Short answer: the JBL Stage 2 250B. It ranks #30 of 56 bookshelf speakers by sound quality at $349.95; the Q Acoustics 5020 ranks #42 and costs $1199, so there is not much of a tradeoff to weigh.
The case for the JBL Stage 2 250B: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. The tradeoff: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling.
What the Q Acoustics 5020 offers: Attractively finished compact standmount with a 5-inch Continuous Curved Cone woofer and carefully engineered cabinet details. Watch for: Erin found the tonal balance distinctly too crisp, forward and treble-heavy: the top end is roughly 3-5dB elevated while the 1-3kHz region is recessed, so vocals change level unnaturally as they move through their range.
Buy the JBL Stage 2 250B. It ranks higher for sound quality than the Q Acoustics 5020 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Q Acoustics 5020. It ranks near the bottom of the 56 bookshelf speakers, so look higher up the list instead.
Specifications Side By Side
| JBL Stage 2 250B | Q Acoustics 5020 | |
|---|---|---|
| Price | $349.95 | $1,199.00 |
| Ranked | #30 of 56 in Medium Size Bookshelf Speakers | #42 of 56 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 48Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 64Hz (measured, Erin’s Audio Corner) | 103Hz (measured, Erin’s Audio Corner) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer | 5" (125mm) C3 mid/bass driver, 1" (25mm) tweeter |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair | 15.4 lbs (15.4 lbs / 7.0kg) each |
| Sensitivity | 86dB (2.83V/1m, measured by Erin’s Audio Corner) | 87.1dB (2.83V/1m, measured, Erin’s Audio Corner; 87.9dB manufacturer specified) |
| Output Power | 75W RMS | - |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin’s Audio Corner) | 6 ohms nominal, 3.3 ohms minimum (manufacturer specified) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) | 11.2"H x 7.1"W x 11.5"D |
| Woofer Cabinet | ported, rear | rear-ported |
| Crossover Frequency | - | 2.5kHz (manufacturer specified) |
| Frequency Response | - | 53Hz - 30kHz (-6dB, manufacturer specified) |
| Recommended Power | - | 25W - 100W (manufacturer specified) |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Ascend Sierra 1 v2 vs Acoustic Energy AE100 Mk2
- Wharfedale Diamond 12.1 vs ELAC BS U5
- ELAC BS U5 vs ELAC Uni-Fi 2.0 UB52
- Q Acoustics 3020i vs Q Acoustics 5020
- Q Acoustics 5020 vs JBL Stage A130
The Two Speakers In Full
JBL Stage 2 250B: $349.95 Amazon
Pros: Consistent, EQ-able dips in the frequency response mean the tonal issues are at least correctable if you’re willing to use equalization. Horizontal dispersion is reasonably wide and controlled (~50-60 degrees). The tweeter itself holds up fine under compression testing - it’s the midwoofer that gives out first.
Cons: The reviewer was “even less enthusiastic” about this one than its disappointing floorstanding sibling. A confusing, hard-to-place tonal signature - a lower-midrange dip creates a recessed, lacking-attack character that’s then partly offset by a rebound around 2-4kHz, so it reads as recessed and forward at different times depending on the material. Treble falls off sharply above 6-7kHz, same issue as the larger 280F. Multitone distortion at 96dB is genuinely poor - well over 3%, reportedly around 10% at some frequencies. Limited bass extension (F3 64Hz, F10 50Hz) means a subwoofer is basically required if used as main speakers. Compression sets in early on the bass/midwoofer at higher output. The reviewer explicitly recommends the similarly-priced Polk Reserve R200/R100 instead for anyone who wants a more linear, EQ-free sound.
Full JBL Stage 2 250B review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Erin's Audio Corner) |
| Dimensions | 12.6"H x 7.9"W x 9.5"D (321.0 x 200.0 x 241.0 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, 5.25" polycellulose woofer |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 75W RMS |
| Sensitivity | 86dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 12.3 lbs / 5.6 kg (12.4 lb) per pair |
| Woofer Cabinet | ported, rear |
As an eBay Partner, we may be compensated if you make a purchase.
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 250B vs ELAC BS U5
- JBL Stage 2 250B vs Dynaudio Emit M10
- JBL Stage 2 250B vs Dynaudio X14
- JBL Stage 2 250B vs Pioneer SP-BS22-LR (Philharmonic AAM Mod)
- JBL Stage 2 250B vs Paradigm Monitor SE Atom
- JBL Stage 2 250B vs JBL L52 Classic
- JBL Stage 2 250B vs Sony SS-CS5 M2
- JBL Stage 2 250B vs ELAC Debut 2.0 B5.2
- See all 18 comparisons
Q Acoustics 5020: $1,199.00 Amazon
Pros: Attractively finished compact standmount with a 5-inch Continuous Curved Cone woofer and carefully engineered cabinet details. Erin found distortion well controlled at normal levels: below 1% down to about 50Hz at 86dB/1m. Its 87dB measured sensitivity is unremarkable rather than hard to drive, and it maintains acceptable output for typical 80-85dB listening. The rear port can be plugged for placement flexibility.
Cons: Erin found the tonal balance distinctly too crisp, forward and treble-heavy: the top end is roughly 3-5dB elevated while the 1-3kHz region is recessed, so vocals change level unnaturally as they move through their range. The shallow woofer crossover and steeper tweeter slope contribute to the off-axis discontinuity, while the port has a strong 1kHz resonance. Bass is limited: Erin measured F3 103Hz and F10 48Hz; at 96dB distortion reaches about 3% by 100Hz, and he bottomed the woofer when pushed hard. He preferred the less-expensive 3020i’s linearity and did not recommend the 5020 for neutral listening without EQ.
Full Q Acoustics 5020 review and specifications →
| Bass Extension (-10dB) | 48Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 103Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 2.5kHz (manufacturer specified) |
| Dimensions | 11.2"H x 7.1"W x 11.5"D |
| Drivers | 5" (125mm) C3 mid/bass driver, 1" (25mm) tweeter |
| Frequency Response | 53Hz - 30kHz (-6dB, manufacturer specified) |
| Impedance | 6 ohms nominal, 3.3 ohms minimum (manufacturer specified) |
| Recommended Power | 25W - 100W (manufacturer specified) |
| Sensitivity | 87.1dB (2.83V/1m, measured, Erin's Audio Corner; 87.9dB manufacturer specified) |
| Weight | 15.4 lbs (15.4 lbs / 7.0kg) each |
| Woofer Cabinet | rear-ported |
As an eBay Partner, we may be compensated if you make a purchase.
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Q Acoustics 5020 vs Micca RB42
- Q Acoustics 5020 vs JBL Stage A130
- Q Acoustics 5020 vs Q Acoustics 3020i
- Q Acoustics 5020 vs Fluance Signature HFS
- Q Acoustics 5020 vs KEF Q100
- Q Acoustics 5020 vs JBL Control 1 Pro
- Q Acoustics 5020 vs ELAC Uni-Fi 2.0 UB52
- Q Acoustics 5020 vs Polk T15
- See all 18 comparisons


