE2 vs Wharfedale Super Linton
- Ascend Acoustics CMT-340 SE2 vs AsciLab F6Bs
- Ascend Acoustics CMT-340 SE2 vs MoFi SourcePoint 10
- Ascend Acoustics CMT-340 SE2 vs Radiant Acoustics Clarity 6.2
- Ascend Acoustics CMT-340 SE2 vs Dynaudio Heritage Special
- Ascend Acoustics CMT-340 SE2 vs MoFi SourcePoint 8
- Ascend Acoustics CMT-340 SE2 vs Buchardt Audio E50
- See all 44 comparisons
Dynaudio Contour 20i: $5750 per pair Safeandsoundhq eBay
Pros: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Measured bass extension of 56Hz (-3dB).
Cons: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Full Dynaudio Contour 20i review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Drivers | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Impedance | 4 ohms |
| Sensitivity | 82.5dB |
| Weight | 30.9 lbs (14 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Contour 20i vs SVS Ultra Bookshelf
- Dynaudio Contour 20i vs Technics SB-C700
- Dynaudio Contour 20i vs Definitive Technology Demand D11
- Dynaudio Contour 20i vs Yamaha NS-800A
- Dynaudio Contour 20i vs ELAC DBR62
- Dynaudio Contour 20i vs Infinity Reference R162
- Dynaudio Contour 20i vs ELAC Uni-Fi Reference UBR62
- Dynaudio Contour 20i vs Ascend CBM-170 SE2
- See all 57 comparisons