Short answer: the Radiant Acoustics Clarity 4.2 for better sound quality, the Sony SS-CS5 M2 for the lower price. The Radiant Acoustics Clarity 4.2 ranks #23 of 87 bookshelf speakers at $2998. The Sony SS-CS5 M2 ranks #48 at $278, $2720 cheaper.
What the Sony SS-CS5 M2 offers: Added internal bracing (corners, sides, front baffle) plus an updated crossover meaningfully reduce the resonance issues that plagued the original SS-CS5, giving a smoother, more neutral character overall. A modest mid-range dip (about 1-2dB) is present but tolerable, and the reviewer would rather have this dip than a peak in that region. Slightly deeper bass than the previous version, measuring about 2dB more output around 60Hz. Distortion drops noticeably when crossed to a subwoofer around 80-120Hz, meaningfully improving midrange clarity and detail versus running full-range. Easy to drive on a standard AVR - no need for a dedicated high-power amplifier. More modern, understated waveguide look compared to the previous version’s glossy trim. Watch for: Mild sibilance in the 3-5kHz range stands out on S and T sounds in vocals. Some forwardness in the midrange noticeable on certain vocal recordings. Soundstage and sense of envelopment are comparatively flat and two-dimensional, especially next to reference-quality speakers with strong 3D imaging. Marketed as a “three-way” design mainly due to an added super-tweeter that the reviewer considers largely superfluous - it engages only at very high frequencies and adds complexity without a clearly audible benefit, when that cost might have been better spent on the main crossover. Output-limited: realistic ceiling is around the mid-90s dB SPL at a few meters, with comfortable listening closer to 75-85dB at 3-4 meters before distortion and compression become audible. Bass noticeably compresses/shelves below about 120Hz as volume increases, softening kick-drum impact at higher output. Smaller drivers and a lighter motor structure than rivals like the Polk XT20, which the reviewer generally prefers for its better directivity and higher SPL capability. Still needs a subwoofer for any real bass extension.
What the Radiant Acoustics Clarity 4.2 offers: Compact bookshelf design using a 4” Purifi mid-woofer with matching Purifi passive radiators and an AMT tweeter on a purpose-designed waveguide, built with genuine heft - aluminum baffle, extensive internal bracing and damping. Surprisingly wide horizontal dispersion (about ±70° through the midrange and into the treble), more enveloping than its larger 6.2 sibling despite the smaller cabinet. More linear on-axis than the bigger Clarity 6.2, which needs 15-20° of toe-out to tame a rising treble; the 4.2 can be listened to closer to on-axis without that same correction. Wider-than-typical vertical dispersion (roughly +30°/-20°) for a two-way design, since its smaller woofer keeps the tweeter-to-woofer distance short. Genuinely deep bass extension for its size (F3 44Hz, reaching about 40Hz in-room), though it comes at a real cost to sensitivity. No resonance issues visible in impedance measurements. Watch for: Low sensitivity (rated 78dB, measured 78.5dB) is the trade-off for its bass extension - needs a fair amount of amplifier power, around 100W recommended for small-to-medium rooms versus the manufacturer’s own 60W baseline. Designed specifically for smaller rooms; the reviewer had to move testing out of his open-plan living room and into a smaller bedroom to avoid running into compression. A dip in the upper midrange gives a mild lack of attack and clarity, and a peak around 5kHz occasionally added a touch of extra sibilance. Multitone distortion crosses the reviewer’s 3% threshold at 96dB, making about 88dB a better average listening level; a slight upper-midrange bump persists even with an 80Hz high-pass filter applied. Dynamic range is limited: fine at 86dB, but the woofer starts giving up headroom by 96dB and drops off significantly by 102dB. Compared to its pricier sibling Clarity 6.2, has notably less dynamic range and higher multitone distortion, reflecting the smaller driver complement. A niche product size-wise - the reviewer couldn’t identify a clear direct competitor in the same size/price/SPL class.
Buy the Sony SS-CS5 M2 if the price matters more than sound quality. Buy the Radiant Acoustics Clarity 4.2 if sound quality matters more than the price.
Specifications Side By Side
| Sony SS-CS5 M2 | Radiant Acoustics Clarity 4.2 | |
|---|---|---|
| Price | $278.00 | $2,998 |
| Ranked | #48 of 87 in Medium Size Bookshelf Speakers | #23 of 87 in Medium Size Bookshelf Speakers |
| Bass Extension (-10dB) | 54Hz (measured, Erin’s Audio Corner) | 35 Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 80Hz (measured, Erin’s Audio Corner) | 44 Hz (measured, Erin’s Audio Corner) |
| Dimensions | 13.2"H x 7"W x 8.7"D (335 x 178 x 220 mm) | 9.5"H x 6.3"W x 9.4"D (241 x 160 x 239 mm) |
| Impedance | 6 ohms | 4 ohms |
| Sensitivity | 82.5dB | 78 dB |
| Supertweeter | 0.75 in | - |
| Drivers | 5.12" woofer, 0.98 in tweeter | (2) 4" (102mm) woofer + AMT tweeter |
| Weight | 9.5 lbs / 4.3 kg each | 28.7 lbs / 13 kg (per pair: 57.3 lbs / 26 kg) |
| Woofer Cabinet | ported, rear | passive radiator |
| Frequency Response | - | 40 Hz - 25 kHz |
| Woofer | - | 4" (102mm) PURIFI USHINDI |
| Tweeter | - | AMT (Air Motion Transformer) |
| Amplifier Required | - | Yes |
| Recommended Power | - | 50-200W |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- KEF LS50 Meta vs Tekton Troubadour
- Arendal 1961 Monitor vs Tekton Troubadour
- Ascend Sierra 1 v2 vs Tekton Troubadour
- JBL Stage A120 vs Radiant Acoustics Clarity 4.2
- Q Acoustics 3020i vs Radiant Acoustics Clarity 4.2
Prices on this page were last checked August 25, 2026 at 6:19 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Sony SS-CS5 M2: $278.00 Amazon eBay
Pros: Added internal bracing (corners, sides, front baffle) plus an updated crossover meaningfully reduce the resonance issues that plagued the original SS-CS5, giving a smoother, more neutral character overall. A modest mid-range dip (about 1-2dB) is present but tolerable, and the reviewer would rather have this dip than a peak in that region. Slightly deeper bass than the previous version, measuring about 2dB more output around 60Hz. Distortion drops noticeably when crossed to a subwoofer around 80-120Hz, meaningfully improving midrange clarity and detail versus running full-range. Easy to drive on a standard AVR - no need for a dedicated high-power amplifier. More modern, understated waveguide look compared to the previous version’s glossy trim.
Cons: Mild sibilance in the 3-5kHz range stands out on S and T sounds in vocals. Some forwardness in the midrange noticeable on certain vocal recordings. Soundstage and sense of envelopment are comparatively flat and two-dimensional, especially next to reference-quality speakers with strong 3D imaging. Marketed as a “three-way” design mainly due to an added super-tweeter that the reviewer considers largely superfluous - it engages only at very high frequencies and adds complexity without a clearly audible benefit, when that cost might have been better spent on the main crossover. Output-limited: realistic ceiling is around the mid-90s dB SPL at a few meters, with comfortable listening closer to 75-85dB at 3-4 meters before distortion and compression become audible. Bass noticeably compresses/shelves below about 120Hz as volume increases, softening kick-drum impact at higher output. Smaller drivers and a lighter motor structure than rivals like the Polk XT20, which the reviewer generally prefers for its better directivity and higher SPL capability. Still needs a subwoofer for any real bass extension.
Full Sony SS-CS5 M2 review and specifications →
| Bass Extension (-10dB) | 54Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 80Hz (measured, Erin's Audio Corner) |
| Dimensions | 13.2"H x 7"W x 8.7"D (335 x 178 x 220 mm) |
| Drivers | 5.12" woofer, 0.98 in tweeter |
| Impedance | 6 ohms |
| Sensitivity | 82.5dB |
| Supertweeter | 0.75 in |
| Weight | 9.5 lbs / 4.3 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Radiant Acoustics Clarity 4.2: $2,998 Radiant Acoustics eBay
Pros: Compact bookshelf design using a 4” Purifi mid-woofer with matching Purifi passive radiators and an AMT tweeter on a purpose-designed waveguide, built with genuine heft - aluminum baffle, extensive internal bracing and damping. Surprisingly wide horizontal dispersion (about ±70° through the midrange and into the treble), more enveloping than its larger 6.2 sibling despite the smaller cabinet. More linear on-axis than the bigger Clarity 6.2, which needs 15-20° of toe-out to tame a rising treble; the 4.2 can be listened to closer to on-axis without that same correction. Wider-than-typical vertical dispersion (roughly +30°/-20°) for a two-way design, since its smaller woofer keeps the tweeter-to-woofer distance short. Genuinely deep bass extension for its size (F3 44Hz, reaching about 40Hz in-room), though it comes at a real cost to sensitivity. No resonance issues visible in impedance measurements.
Cons: Low sensitivity (rated 78dB, measured 78.5dB) is the trade-off for its bass extension - needs a fair amount of amplifier power, around 100W recommended for small-to-medium rooms versus the manufacturer’s own 60W baseline. Designed specifically for smaller rooms; the reviewer had to move testing out of his open-plan living room and into a smaller bedroom to avoid running into compression. A dip in the upper midrange gives a mild lack of attack and clarity, and a peak around 5kHz occasionally added a touch of extra sibilance. Multitone distortion crosses the reviewer’s 3% threshold at 96dB, making about 88dB a better average listening level; a slight upper-midrange bump persists even with an 80Hz high-pass filter applied. Dynamic range is limited: fine at 86dB, but the woofer starts giving up headroom by 96dB and drops off significantly by 102dB. Compared to its pricier sibling Clarity 6.2, has notably less dynamic range and higher multitone distortion, reflecting the smaller driver complement. A niche product size-wise - the reviewer couldn’t identify a clear direct competitor in the same size/price/SPL class.
Full Radiant Acoustics Clarity 4.2 review and specifications →
| Amplifier Required | Yes |
|---|---|
| Bass Extension (-10dB) | 35 Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 44 Hz (measured, Erin's Audio Corner) |
| Dimensions | 9.5"H x 6.3"W x 9.4"D (241 x 160 x 239 mm) |
| Drivers | (2) 4" (102mm) woofer + AMT tweeter |
| Frequency Response | 40 Hz - 25 kHz |
| Impedance | 4 ohms |
| Recommended Power | 50-200W |
| Sensitivity | 78 dB |
| Tweeter | AMT (Air Motion Transformer) |
| Weight | 28.7 lbs / 13 kg (per pair: 57.3 lbs / 26 kg) |
| Woofer | 4" (102mm) PURIFI USHINDI |
| Woofer Cabinet | passive radiator |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Radiant Acoustics Clarity 4.2 vs Wharfedale Diamond 12.1
- Radiant Acoustics Clarity 4.2 vs KEF Q150
- Radiant Acoustics Clarity 4.2 vs Wharfedale Super Denton
- Radiant Acoustics Clarity 4.2 vs Klipsch RP-500M II
- Radiant Acoustics Clarity 4.2 vs Moondrop M4P MTM
- Radiant Acoustics Clarity 4.2 vs Arendal 1961 Monitor
- Radiant Acoustics Clarity 4.2 vs KEF LS50 Meta
- Radiant Acoustics Clarity 4.2 vs Ascend Sierra 1 v2
- See all 22 comparisons