Short answer: the Arendal 1961 Monitor for better sound quality, the JBL Stage 2 250B for the lower price. The Arendal 1961 Monitor ranks #8 of 87 bookshelf speakers at $1150. The JBL Stage 2 250B ranks #58 at $349.95, $800.05 cheaper.
What the Arendal 1961 Monitor offers: A physically robust build the reviewer calls “a little bit of a tank,” delivering low compression, low distortion, and overall really good neutrality - one of the reviewer’s top 10 picks under $1,500 across roughly 250 speakers tested. Works well both as home theater mains and as surrounds. Independent ASR Klippel measurements corroborate the low-distortion finding: THD at 86dB SPL/1m stays well below the reviewer’s audibility threshold, and even at 96dB SPL/1m it stays “far better than most bookshelves” thanks to the built-in high-pass filter that protects the woofers. Watch for: Bass rolls off around 70-80Hz, so it cannot be used as full-range mains for music without a subwoofer, and a sub is recommended for home theater use as well. Vertical radiation window is narrow, typical of MTM (mid-tweeter-mid) layouts - tighter than a standard two-way’s roughly ±20° - so a second home theater row sitting above or below the tweeter axis will hear a noticeably different tonal balance. ASR’s CEA2034 measurements show the response is elevated above 2kHz with resonant peaks around 3kHz and 9kHz, leading the reviewer to predict it will “likely sound bright.” Those same resonances show up as lingering ridges in the cumulative spectral decay (waterfall) at 96dB SPL/1m.
What the JBL Stage 2 250B offers: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first. Watch for: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Buy the Arendal 1961 Monitor if sound quality is the priority over the price, or the JBL Stage 2 250B if the price is the priority over sound quality.
Specifications Side By Side
| Arendal 1961 Monitor | JBL Stage 2 250B | |
|---|---|---|
| Price | $1150 per pair | $349.95 per pair |
| Ranked | #8 of 87 in Medium Size Bookshelf Speakers | #58 of 87 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 60Hz (measured, Erin’s Audio Corner) | 50Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 84Hz (measured, Erin’s Audio Corner) | 64Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 1500Hz | - |
| Dimensions | 16.6"H x 6.4"W x 5.9"D (421.6 x 162.6 x 149.9 mm) | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Impedance | 4 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 6 ohms nominal, 3.3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 85.9dB (measured average, Erin’s Audio Corner) | 86dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Drivers | 2 x 5.5" woofers, 28mm tweeter | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Weight | 16 lbs / 7.25 kg each | 12.3 lbs / 5.6 kg per pair |
| Woofer Cabinet | sealed | ported, rear |
| Output Power | - | 75W RMS |
Related Speaker Comparisons
How Arendal 1961 Monitor compares with other leading options:
- Audio First Fidelia vs Arendal 1961 Monitor
- Arendal 1961 Monitor vs Philharmonic Ceramic Mini
- Arendal 1961 Monitor vs Ascend Sierra 1 v2
- Arendal 1961 Monitor vs KEF LS50 Meta
- XMechanik Mechano23 DIY vs Arendal 1961 Monitor
Prices on this page were last checked September 11, 2026 at 8:40 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Arendal 1961 Monitor: $1150 per pair Arendalsound eBay
Pros: A physically robust build the reviewer calls “a little bit of a tank,” delivering low compression, low distortion, and overall really good neutrality - one of the reviewer’s top 10 picks under $1,500 across roughly 250 speakers tested. Works well both as home theater mains and as surrounds. Independent ASR Klippel measurements corroborate the low-distortion finding: THD at 86dB SPL/1m stays well below the reviewer’s audibility threshold, and even at 96dB SPL/1m it stays “far better than most bookshelves” thanks to the built-in high-pass filter that protects the woofers.
Cons: Bass rolls off around 70-80Hz, so it cannot be used as full-range mains for music without a subwoofer, and a sub is recommended for home theater use as well. Vertical radiation window is narrow, typical of MTM (mid-tweeter-mid) layouts - tighter than a standard two-way’s roughly ±20° - so a second home theater row sitting above or below the tweeter axis will hear a noticeably different tonal balance. ASR’s CEA2034 measurements show the response is elevated above 2kHz with resonant peaks around 3kHz and 9kHz, leading the reviewer to predict it will “likely sound bright.” Those same resonances show up as lingering ridges in the cumulative spectral decay (waterfall) at 96dB SPL/1m.
Full Arendal 1961 Monitor review and specifications →
| Bass Extension (-10dB) | 60Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 84Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1500Hz |
| Dimensions | 16.6"H x 6.4"W x 5.9"D (421.6 x 162.6 x 149.9 mm) |
| Drivers | 2 x 5.5" woofers, 28mm tweeter |
| Impedance | 4 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 85.9dB (measured average, Erin's Audio Corner) |
| Weight | 16 lbs / 7.25 kg each |
| Woofer Cabinet | sealed |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Arendal 1961 Monitor vs SunAudio Purified 4
- Arendal 1961 Monitor vs XMechanik Mechano23 DIY
- Arendal 1961 Monitor vs Moondrop M4P MTM
- Arendal 1961 Monitor vs KEF LS50 Meta
- Arendal 1961 Monitor vs Ascend Sierra 1 v2
- Arendal 1961 Monitor vs Revel M105
- Arendal 1961 Monitor vs Philharmonic Ceramic Mini
- Arendal 1961 Monitor vs Monitor Audio Silver 50 7G
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JBL Stage 2 250B: $349.95 per pair Amazon eBay
Pros: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first.
Cons: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Full JBL Stage 2 250B review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 75W RMS |
| Sensitivity | 86dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 12.3 lbs / 5.6 kg per pair |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 250B vs ELAC BS U5
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