Short answer: the Wharfedale Diamond 12.1 for better sound quality, the JBL Stage 2 250B for the lower price. The Wharfedale Diamond 12.1 ranks #20 of 71 bookshelf speakers at $599. The JBL Stage 2 250B ranks #45 at $349.95, $249.05 cheaper.
What the Wharfedale Diamond 12.1 offers: A budget two-way bookshelf speaker (5” polypropylene woofer, 1” textile dome tweeter) that measures well for its price: harmonic distortion at 86dB stays under 1% THD down to about 60Hz, genuinely good for a 5” mid-woofer. Wide horizontal radiation of about ±60° up to roughly 5kHz before the tweeter starts to beam. Tonally smooth and easy to listen to at moderate volumes, with a pleasant, non-fatiguing character the reviewer said he’d happily recommend to someone who wants noticeably better fit, finish and looks than typical speakers in the $300-400 range. A high-pass crossover around 80Hz meaningfully cleans up midrange multitone distortion, so pairing it with a subwoofer helps more than usual for a speaker this size. Watch for: A dip of about 3dB in the 1-3kHz crossover region (on-axis, in the predicted in-room response, and even off-axis) gives the speaker a soft, “laid-back” character that noticeably saps attack and transient bite from drums, guitar and other percussive material - possibly an intentional BBC-style dip, but one the reviewer would still prefer tuned flat. Vertical directivity is unusually tight for this class of speaker, holding together only within about ±5° of the tweeter axis before a real hole opens up in the response, so seating height matters a lot more than on most bookshelf designs. Diffraction artifacts around 3kHz and 5kHz show up as differences between the listening-window and on-axis curves. Distortion climbs well past acceptable levels at higher output - harmonic distortion exceeds 3% around 150Hz at 96dB (versus under 1% at 86dB), multitone distortion tops 10% at 96dB/1m, and real compression sets in between 96-102dB (about 1.5dB of lost dynamic range around 300Hz at 102dB/1m, roughly equivalent to 92dB for a pair at 4m in a room) - a genuine limitation on how loud or how far away this speaker can be pushed. Measured average sensitivity (84dB) runs a few dB below the 87dB spec. Only a 5” woofer, so a subwoofer is required for real bass.
What the JBL Stage 2 250B offers: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first. Watch for: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Buy the Wharfedale Diamond 12.1 if sound quality matters more than the price. Buy the JBL Stage 2 250B if the price matters more than sound quality.

Specifications Side By Side
| Wharfedale Diamond 12.1 | JBL Stage 2 250B | |
|---|---|---|
| Price | $599 Discontinued | $349.95 |
| Ranked | #20 of 71 in Medium Size Bookshelf Speakers | #45 of 71 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 46Hz (measured, Erin’s Audio Corner) | 50Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 61Hz (measured, Erin’s Audio Corner) | 64Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 2.6kHz | - |
| Dimensions | 12.2"H x 7"W x 10.9"D (310 x 178 x 277 mm) | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Impedance | 8 ohms nominal (3.9 ohms minimum above 80Hz, measured, Erin’s Audio Corner) | 6 ohms nominal, 3.3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 84dB (measured by Erin’s Audio Corner; 87dB manufacturer specified) | 86dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Drivers | 5" advanced polypropylene cone woofer, 1" textile dome tweeter | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Discontinued | Yes | - |
| Weight | 15 lbs / 6.8 kg each | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported | ported, rear |
| Output Power | - | 75W RMS |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- ELAC BS U5 vs Micca RB42
- ELAC BS U5 vs Pioneer SP-BS22-LR (Philharmonic AAM Mod)
- Polk Audio XT15 vs ELAC BS U5
- JBL Stage 2 250B vs ELAC Uni-Fi 2.0 UB52
- KEF Q150 vs Wharfedale Diamond 12.1
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Wharfedale Diamond 12.1: $599 Discontinued eBay
Pros: A budget two-way bookshelf speaker (5” polypropylene woofer, 1” textile dome tweeter) that measures well for its price: harmonic distortion at 86dB stays under 1% THD down to about 60Hz, genuinely good for a 5” mid-woofer. Wide horizontal radiation of about ±60° up to roughly 5kHz before the tweeter starts to beam. Tonally smooth and easy to listen to at moderate volumes, with a pleasant, non-fatiguing character the reviewer said he’d happily recommend to someone who wants noticeably better fit, finish and looks than typical speakers in the $300-400 range. A high-pass crossover around 80Hz meaningfully cleans up midrange multitone distortion, so pairing it with a subwoofer helps more than usual for a speaker this size.
Cons: A dip of about 3dB in the 1-3kHz crossover region (on-axis, in the predicted in-room response, and even off-axis) gives the speaker a soft, “laid-back” character that noticeably saps attack and transient bite from drums, guitar and other percussive material - possibly an intentional BBC-style dip, but one the reviewer would still prefer tuned flat. Vertical directivity is unusually tight for this class of speaker, holding together only within about ±5° of the tweeter axis before a real hole opens up in the response, so seating height matters a lot more than on most bookshelf designs. Diffraction artifacts around 3kHz and 5kHz show up as differences between the listening-window and on-axis curves. Distortion climbs well past acceptable levels at higher output - harmonic distortion exceeds 3% around 150Hz at 96dB (versus under 1% at 86dB), multitone distortion tops 10% at 96dB/1m, and real compression sets in between 96-102dB (about 1.5dB of lost dynamic range around 300Hz at 102dB/1m, roughly equivalent to 92dB for a pair at 4m in a room) - a genuine limitation on how loud or how far away this speaker can be pushed. Measured average sensitivity (84dB) runs a few dB below the 87dB spec. Only a 5” woofer, so a subwoofer is required for real bass. Discontinued.
Full Wharfedale Diamond 12.1 review and specifications →
| Bass Extension (-10dB) | 46Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 61Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 2.6kHz |
| Dimensions | 12.2"H x 7"W x 10.9"D (310 x 178 x 277 mm) |
| Discontinued | Yes |
| Drivers | 5" advanced polypropylene cone woofer, 1" textile dome tweeter |
| Impedance | 8 ohms nominal (3.9 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 84dB (measured by Erin's Audio Corner; 87dB manufacturer specified) |
| Weight | 15 lbs / 6.8 kg each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Wharfedale 12.1 Budget Bookshelf Speaker with “Laid Back” sound but output limited. More from Erin’s Audio Corner →
- Audio Science Review Wharfedale Diamond 12.1 More from Audio Science Review →
- Erin’s Audio Corner Website: Wharfedale Diamond 12.1
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Wharfedale Diamond 12.1 Review
- Head-to-Head Comparisons
- Wharfedale Diamond 12.1 vs Carmody S2000
- Wharfedale Diamond 12.1 vs Radiant Acoustics Clarity 4.2
- Wharfedale Diamond 12.1 vs Wharfedale Super Denton
- Wharfedale Diamond 12.1 vs Klipsch RP-500M II
- Wharfedale Diamond 12.1 vs KEF Q150
- Wharfedale Diamond 12.1 vs Wharfedale Diamond 220
- Wharfedale Diamond 12.1 vs Monitor Audio Silver 50 7G
- Wharfedale Diamond 12.1 vs Revel M105
- See all 29 comparisons
JBL Stage 2 250B: $349.95 Amazon eBay
Pros: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first.
Cons: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Full JBL Stage 2 250B review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 75W RMS |
| Sensitivity | 86dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 250B vs ELAC BS U5
- JBL Stage 2 250B vs Dynaudio Emit M10
- JBL Stage 2 250B vs Dynaudio X14
- JBL Stage 2 250B vs Pioneer SP-BS22-LR (Philharmonic AAM Mod)
- JBL Stage 2 250B vs JBL L52 Classic
- JBL Stage 2 250B vs Paradigm Monitor SE Atom
- JBL Stage 2 250B vs JBL Stage A120
- JBL Stage 2 250B vs Sony SS-CS5 M2
- See all 24 comparisons

