Short answer: the Wharfedale Super Linton if sound quality matters most, the ELAC Debut 2.0 B6.2 if price matters most. The Wharfedale Super Linton ranks #24 of 130 bookshelf speakers at $2699. The ELAC Debut 2.0 B6.2 ranks #87 at $329, $2370 cheaper.
What the Wharfedale Super Linton offers: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Watch for: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
What the ELAC Debut 2.0 B6.2 offers: Reasonably flat on-axis and listening-window response with reasonably even horizontal directivity, holding about ±60° up to roughly 8kHz for consistent stereo width whether aimed directly at the listener or toed out. Its larger-than-typical woofer lets it play very loud with minimal distortion, staying under about 1% THD down to 50Hz at 86dB, and minimum impedance stays a comfortable 5-6 ohms. In-room bass extension reaches about 50Hz without much trouble, enough for a solid kick-drum sound. Takes equalization very well - correcting the on-axis response doesn’t cost sensitivity through the midrange, and the underlying directivity behavior (diffraction, vertical mismatch) is mild enough that EQ alone gets most of the way to a well-balanced sound. Vertical tolerance is asymmetric and fairly forgiving: about 10° above the tweeter axis and 20° below it before tonal balance meaningfully shifts. One reviewer called it “a good speaker” with “a good price” rather than just good-for-the-price, and found it fairly neutral overall in-room. Watch for: A good size resonant peak around 700Hz stands out from an otherwise smooth response and lingers in cumulative spectral decay (waterfall) measurements - in one reviewer’s sighted A/B test, reducing it by about 5dB via EQ made a noticeable but not dramatic difference. Directivity error shows up around 3.3kHz, and the upper-midrange around 4-6kHz stood out as edgy and sharp, almost sibilant at times, in casual listening - the predicted in-room response shows a lack of energy between 1-2kHz and a bit too much above that, which one reviewer thought would sound bright. Distortion at 96dB SPL/1m shows two harmonic peaks the reviewer says “should not be there,” one from woofer breakup around 400Hz and another around 7-8kHz from the tweeter, and multitone distortion approaches 10% in the 500-800Hz range at that output level. Real compression shows up even at moderate volume and worsens at 96dB and above, with the woofer clearly giving up around 60-70Hz - a subwoofer is recommended for anyone wanting to listen loud, since running it full-range at high output costs real dynamic range in the midbass and bass. Don’t place it close to a wall - boundary reinforcement adds a midbass bump that undoes the otherwise smooth, linear response. Getting the best out of it takes EQ (taming the 700Hz peak, filling in the 1-2kHz dip, and trimming the highs).
Buy the Wharfedale Super Linton when sound quality outweighs the price for you, and the ELAC Debut 2.0 B6.2 when the price outweighs sound quality instead.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Wharfedale Super Linton | ELAC Debut 2.0 B6.2 | |
|---|---|---|
| Price | $2,699.00 per pair | $329.00 per pair |
| Ranked | #24 of 130 in Large Size Bookshelf Speakers | #87 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) | 40Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) | 14.8"H x 7.7"W x 10.6"D (375.0 x 195.0 x 268.0 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) | 6 ohms nominal, 5.2 ohms minimum (measured, Erin's Audio Corner) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter | 25mm tweeter + 165mm woofer |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) | 86.5dB (measured, Audio Science Review) |
| Weight | 43.7 lbs (19.8 kg) each | 29.1 lbs (13.2 kg) |
| Woofer Cabinet | ported, rear | ported, front |
| Spinorama Preference Score | 5.28 | - |
| Spinorama Preference Score with Perfect Sub | 7.12 | - |
Related Speaker Comparisons
How Wharfedale Super Linton compares with other leading options:
- Wharfedale Super Linton vs Perlisten S4b
- Wharfedale Super Linton vs KEF Reference 1 Meta
- Wharfedale Super Linton vs GR-Research NX-Studio
- Wharfedale Super Linton vs AsciLab C6B
- Wharfedale Super Linton vs Audio First Cadentia 3
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Super Linton: $2,699.00 per pair Amazon Crutchfield eBay
Pros: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
Full Wharfedale Super Linton review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.28 |
| Spinorama Preference Score with Perfect Sub | 7.12 |
| Weight | 43.7 lbs (19.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: 5 Reasons Wharfedale Super Linton is the Hidden Gem of Audio Equipment More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Super Linton Review
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Wharfedale Super Linton vs Ascend Acoustics CMT-340 SE2
- Wharfedale Super Linton vs Arendal 1528 Monitor 8
- Wharfedale Super Linton vs MoFi SourcePoint 10
- Wharfedale Super Linton vs Radiant Acoustics Clarity 6.2
- Wharfedale Super Linton vs Dynaudio Heritage Special
- Wharfedale Super Linton vs AsciLab F6Bs
- Wharfedale Super Linton vs MoFi SourcePoint 8
- Wharfedale Super Linton vs Wharfedale Linton 85
- See all 51 comparisons
ELAC Debut 2.0 B6.2: $329.00 per pair Amazon Crutchfield eBay
Pros: Reasonably flat on-axis and listening-window response with reasonably even horizontal directivity, holding about ±60° up to roughly 8kHz for consistent stereo width whether aimed directly at the listener or toed out. Its larger-than-typical woofer lets it play very loud with minimal distortion, staying under about 1% THD down to 50Hz at 86dB, and minimum impedance stays a comfortable 5-6 ohms. In-room bass extension reaches about 50Hz without much trouble, enough for a solid kick-drum sound. Takes equalization very well - correcting the on-axis response doesn’t cost sensitivity through the midrange, and the underlying directivity behavior (diffraction, vertical mismatch) is mild enough that EQ alone gets most of the way to a well-balanced sound. Vertical tolerance is asymmetric and fairly forgiving: about 10° above the tweeter axis and 20° below it before tonal balance meaningfully shifts. One reviewer called it “a good speaker” with “a good price” rather than just good-for-the-price, and found it fairly neutral overall in-room. Measured bass extension of 64Hz (-3dB), with a measured sensitivity of 86.5dB.
Cons: A good size resonant peak around 700Hz stands out from an otherwise smooth response and lingers in cumulative spectral decay (waterfall) measurements - in one reviewer’s sighted A/B test, reducing it by about 5dB via EQ made a noticeable but not dramatic difference. Directivity error shows up around 3.3kHz, and the upper-midrange around 4-6kHz stood out as edgy and sharp, almost sibilant at times, in casual listening - the predicted in-room response shows a lack of energy between 1-2kHz and a bit too much above that, which one reviewer thought would sound bright. Distortion at 96dB SPL/1m shows two harmonic peaks the reviewer says “should not be there,” one from woofer breakup around 400Hz and another around 7-8kHz from the tweeter, and multitone distortion approaches 10% in the 500-800Hz range at that output level. Real compression shows up even at moderate volume and worsens at 96dB and above, with the woofer clearly giving up around 60-70Hz - a subwoofer is recommended for anyone wanting to listen loud, since running it full-range at high output costs real dynamic range in the midbass and bass. Don’t place it close to a wall - boundary reinforcement adds a midbass bump that undoes the otherwise smooth, linear response. Getting the best out of it takes EQ (taming the 700Hz peak, filling in the 1-2kHz dip, and trimming the highs).
Full ELAC Debut 2.0 B6.2 review and specifications →
| Bass Extension (-10dB) | 40Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.8"H x 7.7"W x 10.6"D (375.0 x 195.0 x 268.0 mm) |
| Drivers | 25mm tweeter + 165mm woofer |
| Impedance | 6 ohms nominal, 5.2 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 86.5dB (measured, Audio Science Review) |
| Weight | 29.1 lbs (13.2 kg) |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- ELAC Debut 2.0 B6.2 vs SVS Prime Bookshelf
- ELAC Debut 2.0 B6.2 vs Dynaudio Special Forty
- ELAC Debut 2.0 B6.2 vs KEF Q3 Meta
- ELAC Debut 2.0 B6.2 vs Polk Monitor XT20
- ELAC Debut 2.0 B6.2 vs Infinity IL10
- ELAC Debut 2.0 B6.2 vs GR-Research X-LS Encore
- ELAC Debut 2.0 B6.2 vs Sonus Faber Lumina II
- ELAC Debut 2.0 B6.2 vs XTZ Spirit 4
- See all 59 comparisons