Short answer: the KEF LS50 Meta for better sound quality, the JBL Stage 2 250B for the lower price. The KEF LS50 Meta ranks #4 of 74 bookshelf speakers at $1599. The JBL Stage 2 250B ranks #48 at $349.95, $1249.05 cheaper.
What the KEF LS50 Meta offers: Uni-Q concentric driver mounts a 1” vented aluminum dome tweeter at the center of a 5.25” aluminum cone woofer, rated 79Hz-20kHz+. Speaker-to-speaker matching measured tight at roughly 0.5dB deviation between the pair tested, versus 2-3dB seen on some other speakers - likely why imaging stayed so precise. Imaging stays tight and focused even toed out, unlike most coincident designs where toe-out typically diffuses the image, giving more of an oval-shaped soundstage than a hard rectangular boundary. Horizontal and vertical directivity both hold to about ±50° at the -6dB point, so tonality stays consistent across roughly a 100° listening cone. The extended bass shelf is deliberately tuned for near-wall/boundary placement rather than the usual “pull it 3 feet into the room” advice, playing lower without excess boominess when placed close to a wall. At $1,000 (a frequent sale price versus $1,600 list), called a no-brainer for a compact stand-mount speaker. Independent ASR Klippel measurements corroborate this: very good directivity with the on- and off-axis curves tracking closely, and a predicted in-room response the reviewer called “very close to ideal.” Watch for: F3 of 67Hz and F10 of 42Hz mean it doesn’t get much below 50Hz in-room; a subwoofer is recommended for real bass. A 2-3dB scoop around 2-4kHz shows up in both the listening window and sound power measurements, matching a subjectively noticed lack of attack and vocal clarity that the reviewer wanted to correct with about 2dB of EQ. An on-axis diffraction dip around 8kHz smooths out with about 15° of toe-out (typical for concentric designs, but still present at 0°). Distortion is elevated at low frequencies since the single 5.25” cone shares surface area with the tweeter housing, reducing effective radiating area; multitone distortion crosses the 3% threshold at 96dB/1m, making roughly 88dB or below the safer output ceiling. Moderate sensitivity (~83dB average) needed 2-3dB more amplifier gain than typical in testing. Adding a subwoofer at an 80Hz crossover only helps lower-midrange distortion, not the elevated distortion in the 1-2kHz and above-5kHz regions. ASR’s own Klippel testing found the same pattern in starker terms: THD is very good at 86dB SPL/1m but climbs past 100% in the bass at 96dB SPL/1m, confirming this is not a near-field speaker for high-output bass-heavy material. Cumulative spectral decay (waterfall) also shows a couple of resonances lingering in the 1-2kHz region.
What the JBL Stage 2 250B offers: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first. Watch for: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Buy the KEF LS50 Meta if sound quality matters more than the price. Buy the JBL Stage 2 250B if the price matters more than sound quality.
Specifications Side By Side
| KEF LS50 Meta | JBL Stage 2 250B | |
|---|---|---|
| Price | $1,599.00 | $349.95 |
| Ranked | #4 of 74 in Medium Size Bookshelf Speakers | #48 of 74 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 43Hz (measured, Erin’s Audio Corner) | 50Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 68Hz (measured, Erin’s Audio Corner) | 64Hz (measured, Erin’s Audio Corner) |
| Dimensions | 11.9"H x 7.9"W x 11"D (302 x 200 x 280.5 mm) | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 6 ohms nominal, 3.3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 83dB (measured average, Erin’s Audio Corner; 85dB manufacturer specified) | 86dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Drivers | 130 mm (5.25 in.) aluminium cone woofer, 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption tweeter | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Weight | 17.2 lbs / 7.8 kg each | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported, rear | ported, rear |
| Output Power | - | 75W RMS |
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The Two Speakers In Full
KEF LS50 Meta: $1,599.00 Amazon Crutchfield eBay
Pros: Uni-Q concentric driver mounts a 1” vented aluminum dome tweeter at the center of a 5.25” aluminum cone woofer, rated 79Hz-20kHz+. Speaker-to-speaker matching measured tight at roughly 0.5dB deviation between the pair tested, versus 2-3dB seen on some other speakers - likely why imaging stayed so precise. Imaging stays tight and focused even toed out, unlike most coincident designs where toe-out typically diffuses the image, giving more of an oval-shaped soundstage than a hard rectangular boundary. Horizontal and vertical directivity both hold to about ±50° at the -6dB point, so tonality stays consistent across roughly a 100° listening cone. The extended bass shelf is deliberately tuned for near-wall/boundary placement rather than the usual “pull it 3 feet into the room” advice, playing lower without excess boominess when placed close to a wall. At $1,000 (a frequent sale price versus $1,600 list), called a no-brainer for a compact stand-mount speaker. Independent ASR Klippel measurements corroborate this: very good directivity with the on- and off-axis curves tracking closely, and a predicted in-room response the reviewer called “very close to ideal.”
Cons: F3 of 67Hz and F10 of 42Hz mean it doesn’t get much below 50Hz in-room; a subwoofer is recommended for real bass. A 2-3dB scoop around 2-4kHz shows up in both the listening window and sound power measurements, matching a subjectively noticed lack of attack and vocal clarity that the reviewer wanted to correct with about 2dB of EQ. An on-axis diffraction dip around 8kHz smooths out with about 15° of toe-out (typical for concentric designs, but still present at 0°). Distortion is elevated at low frequencies since the single 5.25” cone shares surface area with the tweeter housing, reducing effective radiating area; multitone distortion crosses the 3% threshold at 96dB/1m, making roughly 88dB or below the safer output ceiling. Moderate sensitivity (~83dB average) needed 2-3dB more amplifier gain than typical in testing. Adding a subwoofer at an 80Hz crossover only helps lower-midrange distortion, not the elevated distortion in the 1-2kHz and above-5kHz regions. ASR’s own Klippel testing found the same pattern in starker terms: THD is very good at 86dB SPL/1m but climbs past 100% in the bass at 96dB SPL/1m, confirming this is not a near-field speaker for high-output bass-heavy material. Cumulative spectral decay (waterfall) also shows a couple of resonances lingering in the 1-2kHz region.
Full KEF LS50 Meta review and specifications →
| Bass Extension (-10dB) | 43Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 68Hz (measured, Erin's Audio Corner) |
| Dimensions | 11.9"H x 7.9"W x 11"D (302 x 200 x 280.5 mm) |
| Drivers | 130 mm (5.25 in.) aluminium cone woofer, 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 83dB (measured average, Erin's Audio Corner; 85dB manufacturer specified) |
| Weight | 17.2 lbs / 7.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Unveiling the KEF LS50 Meta: The Truth Behind the Hype More from Erin’s Audio Corner →
- Erin’s Audio Corner Website KEF LS50 Meta
- Audio Science Review KEF LS50 Meta More from Audio Science Review →
- GR-Research: KEF LS50 Meta! Worthy of HYPE? More from GR-Research →
- Erin’s Audio Corner: My Top Picks of 2023: Must-Haves Under $3000
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for KEF LS50 Meta Review
- Head-to-Head Comparisons
- KEF LS50 Meta vs Ascend Sierra 1 v2
- KEF LS50 Meta vs Ascend Acoustics Luna V2 Mini-Monitor Ribbon
- KEF LS50 Meta vs Philharmonic Ceramic Mini
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- KEF LS50 Meta vs Arendal 1961 Monitor
- KEF LS50 Meta vs Moondrop M4P MTM
- KEF LS50 Meta vs Revel M105
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- See all 41 comparisons
JBL Stage 2 250B: $349.95 Amazon eBay
Pros: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first.
Cons: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Full JBL Stage 2 250B review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 75W RMS |
| Sensitivity | 86dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 250B vs ELAC BS U5
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