Short answer: the Wharfedale Super Denton for better sound quality, the JBL Stage 2 250B for the lower price. The Wharfedale Super Denton ranks #18 of 74 bookshelf speakers at $1499. The JBL Stage 2 250B ranks #48 at $349.95, $1149.05 cheaper.
What the JBL Stage 2 250B offers: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first. Watch for: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
What the Wharfedale Super Denton offers: A 3-way design with a 1” soft dome tweeter, a 2” soft dome midrange offset to the side of a centered 6.5” woven Kevlar woofer - a more compact alternative to Wharfedale’s own Linton 85 with a similar overall character. Measured sensitivity around 86.6-87dB with on-axis linearity within about ±3dB. No cabinet or box resonances turned up in impedance testing, and there are no spike feet to install. Harmonic distortion looks good at both 86dB and 96dB, with about 20dB of usable dynamic range up to 96dB before compression starts to affect the midrange more noticeably near 102dB. Because bass rolls off starting around 60Hz, placing it closer to a wall (about 1-2 feet) than usual boosts low-end punch without the midbass bloat a deeper-extending speaker would get from the same placement. In the reviewer’s own comparison, its estimated in-room response actually measured more linear than the pricier Linton 85’s, despite being a bit less linear on-axis. Watch for: A mid-range scoop from about 200-800Hz and a separate upper-midrange scoop were both audible in direct ABX comparison against a reference-neutral speaker, giving aggressive-sounding material a more subdued character. A resonance around 660-700Hz shows up in measurement, though the reviewer couldn’t reliably hear it with real music in his own blind-ish A/B testing. The offset tweeter-and-midrange layout makes horizontal off-axis response noticeably asymmetric - response drops as much as 8dB more to one side than the other at wider angles - so the reviewer recommends aiming the speakers directly at the listener (not toed out, which loses upper treble) and suggests sidewall absorption to control uneven reflections. Must be listened to with the grille on - measurements are noticeably worse with it off (wider 2-4kHz dip, extra treble bump). Horizontal soundstage width felt a bit narrower than the reviewer personally prefers, likely related to the same offset driver layout. Multitone distortion gets high in the midrange at 96dB/1m, a concern mainly in larger rooms where you’d need to play louder.
Buy the JBL Stage 2 250B if the price matters more than sound quality. Buy the Wharfedale Super Denton if sound quality matters more than the price.
Specifications Side By Side
| JBL Stage 2 250B | Wharfedale Super Denton | |
|---|---|---|
| Price | $349.95 | $1499 |
| Ranked | #48 of 74 in Medium Size Bookshelf Speakers | #18 of 74 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 41Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 64Hz (measured, Erin’s Audio Corner) | 61Hz (measured, Erin’s Audio Corner) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer | 1" soft dome tweeter, 2" soft dome midrange, 6.5" woven Kevlar woofer |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair | 20.3 lbs / 9.2 kg (20.2 lbs) each |
| Sensitivity | 86dB (2.83V/1m, measured by Erin’s Audio Corner) | 86.6dB (measured by Erin’s Audio Corner) |
| Output Power | 75W RMS | - |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin’s Audio Corner) | 6 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) | 14.2"H x 9.7"W x 10.8"D (360 x 246 x 275 mm) |
| Woofer Cabinet | ported, rear | ported |
| Frequency Response | - | 52Hz - 20kHz (±3dB, manufacturer specified); -6dB to 40Hz |
| Crossover Frequency | - | 940Hz, 4.6kHz |
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- Wharfedale Super Denton vs KEF Q150
- Wharfedale Super Denton vs Wharfedale Diamond 220
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
JBL Stage 2 250B: $349.95 Amazon eBay
Pros: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first.
Cons: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Full JBL Stage 2 250B review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 75W RMS |
| Sensitivity | 86dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 250B vs ELAC BS U5
- JBL Stage 2 250B vs Dynaudio Emit M10
- JBL Stage 2 250B vs Dynaudio X14
- JBL Stage 2 250B vs Pioneer SP-BS22-LR (Philharmonic AAM Mod)
- JBL Stage 2 250B vs JBL L52 Classic
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Wharfedale Super Denton: $1499 Crutchfield eBay
Pros: A 3-way design with a 1” soft dome tweeter, a 2” soft dome midrange offset to the side of a centered 6.5” woven Kevlar woofer - a more compact alternative to Wharfedale’s own Linton 85 with a similar overall character. Measured sensitivity around 86.6-87dB with on-axis linearity within about ±3dB. No cabinet or box resonances turned up in impedance testing, and there are no spike feet to install. Harmonic distortion looks good at both 86dB and 96dB, with about 20dB of usable dynamic range up to 96dB before compression starts to affect the midrange more noticeably near 102dB. Because bass rolls off starting around 60Hz, placing it closer to a wall (about 1-2 feet) than usual boosts low-end punch without the midbass bloat a deeper-extending speaker would get from the same placement. In the reviewer’s own comparison, its estimated in-room response actually measured more linear than the pricier Linton 85’s, despite being a bit less linear on-axis.
Cons: A mid-range scoop from about 200-800Hz and a separate upper-midrange scoop were both audible in direct ABX comparison against a reference-neutral speaker, giving aggressive-sounding material a more subdued character. A resonance around 660-700Hz shows up in measurement, though the reviewer couldn’t reliably hear it with real music in his own blind-ish A/B testing. The offset tweeter-and-midrange layout makes horizontal off-axis response noticeably asymmetric - response drops as much as 8dB more to one side than the other at wider angles - so the reviewer recommends aiming the speakers directly at the listener (not toed out, which loses upper treble) and suggests sidewall absorption to control uneven reflections. Must be listened to with the grille on - measurements are noticeably worse with it off (wider 2-4kHz dip, extra treble bump). Horizontal soundstage width felt a bit narrower than the reviewer personally prefers, likely related to the same offset driver layout. Multitone distortion gets high in the midrange at 96dB/1m, a concern mainly in larger rooms where you’d need to play louder.
Full Wharfedale Super Denton review and specifications →
| Bass Extension (-10dB) | 41Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 61Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 940Hz, 4.6kHz |
| Dimensions | 14.2"H x 9.7"W x 10.8"D (360 x 246 x 275 mm) |
| Drivers | 1" soft dome tweeter, 2" soft dome midrange, 6.5" woven Kevlar woofer |
| Frequency Response | 52Hz - 20kHz (±3dB, manufacturer specified); -6dB to 40Hz |
| Impedance | 6 ohms nominal, 3 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 86.6dB (measured by Erin's Audio Corner) |
| Weight | 20.3 lbs / 9.2 kg (20.2 lbs) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Wharfedale Super Denton vs Klipsch RP-500M II
- Wharfedale Super Denton vs Wharfedale Diamond 12.1
- Wharfedale Super Denton vs Monitor Audio Silver 50 7G
- Wharfedale Super Denton vs Revel M105
- Wharfedale Super Denton vs KEF Q150
- Wharfedale Super Denton vs Wharfedale Diamond 220
- Wharfedale Super Denton vs Arendal 1961 Monitor
- Wharfedale Super Denton vs Polk Audio XT15
- See all 29 comparisons